Omiano vya Tjipangandjara: Otjiherero Proverbs and Idioms is a unique collection of linguistic and cultural significance. The author has collected over 150 proverbs and idioms from the Ovaherero community, particularly the Ovakaoko, in Namibia, and from various written sources. He encourages the use of these proverbs as a means of cultural enrichment, since younger speakers of Otjiherero tend to use and/or translate English or Afrikaans proverbs. Concise and extensively researched, this book distinguishes between proverbs and idioms; gives the literal English translation; the origin; general meaning; context; usage; and English equivalents.

Omiano vya Tjipangandjara: Otjiherero Proverbs and Idioms is a unique collection of linguistic and cultural significance. The author has collected over 150 proverbs and idioms from the Ovaherero community, particularly the Ovakaoko, in Namibia, and from various written sources. He encourages the use of these proverbs as a means of cultural enrichment, since younger speakers of Otjiherero tend to use and/or translate English or Afrikaans proverbs. Concise and extensively researched, this book distinguishes between proverbs and idioms; gives the literal English translation; the origin; general meaning; context; usage; and English equivalents.

Otuzo twOvaherero provides valuable information on Ovaherero patriclans and records folklore and praise poems in Otjiherero. Previously, these did not exist in written form. The book attempts to preserve these oral traditions before they disappear. It aims to restore pride to the Ovaherero, particularly in patrilineages that were displaced by the Ovaherero-German war of 1904-1907. Otuzo twOvaherero is structured around the Ovaherero patrilineal descent system (otuzo) which is the basis of the Ovaherero religion Oupwee. The surnames and homesteads that belong to the same patrilineage are grouped together under each patriclan to help the reader to easily trace the homesteads that belong to one patriclan (and thus have a common ancestry). The distinct features of each patriclan are specified in terms of totems, taboos, patriclans which collaborate, and praise poems of homesteads. All the patriclans and praise poems in this book were collected from Ovaherero communities living in Namibia. The author uses the term Ovaherero to include the various groups which speak the common language Otjiherero and which include the Ovahimba, Ovaherero, Ovatjimba and Ovambanderu. This book has the potential to promote unity within the Ovaherero community by showing how families are connected in lineages which trace back centuries.

Travel and the Pan African Imagination explores the African Atlantic world as a productive theater or space where modernity, racialized dominance, and racialized resistance took form. The book stresses the importance of placing three Atlantic figures—the Charleston, South Carolina-based armed resistance leader Denmark Vesey; the West African emigration advocate Edward Wilmot Blyden; and the Christian missionary and teacher in Liberia as well as the United States, Alexander Crummell—within an Atlantic context and as African world community figures between the late-eighteenth and early-twentieth centuries. The book also examines the religious origins of Black Power ideology and modern Pan Africanism as products of the intense dialogue within the African world community about concepts of modernity, progress, and civilization. Tracy Keith Flemming identifies how travel and social mobility led to the generation of an ever more complex and dynamic Atlantic world and of a fluid and adaptive African world community imagination for those figures who were forced to operate within and against a racially framed universe. The vexing social position and symbolic figure of “the African” was central to the dilemmas facing the racialized imagination of African world community figures and the discipline of Africology.

In this book Ian Dicks informs the reader about the ways in which the Yawo of Malawi view the world. The Yawo are predominantly Muslim, yet many maintain strong links with their traditional religion. They are a largely oral society, teaching and reinforcing their beliefs and practices using oral literature, which includes myths, proverbs, proverbial stories, songs of advice and prayers at various stages of the life cycle, particularly during initiation events. Ian Dicks describes in detail the Yawo's material world, customs, beliefs and rituals, and juxtaposes these with Yawo oral literature. He then examines them under six worldview categories, the result being a rich description of the way in which the Yawo see the world. This book is not an armchair study but has the feel of being written by an eyewitness, by someone who has had first-hand experience of the subject and who seeks to describe this in a manner which is sensitive to the Yawo and their culture.

This book draws on the case of the Shona and other Bantu people of Africa to argue that names are not mere identity tags. Names are an important cultural symbol of the people who give and bear them. The book challenges linguists and other social scientists to pay particular attention to the significance of names in the study of language use in society. Equally, it demonstrates the importance of names as part of the distinctive repertoire of Shona cultural heritage. Each Shona sentential name is a statement about that reality of being Shona. Carried in each name are sentiments that reflect on prevalent social, economic and political relations. The book focuses in particular on social names, religious names and war names inspired by such events as Zimbabwe's war of liberation.

This book is largely the personal account by Patrick Mbunwe Samba, of how life in his home village of Binshua has been permeated throughout by belief in witchcraft. The book not only provides a historical account informed by his reminiscences of his childhood, it shows as well that even today, belief in witchcraft is very widespread. Witchcraft exerts a profound influence on society in Binshua and in Cameroon in general. The book also provides accounts of the experiences of others, some of them very recent, and gives examples of what injustices and suffering can be caused by the notion that any misfortune must have been caused by witchcraft. For the overwhelming majority of people in village communities such as Binshua, Samba argues, anything not immediately understandable is witchcraft - which is synonymous with mystery. Many educated Africans, too, revert to such traditional attitudes in stressful situations. It may be thought surprising that in spite of the impact of Christianity, Western culture and the improved level of education, the majority of people still believe in witchcraft, and that this phenomenon not only persists but is actually increasing. The book perplexes and challenges by avoiding to provide simple answers to the question whether which witchcraft is real or imagined.

"Ethnomusicology in East Africa ... brings together thinkers and artists from Uganda, East Africa and further afield to discuss an area of vital importance to Africans as a people. The book presents selected papers from the First International Symposium on Ethnomusicology in Uganda, held at Makerere University in Kampala on 23-25 November 2009 ... [and] represents an important step in the continued professionalisation of ethnomusicology in Uganda. It presents new work by Uganda-based researchers, from students to academic staff, and solidly places that work within the international scholarly ethnomusicological conversation"--Cover.

This is a comprehensive study and erudite description of the struggle of African Indigenous Knowledge Systems in an Age of Globalization, using in particular eighty-four children's traditional games in south-eastern Zimbabwe. The book is an informative and interesting anthropological account of rare African children's games at the risk of disappearing under globalization. The virtue of the book does not only lie in its modest philosophical questioning of those knowledge forms that consider themselves as superior to others, but in its laudable, healthy appreciation of the creative art forms of traditional literature that features in genres such as endangered children's traditional games. The book is a clarion call to Africans and the world beyond to come to the rescue of relegated and marginalized African creativity in the interest of future generations.

Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, women’s writing, subaltern studies, literature in German, Ju|’hoansi and Otjiherero, children’s literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the book’s strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.