Reprint of the original, first published in 1875.

Reprint of the original, first published in 1883.

Published on the occasion of an exhibition held Sept. 24, 2011-Jan. 29, 2012 at Manchester Art Gallery and Feb. 25-June 3, 2012 at the Museum of Fine Arts, Ghent.

Madox Brown, who grew up in France and Belgium before he came to England and won fame with paintings like 'The Last of England', was always an outsider, and the women he loved also burst out of stereotypes. His two wives, Elisabeth Bromley and Emma Hill, and his secret passions, the artist Marie Spartali and the author Mathilde Blind, were all remarkable personalities, from very different backgrounds. Their striving for self-expression, in an age that sought to suppress them, tells us much more about women's journey towards modern roles. Their lives - full of passion, sexual longing, tragedy and determination - take us from the English countryside and the artist's studio to a Europe in turmoil and revolution. These are not silent muses hidden in the shadow of a 'Master'. They step out of the shadows and into the picture, speaking with voices we can hear and understand.

Reprint of the original, first published in 1876.

This is the first comprehensive history devoted to the art of Ford Madox Brown (1821-93), in which his paintings establish him as a major figure in the most important new art movement of Victorian England, Pre-Raphaelitism. The book presents a new explanation of the development and basic aims of Pre-Raphaelite art as a whole and offers a revealing discussion of the power and importance of the humor and negative spirit that run throughout Brown's work. It also ties Brown's realist approach to British decorative taste at midcentury and redefines his place in the Aesthetic Movement, a cultural trend that dominated the latter half of the nineteenth century. In addition, the artist's socialist leanings and nationalistic tendencies, expressed in depictions of workers, children, women, and religious scenes, are set out more fully than in any previous literature on the artist.

This book argues that Ford Madox Brown’s murals in the Great Hall of Manchester Town Hall (1878–93) were the most important public art works of their day. Brown’s twelve designs on the history of Manchester, remarkable exercises in the making of historical vision, were semi-forgotten by academics until the 1980s, partly because of Brown’s unusually muscular conception of what history painting should set out to achieve. This ground-breaking book explains the thinking behind the programme and indicates how each mural contributes to a radical vision of social and cultural life. It shows the important link between Brown and Thomas Carlyle, the most iconoclastic of Victorian intellectuals, and reveals how Brown set about questioning the verities of British liberalism.

This monumental novel, divided into four separate books, celebrates the end of an era, the irrevocable destruction of the comfortable, predictable society that vanished during World War I.

This timely book provides an astute assessment of the institutional and constitutional boundaries, interactions and tensions between the different levels of governance in EU criminal justice. Probing the conceptual and theoretical underpinnings of the EU's approach to transnational crime, it proposes improved mechanisms for public participation in the governance of EU criminal law, designed to ensure better transparency, accountability and democratic controls. Influential scholars from across Europe analyse key practical challenges to the governance of EU criminal law in the context of specific crimes, including financial crime, cybercrime and environmental crime. Offering sector-specific perspectives on tackling transnational crime, insightful chapters examine the potential options for criminal-law cooperation between the EU and the UK after Brexit, and consider to what extent these avenues may represent enhanced mechanisms for the governance of transnational crimes and common security threats in the future. This important study will prove crucial reading for academics, researchers and postgraduate students examining EU, transnational and comparative criminal law, as well as European integration studies and constitutional law more broadly. Practitioners and policy-makers working in the EU's Area of Freedom, Security and Justice will also benefit from this book's practical insights into the mechanisms of EU law and justice.