prospectors for the first time. Sally Zanjani depicts more than one hundred women prospectors in often grueling, financially unrewarding, and utterly lonely efforts to strike it rich from the desert Southwest to the frozen rocks of Alaska and the Yukon. She tells their stories with warmth and skill and, in bringing them to life, forever changes our mental picture of the women who helped shape the modern West.

From the California gold rush through the mid-twentieth century, a special breed of women played an integral and heretofore unrecognized part in some of the most stirring adventures of the pioneer experience: the saintly Nellie Cashman; the copper queen Ferminia Sarras, known for her grand sprees; the former rodeo champion turned prospector; the ex-actress who snowshoed her way to Nome; and many more. Chosen as one of the top ten books of all time by the Mining History Association, A Mine of Her Own tells the definitive story of America's women prospectors for the first time.

During the gold rush, women worked alongside men panning and digging for gold and silver in the mountains of Colorado, California, and all the way up to Alaska. While many books have been written about the frontier women who ran brothels and boarding houses in mining towns, none have told the true stories of ladies who labored as hard as men out in the mines. A wonderful collection of true Americana, this book includes archival photographs of lady miners as well as the mines and boomtowns.

Two besties and a baby make for an instafamily and a surprising romance in a delightful series by Melissa Foster, the New York Times bestselling author of the Sugar Lake novels. Ben Dalton has always been honest, except where his heart is concerned. He's been in love with his best friend--saucy, smart-mouthed Aurelia Stark--forever. But Ben's a planner, and timing has never been on his side. When he finally decides to make his move, Aurelia beats him to the punch with a move of her own--to a different town. Aurelia loves her new life in the charming town of Harmony Pointe. She has a great apartment and her very own bookstore, and best of all, the sinfully hot, commitment-phobic friend she's crushed on for years is no longer just around the corner. Maybe she'll finally be able to leave her unrequited love behind and move on. But when a baby is left on Ben's front porch--a baby that is presumably his--Aurelia is there for him. Neither one knows the first thing about babies, but how hard can it be? Ben and Aurelia are catapulted into a world of love, laughter, and tracking down the baby mama, and it might even add up to a very happily ever after... just not one either of them expects.

Nora has made friends with all the people in her building--almost. Cranky Mrs. Ellsworth, whom Nora has nicknamed Mrs. Mind-Your-Own-Business, just won't be friendly. Then one day Mommy needs a baby-sitter for Nora and Teddy. No one can take the job...except Mrs. Mind-Your-Own-Business! Teddy is scared, but Nora is curious. Will Mrs. Mind-Your-Own-Business become their friend at last?

“Mine” is one of the first words babies learn, and by the time we grow up, the idea of ownership seems natural, whether we are buying a cup of coffee or a house. But who controls the space behind your airplane seat: you, reclining, or the squished laptop user behind you? Why is plagiarism wrong, but it’s okay to knock off a recipe or a dress design? And after a snowstorm, why does a chair in the street hold your parking space in Chicago, while in New York you lose both the space and the chair? In Mine!, Michael Heller and James Salzman, two of the world’s leading authorities on ownership, explain these puzzles and many more. Remarkably, they reveal, there are just six simple rules that everyone uses to claim everything. Owners choose the rule that steers us to do what they want. But we can pick differently. This is true not just for airplane seats, but also for battles over digital privacy, climate change, and wealth inequality. Mine! draws on mind-bending, often infuriating, and always fascinating accounts from business, history, courtrooms, and everyday life to reveal how the rules of ownership control our lives and shape our world.

Away at school, Sally Copeland has always dreamed of going home, but now that she’s there, she feels frightened and unsure of herself.Will her brother and sister accept her? Will she be able to do things for herself? And what will it be like to go to a regular school and be the only one with cerebral palsy?

“To me life and art are one and the same, for the key lies in one's knowledge of people and life. In art one is trying to express it in the simplest imaginative way, as in the art of past civilizations, for beauty and truth are the only two things which live timeless and ageless.” - Miné Okubo This is the first book-length critical examination of the life and work of Miné Okubo (1912-2001), a pioneering Nisei artist, writer, and social activist who repeatedly defied conventional role expectations for women and for Japanese Americans over her seventy-year career. Okubo's landmark Citizen 13660 (first published in 1946) is the first and arguably best-known autobiographical narrative of the wartime Japanese American relocation and confinement experience. Born in Riverside, California, Okubo was incarcerated by the U.S. government during World War II, first at the Tanforan Assembly Center in California and later at the Topaz War Relocation Center in Utah. There she taught art and directed the production of a literary and art magazine. While in camp, Okubo documented her confinement experience by making hundreds of paintings and pen-and-ink sketches. These provided the material for Citizen 13660. Word of her talent spread to Fortune magazine, which hired her as an illustrator. Under the magazine's auspices, she was able to leave the camp and relocate to New York City, where she pursued her art over the next half century. This lovely and inviting book, lavishly illustrated with both color and halftone images, many of which have never before been reproduced, introduces readers to Okubo's oeuvre through a selection of her paintings, drawings, illustrations, and writings from different periods of her life. In addition, it contains tributes and essays on Okubo's career and legacy by specialists in the fields of art history, education, women's studies, literature, American political history, and ethnic studies, essays that illuminate the importance of her contributions to American arts and letters. Miné Okubo expands the sparse critical literature on Asian American women, as well as that on the Asian American experience in the eastern United States. It also serves as an excellent companion to Citizen 13660, providing critical tools and background to place Okubo's work in its historical and literary contexts.

A widely praised young writer delivers a daring, ambitious novel about identity and race in the age of globalization. One afternoon, not long after Kelly Thorndike has moved back to his hometown of Baltimore, an African American man he doesn't recognize calls out to him. To Kelly’s shock, the man identifies himself as Martin, who was one of Kelly’s closest friends in high school—and, before his disappearance nearly twenty years before, white and Jewish. Martin then tells an astonishing story: after years of immersing himself in black culture, he’s had a plastic surgeon perform “racial reassignment surgery”: altering his hair, skin, and physiognomy to allow him to pass as African American. Unknown to his family or childhood friends, Martin has been living a new life ever since. Now, however, Martin feels he can no longer keep his identity a secret; he wants Kelly to help him ignite a controversy that will help sell racial reassignment surgery to the world. Inventive and thought-provoking, Your Face in Mine is a brilliant novel about cultural and racial alienation and the nature of belonging in a world where identity can be a stigma or a lucrative brand.