The surprising roots of the self-defense movement and the history of women’s empowerment. At the turn of the twentieth century, women famously organized to demand greater social and political freedoms like gaining the right to vote. However, few realize that the Progressive Era also witnessed the birth of the women’s self-defense movement. It is nearly impossible in today’s day and age to imagine a world without the concept of women’s self defense. Some women were inspired to take up boxing and jiu-jitsu for very personal reasons that ranged from protecting themselves from attacks by strangers on the street to rejecting gendered notions about feminine weakness and empowering themselves as their own protectors. Women’s training in self defense was both a reflection of and a response to the broader cultural issues of the time, including the women’s rights movement and the campaign for the vote. Perhaps more importantly, the discussion surrounding women’s self-defense revealed powerful myths about the source of violence against women and opened up conversations about the less visible violence that many women faced in their own homes. Through self-defense training, women debunked patriarchal myths about inherent feminine weakness, creating a new image of women as powerful and self-reliant. Whether or not women consciously pursued self-defense for these reasons, their actions embodied feminist politics. Although their individual motivations may have varied, their collective action echoed through the twentieth century, demanding emancipation from the constrictions that prevented women from exercising their full rights as citizens and human beings. This book is a fascinating and comprehensive introduction to one of the most important women’s issues of all time. This book will provoke good debate and offer distinct responses and solutions.

Publisher Fact Sheet The life of an explorer, amateur naturalist, philanthropist, & pioneer in the field of science.

A beloved NPR radio host speaks about the death of her husband of fifty-four years—and of her struggle to reconstruct her life without him—in an eloquent, deeply moving book that “invite[s] comparisons to Joan Didion’s own memoir of loss, The Year of Magical Thinking” (The Guardian). John Rehm was 74 when he was diagnosed with Parkinson's. Nine years later, he passed away, having made the difficult choice to end his extended illness by refusing to eat, drink, or accept medication. This process transformed Diane into an advocate for increased conversation end-of-life care and the right to die on one’s own terms, as well as a brave and sympathetic voice for anyone who must learn how to live again after bereavement.

Soon to be a Netflix series starring Octavia Spencer, On Her Own Ground is the first full-scale biography of “one of the great success stories of American history” (The Philadelphia Inquirer), Madam C.J. Walker—the legendary African American entrepreneur and philanthropist—by her great-great-granddaughter, A’Lelia Bundles. The daughter of formerly enslaved parents, Sarah Breedlove—who would become known as Madam C. J. Walker—was orphaned at seven, married at fourteen, and widowed at twenty. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then—with the discovery of a revolutionary hair care formula for black women—everything changed. By her death in 1919, Walker managed to overcome astonishing odds: building a storied beauty empire from the ground up, amassing wealth unprecedented among black women, and devoting her life to philanthropy and social activism. Along the way, she formed friendships with great early-twentieth-century political figures such as Ida B. Wells, Mary McLeod Bethune, W.E.B. Du Bois, and Booker T. Washington.

In Holland 1633, a woman’s ambition has no place. Judith is a painter, dodging the law and whispers of murder to try to become the first woman admitted to the Haarlem painters guild. Maria is a Catholic in a country where the faith is banned, hoping to absolve her sins by recovering a lost saint’s relic. Both women’s destinies will be shaped by their ambitions, running counter to the city’s most powerful men, whose own plans spell disaster. A vivid portrait of a remarkable artist, A Light of Her Own is a richly-woven story of grit against the backdrop of Rembrandt and an uncompromising religion. Story behind the story . . . The trail of Judith Leyster’s career was so faint that only years after her death in 1660, collectors began attributing her few surviving paintings to other artists. She signed her work with only a beautiful, stylized monogram. Credit went to Frans Hals, Jan Miense Molenaer, and others. She would remain lost to history until 1893.

An icy road and a sharp turn leave one woman dead, another clinging to life.

Molly Tipton looks forward to a peaceful retirement, but her life suddenly spirals out of control when her oldest daughter is involved in a terrible accident.

