How do Holocaust survivors find words and voice for their memories of terror and loss? This landmark book presents striking new insights into the process of recounting the Holocaust. While other studies have been based, typically, on single interviews with survivors, this work summarizes twenty years of the author's interviews and reinterviews with the same core group. In this book, therefore, survivors' recounting is approached—not as one-time testimony—but as an ongoing, deepening conversation. Listening to survivors so intensively, we hear much that we have not heard before. We learn, for example, how survivors perceive us, their listeners, and the impact of listeners on what survivors do, in fact, retell. We meet the survivors themselves as distinct individuals, each with his or her specific style and voice. As we directly follow their efforts to recount, we see how Holocaust memories challenge their words even now—burdening survivors' speech, distorting it, and sometimes fully consuming it. It is not a story, insisted one survivor about his memories. It has to be made a story. On Listening to Holocaust Survivors shows us both the ways survivors can make stories for the not-story they remember and—just as important—the ways they are not able to do so.

Challenges conventional wisdom and wisely transforms the process of discerning and responding to what survivors of the Holocaust and other genocides have to say.

Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is intrinsically unspeakable and that the Holocaust thus lies in a quasi-sacred realm beyond history, the book asks whether much current theory does not have the effect of silencing the voices of real historical victims. It thereby challenges widely accepted theoretical views about the representation of trauma in general and the Holocaust in particular as set forth by Giorgio Agamben, Cathy Caruth, Berel Lang, and Dori Laub. It also reconsiders, in the work of Theodor Adorno and Emmanuel Levinas, reflections on ethics and aesthetics after Auschwitz as these pertain to the reception of testimony. Referring at length to videotaped testimony and to texts by Charlotte Delbo, Primo Levi, and Jorge Semprun, the book aims to make these voices heard. In doing so, it clarifies the problems that anyone receiving testimony may encounter and emphasizes the degree to which listening to survivors depends on listening to ourselves and to one another. Witnessing Witnessing seeks to show how, in the situation of address in which Holocaust survivors call upon us, we discover our own tacit assumptions about the nature of community and the very manner in which we practice it.

Annotation This important and original book is the first sustained analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust. Langer argues that it is necessary to deromanticize the survival experience and that to burden it with accolades about the "indomitable human spirit" is to slight its painful complexity and ambivalence.

Describes the life of Eva Mozes and her twin sister Miriam as they were interred at the Auschwitz concentration camp during the Holocaust, where Dr. Josef Mengele performed sadistic medical experiments on them until their release.

Reflections is a book of memories, but it is equally a book about memory. Speaking of herself as well as other Holocaust survivors, Agi Rubin notes: We survivors are a bundle of contradictions. We push away the past, and we are constantly drawn back to it. When we are here, we are also there. And when we are there, we are also here. "Survivors,"; Agi tells us, "are jugglers. Life goes on, death goes on, and survivors themselves go on-somewhere in between." What is it like to live within such contradictions? While most survivor memoirs end at liberation, Reflections follows the fate of Holocaust memories over the course of an entire life. Agi describes in detail her initial awakening and the journey home, being a young survivor in the giddy limbo of postwar, recreating lives and families in the United States, responding to the unanticipated surge of interest in the Holocaust in recent years. Throughout, the inner dialogue with memory deepens. "New experiences reflect old ones" says Agi. "They put them in a different light, or a different darkness." These reflections are the story this book tells about Auschwitz, memory, and a life recreated.

How do Holocaust survivors find words and voice for their memories of terror and loss? This landmark book presents striking new insights into the process of recounting the Holocaust. While other studies have been based, typically, on single interviews with survivors, this work summarizes twenty years of the author's interviews and reinterviews with the same core group. In this book, therefore, survivors' recounting is approached—not as one-time testimony—but as an ongoing, deepening conversation. Listening to survivors so intensively, we hear much that we have not heard before. We learn, for example, how survivors perceive us, their listeners, and the impact of listeners on what survivors do, in fact, retell. We meet the survivors themselves as distinct individuals, each with his or her specific style and voice. As we directly follow their efforts to recount, we see how Holocaust memories challenge their words even now—burdening survivors' speech, distorting it, and sometimes fully consuming it. It is not a story, insisted one survivor about his memories. It has to be made a story. On Listening to Holocaust Survivors shows us both the ways survivors can make stories for the not-story they remember and—just as important—the ways they are not able to do so.

