This study focusses on what the author calls Street Filmmaking - the production of audiovisual artists who work outside the state film industry - to examine the island's transformation and changing notions of Cuban identity.

The 1990s were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cuba views these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the economic crisis that ensued, and the decentralization of the state's political, economic, and cultural apparatus. Stock focuses on what she calls Street Filmmaking--the production of emerging audiovisual artists who work outside the state film industry--to examine the island's transformation and changing notions of Cuban identity. Employing entrepreneurial approaches to producing art and to negotiating the exigencies of globalization, this younger generation of filmmakers offers fresh perspectives on what it means to be Cuban in an increasingly complex and connected world.

Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.

Penned during the transition of power from Fidel Castro to Raúl Castro, Our Place in the Sun explores the Canadian-Cuban relationship from 1959 to the present day. The essays in this volume reflect upon the past but also explore the internal issues and external forces that will continue to influence the Canada-Cuba association in the years to come. Many of this volume's contributors draw upon newly declassified sources and original interviews, providing unique insight into the historical, economic, and political realities affecting the Canada-Cuba connection. Featuring twelve original essays by a variety of scholars as well as a short memoir by former Canadian Ambassador to Cuba, Mark Entwistle, this important interdisciplinary collection calls into question past understandings of the Canadian-Cuban relationship. It is a must-read for anyone interested in Canadian and Cuban history of the last half-century, and the dynamics of North American politics more broadly.

This book explores how young Cuban filmmakers have expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba's archive to illustrate the confluence of sexuality, cinema, and discourses of youth. While sexual and cinematic cultures have their own unique relation to the public sphere, state institutions, and transnational flows, this book explores tensions, debates, and expressions that unite them. In an investigation of how young filmmakers employ queer strategies of self-making to bring sexual diversity to the screen, Margaret G. Frohlich shows us how cine joven takes part in the socialization of power in Cuba.

"As novelist and poet Andrei Codrescu points out in the essay that accompanies this selection of photographs from the Getty Museum's collection, Evans's photographs are the work of an artist whose temperament was distinctly at odds with Beals's impassioned rhetoric. Evans's photographs of Cuba were made by a young, still maturing artist who - as Codrescu argues - was just beginning to combine his early, formalist aesthetic with the social concerns that would figure prominently in his later work."--Jacket.

Published to coincide with the 50th anniversary of the Cuban Revolution, this work takes a look at Cuban history seen through the collection of Ramiro Fernandez, the world's largest archive of Cuban photos and ephemera.

Named a 2021 Top Thriller by Alta Journal ​2022 Next Generation Indie Book Award Finalist in Action/Adventure Fiction 2021 Professional Achievement Award, Johns Hopkins University faculty Finalist for the 2021 CASEY Award for Best Baseball Book of the Year In this visionary sequel to Castro’s Curveball, the former Washington Senators Minor League catcher has returned to Havana with a small role in a movie being filmed on location. Billy Bryan soon realizes that this place and his past remain as star-crossed as when he played winter ball in the Cuban capital decades before. Against his better judgment, Billy becomes entangled in a scheme to spirit a top baseball prospect off the island. This pits him against his old friend Fidel Castro. Despite being in his final days, the dictator remains a dangerous adversary, as does the Cuban sports machine and the Mexican crime syndicates that now direct baseball talent toward the U.S. Major Leagues. In Escape from Castro’s Cuba, Billy must once again navigate the crosscurrents of the so-called City of Columns: a place where the sunsets from the Hotel Nacional along the Malecón breakwater are as beautiful as ever, but where the alleyways in Old Havana still fan out, crooked and broken, like an old catcher’s fingers.

Living In Cuba captures the island's brilliant mix of uniquely preserved architectural and interior styles, from early colonial to baroque to art nouveau and art deco, and brings to life its exotic atmosphere, people and history.

Transformations in Cuban art, literature and culture in the post-Fidel era Cuba has been in a state of massive transformation over the past decade, with its historic resumption of diplomatic relations with the United States only the latest development. While the political leadership has changed direction, other forces have taken hold. The environment is under threat, and the culture feels the strain of new forms of consumption. Planet/Cuba examines how art and literature have responded to a new moment, one both more globalized and less exceptional; more concerned with local quotidian worries than international alliances; more threatened by the depredations of planetary capitalism and climate change than by the vagaries of the nation’s government. Rachel Price examines a fascinating array of artists and writers who are tracing a new socio-cultural map of the island.