While two families grieve, details emerge that shake Molly to her core. As she prepares her daughter for what lies ahead, Molly discovers her oldest child is not the only one injured and forced to deal with past mistakes.

If it’s true that time heals all wounds, what are we to do with our scars?

Praise for Breathing on Her Own
“Lean, not florid, genuine, not sappy, reflective, not preachy, familiar, not clichéd, satisfying, not contrived: what more could one ask of a contemporary novel from a first-time novelist? Readers of Breathing on Her Own will enjoy a story that feels close to home, in the tradition of writers like Anne Tyler. We know the people in this story. They are friends, neighbors, family, even ourselves. I expect that when readers finish this book, they will ask Dr. Waters when they can read her next one. That’s certainly my question.”
—Jon Weatherly
Vice President for Academic Affairs/Provost Johnson University

“Entertaining, challenging, and realistic. Breathing on Her Own brings us face-to-face with what we really believe through the eyes of one woman’s journey with hope and resilient faith as the backbone of the story.”
—Drew Waters
Actor, Director, Producer; Star of The Ultimate Life and The Redemption of Henry Meyers as well as recurring roles on Saturday Night Lights and NCIS

“I was hooked from the beginning! Waters takes us on a journey of faith and doubt which had me asking questions like, ‘How would I react?’ and ‘Would I trust God during these tough times?’ Let this real-life drama pull you in and pull you closer to God!”
—Andy Lynch
WTLW TV host of ‘Faith and Friends’ and Sports Director of WOSN

“Rebecca Waters nailed it in this well-written novel about family and life changing tragedy. She takes her protagonist, Molly, through the pain that comes when life kicks you in the gut, in both a realistic and insightful way. Giving Molly permission to question her God and her faith gives the reader permission to do the same. This can bring a great deal of comfort to people who are struggling through the challenges that inevitably come into every life. In Breathing on Her Own, as in real life, God holds up to the questioning and that is the message that Ms. Waters handles so well.”
—Robin Prince Monroe
Author of Devotions for the Brokenhearted and the Comforting Little Hearts series

“A must read. Edge of your seat drama, Breathing on Her Own is as brilliant as it is captivating. Rebecca Waters has the ability to paint an accurate picture of her delightful characters in this poignant yet heart warming story that deals with real life issues.”
—R. A. Giggie
Author of Stella’s Plea

prospectors for the first time. Sally Zanjani depicts more than one hundred women prospectors in often grueling, financially unrewarding, and utterly lonely efforts to strike it rich from the desert Southwest to the frozen rocks of Alaska and the Yukon. She tells their stories with warmth and skill and, in bringing them to life, forever changes our mental picture of the women who helped shape the modern West.

"Women from all walks of life introduce us to the sanctuaries they have created in their own homes. Some of these women, like Oprah Winfrey, Maya Angelou, and Ali McGraw, are well-known; others are known only in their own communities."--Jacket.

A girl who longs for her own horse is given the chance to care for a troubled, damaged horse, who needs her as much as she needs him. Fourteen-year-old Jane Ryan has always dreamed of having a horse of her own—but so long as she gets to ride her favorite school horse, Beau, at Sunny Acres farm, she's content. And this is the summer she means to try out for the advanced riding class. But just as camp begins, Jane receives heartbreaking news about Beau. She loses, not just her favorite horse, but also her chance to ride in the end-of-summer competition. When her trainer asks for her help with an out-of-control chestnut warmblood, Lancelot, a newcomer to the barn, she has no choice but to say yes. There's another new addition to the farm: Ben Reyes, the grandson of the barn's manager. As Jane struggles to go on without Beau, and to make Lancelot the great horse she believes him to be, her feelings for Ben, her relationships with the privileged group of girls she rides with, and her painful, joyous road to self-discovery all lead to a heart-pounding conclusion that is truly a new beginning. Only Jane's faith in Lancelot, and her own rediscovered skill and strength, can see her through the hard journey toward a horse of her own.