This ground-breaking book opens a closet and allows hundreds of people of this generation to emerge, with their nightmares, phobias, and flashbacks suggestive of an incarnation in the Holocaust. Through that open door, author Sara Rigler introduces the reader to people from all over the world whose stories defy rational explanation-unless they are indeed reincarnated souls from the Holocaust. Because the purpose of reincarnation is to rectify past mistakes and failings, Part Two narrates the journeys of souls who in their current lifetime replaced fear with courage, hatred with love, and guilt with self-forgiveness. Fascinating and convincing, this page-turner will quicken your awareness of your own soul and how your inexplicable fears, attractions, and repulsions may be comprehensible through the notion of past-life experiences. "Sara Rigler has written a powerful and gripping narrative.... The stories make for fascinating reading." -Rabbi Yitzchak A. Breitowitz, Kehillat Ohr Somayach "An eye-opening journey." --Alicia Yacoby, Founder, Our6Million "Sara Rigler's extensive research and collection of past-life Holocaust memories confirms the reality of this phenomenon, and offers hope for healing the trauma that carried over for many of us. For those who have not had their own memories, the case studies offer compelling evidence for the continuation of a personal consciousness after death." --Carol Bowman, author of Children's Past Lives "This book is not only credible, it is important." -Rebbetzin Tziporah (Heller) Gottlieb, author and lecturer "Sara Rigler has done exceptional work in meticulously compiling, recording, and describing personal stories of Jews and non-Jews from many countries. By doing so she has rendered an invaluable service ... to humanity." --Sabine Lucas, Ph.D., Jungian analyst

Survivors of terrible events are often portrayed as unsung heroes or tragic victims but rarely as complex human beings whose lives extend beyond the stories they have told. Beyond Testimony and Trauma considers other ways to engage with survivors and their accounts based on insights gained from long-term oral history projects in a variety of contexts. The contributors, all innovators in the field of oral history, include Henry Greenspan who provides reflections from forty years of listening to Holocaust survivors as well as a thought-provoking afterword. They all demonstrate that - through deep listening, long-term relationship building, and collaborative research design - it is possible to move beyond the problematic aspects of "testimony" to shine light on the more nuanced lives of survivors of mass violence. In the process, they offer alternative approaches to the collection of oral history that will shake the foundations of current historiographical practice.

INSTANT NEW YORK TIMES BESTSELLER "Heartbreaking, inspirational, and uplifting, this is an engaging story of one remarkable woman's will to survive." — Library Journal “Utterly compelling, heartbreaking, truthful and yet redemptive . . . a testimony of irrepressible spirit and an unforgettable family chronicle. I couldn't stop reading it.”—Simon Sebag Montefiore In this life-affirming intergenerational memoir, Lily Ebert, a Holocaust survivor, and her great-grandson, Dov Forman, come together to share her story—an unforgettable tale of resilience and resistance. On Yom Kippur, 1944, fighting to stay alive as a prisoner in Auschwitz, Lily Ebert made a promise to herself. She would survive the hell she was in and tell the world her story, for everyone who couldn’t. Now, at ninety-eight, this remarkable woman—and TikTok sensation, thanks to the help of her eighteen-year-old great-grandson—fulfills that vow, relaying the details of her harrowing experiences with candor, charm, and an overflowing heart. In these pages, she writes movingly about her happy childhood in Hungary, the death of her mother and two youngest siblings on their arrival at Auschwitz, and her determination to keep her two other sisters safe. She describes the inhumanity of the camp and the small acts of defiance that gave her strength. Lily lost so much, but she built a new life for herself and her family, first in Israel and then in London. Dov knows that it is up to younger people like him to keep Lily’s promise. He and Lily bridge the generation gap to share her experience, reminding us of the joy that accompanies the solemn responsibility of keeping the past—and our stories—alive.