Only those who love colour are admitted to its beauty and immanent presence. It affords utility to all, but unveils its deeper mysteries only to its devotees."0- Johannes Itten00'On Colour...' draws on the theories of colour harmony that Johannes Itten taught at the Bauhaus, and on the literature of Mazdaznan, Rosicrucianism and Theosophy. It describes how one can, potentially, produce the white cloud of invisibility and documents the author?s own attempts to manifest the cloud. These manifestations have a complex group of antecedents that include Lawrence Weiner?s early spray-painted works, John Latham?s One Second Drawings, Robert Irwin?s luminous disc paintings of the 1960s and representations of the ineffable made by spiritualists and occultists.

A SUNDAY TIMES DESIGN BOOK OF THE YEAR _________________________________________ The definitive guide for harnessing the power of colour to improve your happiness, wellbeing and confidence Wouldn't you like to boost your confidence simply by slipping on 'that' yellow jumper? Or when you get home after a stressful day, be instantly soothed by the restful green of your walls? The colours all around us hold an emotional energy. Applied Colour Psychology specialist, Karen Haller, explains the inherent power of colour; for example, looking closely at the colours we love or those we dislike can bring up deeply buried memories and with them powerful feelings. A revolutionary guide to boosting your wellbeing, The Little Book of Colour puts you firmly in the driver's seat and on the road to changing the colours in your world to revamp your mood and motivation. Illuminating the science, psychology and emotional significance of colour, with key assessments for finding your own true colour compatibility, this book will help you to rediscover meaning in everything you do through the joy of colour. Get ready to join the colour revolution, and change your life for the better.

A delightful pocket-guide to becoming invisible through meditations on color Both an artist's book and a would-be practical guide, this beautiful little book offers occult instructions for becoming invisible by meditating on the color spectrum. It draws on the literature of Rosicrucianism, theosophy and esoteric yoga to demonstrate how, through breathing exercises and visualization, the reader can learn to split light into its constituent parts, then recombine the seven colours of the spectrum to form a glowing white cloud that envelops its creator, rendering him or her invisible. Its author, London-based artist Ian Whittlesea--well known for his book works based on spiritual-physical exercises, such as Yves Klein: The Foundations of Judo and Mazdaznan Health & Breath Culture--notes in the preface: "These exercises are intended to allow you to become invisible. This does not, however, mean that you will physically disappear or dematerialize. Instead you will be hidden from view, concealed within a cloud of your own creation."Gorgeous colour abstractions by Whittlesea illustrate the book throughout.

'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'

This volume is the first collection of articles dedicated to Ludwig Wittgenstein’s thoughts on colour, focusing in particular on his so-called Remarks on Colour, a piece of writing that has received comparably little attention from Wittgenstein scholars. The book provides the reader with the state of the art in research on Wittgenstein’s thoughts on colour and brings out some of the intricate relations between the Remarks on Colour and other works by Wittgenstein. The articles in the book discuss why Wittgenstein wrote so intensively about colour during the last years of his life, what significance these remarks have for understanding his philosophical work in general, as well as the upshot of his thoughts on colour. Contributors to the volume are Andrew Lugg, Joachim Schulte, Gabriele Mras, Richard Heinrich, Herbert Hrachovec, Barry Stroud, Martin Kusch, Frederik Gierlinger and Gary Kemp.

This pocket-sized guide to quick and accurate color mixing is an essential reference for artists of all media. Inside are 2,460 printed color mixes from 12 standard artist paints. Each page features the range you can get from any two of these colors. Artists can seek out the color they desire, identify the hues they need to mix and then instantly reproduce the color on their palette. They'll also find invaluable information about every color including the strength, transparency and handling qualities of the colors used to attain it. The book's compact and convenient design lets artists take it anywhere, capturing the color inspiration as it hits them.

222 page, 8.5 x 11", spiral bound and tabbed Artist Edition book dedicated to charting and swatching colored pencils, pastel pencils, watercolor pencils, ink, and markers. Book includes 49 pre-labeled charts (with color names and numbers) of the most popular brands. Book also includes blank charts for additional brands and media, and a large number of original line art illustrations that can be colored. This book was designed and illustrated for the adult coloring market by Susan Carlson (aka Ruby Charm Colors).

The book is a first detailed discussion of Ludwig Wittgenstein’s Remarks on Colour, a compilation of writings on the subject from the last fifteen months of his life. The origin and significance of the remarks are explained along with a remark-by-remark guide to what Wittgenstein says. In addition to serving as an account of the thought recorded in the text, the book provides an interpretation of Wittgenstein’s treatment of colour concepts and an account of his distinctive philosophical style. Remarks on Colour is shown to be a good way into the philosophy, to reveal a great deal about how Wittgenstein approaches philosophy, and to bring out features of his thought elided, if not missed, by more general studies, especially those that focus on more finished work.