Animal lover and kid scientist Olga is back! Great for fans of the acclaimed graphic novels Real Friends and Invisible Emmie. In this second installment of a series Franny K. Stein creator Jim Benton called “great, kooky, monstrous fun,” Olga wants to leave earth in search of Meh’s home planet, but first she’ll have to discover why Meh is acting so strange. Olga: We’re Out of Here is jam-packed with facts and fun: Elise Gravel’s classic comic illustrations, hilarious word bubbles, space travel facts, and a diverse cast of memorable characters. Brightly.com put Olga and the Smelly Thing from Nowhere on their "Ultimate Summer Reading List for 9- to 12-Year-Olds." And Kirkus said of it: “A visually interesting mix of illustration and story, punctuated by numerous lists, comic panels, and cartoon diagrams and led by a smart female protagonist. A bubble-gum crowd pleaser with wide audience appeal.”

A Bank Street College of Education Best Children's Book of the Year! Meet Olga, the amazing child scientist who LOVES animals (because they are super-cute)! Brightly put this heavily illustrated don't-miss book on their "Ultimate Summer Reading List for 9- to 12-Year-Olds." Olga and the Smelly Thing from Nowhere is jam-packed with fun: vibrant illustrations, word bubbles, quirky humor, olgamus facts, and plenty of excitement for readers who love making discoveries and meeting new friends. Olga is a charming combination of independent, curious, and smart—making her the coolest girl scientist around—perfect for fans of Dork Diaries and Captain Underpants. When Olga crosses paths with a weird creature and becomes the first kid to discover the species olgamus ridiculus, she is ecstatic! What does an olgamus eat? How does it poop? Why does its burp sound like the word rubber? With her trusty observation notebook and the help of a librarian, a shopkeeper, and some friends, Olga sets out to do science—learning the facts about her smelly, almost-furry pal and searching for him when he goes missing. The scientific method is the best way to discover anything!

Join Olga, the science-loving girl in the red dress, in her most wacky adventure yet! Perfect for fans of Dear Dumb Diary and My Big Fat Zombie Goldfish. In this third installment of the series, Olga’s beloved companion, Meh, is now a mom! She has a litter of adorable babies that look like spring rolls. But the babies aren’t just adorable—they’re a handful! How can Olga stop them from covering her house in rainbow poop if she’s busy making sure they’re fed? Can Olga keep it all under control? Packing in three times the girl power, hilarious quips, and kooky science facts of the previous books, Olga: Out of Control is sure to have kids laughing!

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK · WINNER OF THE BROOKLYN PUBLIC LIBRARY PRIZE • INTERNATIONAL LATINO BOOK AWARD FINALIST A blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots—all in the wake of Hurricane Maria NAMED ONE OF THE BEST BOOKS OF THE YEAR: Kirkus, Washington Post, TIME, NPR, Vogue, Esquire, Book Riot, Goodreads, EW, Reader's Digest, and more! "Don’t underestimate this new novelist. She’s jump-starting the year with a smart romantic comedy that lures us in with laughter and keeps us hooked with a fantastically engaging story." —The Washington Post It's 2017, and Olga and her brother, Pedro “Prieto” Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan’s power brokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1 percent but she can’t seem to find her own. . . until she meets Matteo, who forces her to confront the effects of long-held family secrets. Olga and Prieto’s mother, Blanca, a Young Lord turned radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives. Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Xochitl Gonzalez’s Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream—all while asking what it really means to weather a storm.

A fascinating look at the way we age today and the extent to which we can shape the process In What Makes Olga Run? Bruce Grierson explores what the wild success of a ninety-four-year-old track star can tell us about how our bodies and minds age. Olga Kotelko is not your average ninety-four-year-old. She not only looks and acts like a much younger woman, she holds over twenty-three world records in track and field, seventeen in her current ninety to ninety-five category. Convinced that this remarkable woman could help unlock many of the mysteries of aging, Grierson set out to uncover what it is that's driving Olga. He considers every piece of the puzzle, from her diet and sleep habits to how she scores on various personality traits, from what she does in her spare time to her family history. Olga participates in tests administered by some of the world's leading scientists and offers her DNA to groundbreaking research trials. What emerges is not only a tremendously uplifting personal story but a look at the extent to which our health and longevity are determined by the DNA we inherit at birth, and the extent to which we can shape that inheritance. It examines the sum of our genes, opportunities, and choices, and the factors that forge the course of any life, especially during our golden years.

Don’t take the title as a metaphor: it really is the worst book ever. Governor General Literary Award winning children’s book author and illustrator Elise Gravel takes readers on an unexpected journey through the world’s most boring book. The story’s characters and omniscient readers alike quickly become annoyed by the author’s bland imagination and rebel against her tired tropes and stale character choices, spouting sass in an attempt to get her attention and steer the narrative in a more interesting direction. After all, you don’t even have to buy the book, but the characters? They’re stuck in there for an eternity, and they’re going to do their best to make the most of it, or at least have a little fun where they can. As the charming and bizarre true nature of the characters overpowers the dry attributes given to them by the author, this once blasé story quickly picks up speed, transforming the story into something much more unique than originally promised. With Gravel’s signature goofy characters behind the wheel, no silly twist or rude body function is off the table!

This biography profiles Olga Benrio Prestes, part German and Jewish, who became one of the most prolific Communist activists in the 1930s until her death in a Nazi concentration camp at the age of 26. This book is reissued to coincide with a new film on Olga's life, produced in Brazil.

WINNER OF THE NOBEL PRIZE IN LITERATURE "A brilliant literary murder mystery." —Chicago Tribune "Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . . A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?

A NEW YORKER “ESSENTIAL READ” “Just as awe-inspiring as the Nobel judges claimed.” – The Washington Post “Olga Tokarczuk is one of our greatest living fiction writers. . . This could well be a decade-defining book akin to Bolaño’s 2666.” –AV Club “Sophisticated and ribald and brimming with folk wit. . . The comedy in this novel blends, as it does in life, with genuine tragedy.” –Dwight Garner, The New York Times LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE WALL STREET JOURNAL, TIME, THE NEW YORKER, AND NPR The Nobel Prize–winner’s richest, most sweeping and ambitious novel yet follows the comet-like rise and fall of a mysterious, messianic religious leader as he blazes his way across eighteenth-century Europe. In the mid-eighteenth century, as new ideas—and a new unrest—begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires with throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumors of his sect’s secret rituals and the spread of his increasingly iconoclastic beliefs. The story of Frank—a real historical figure around whom mystery and controversy swirl to this day—is the perfect canvas for the genius and unparalleled reach of Olga Tokarczuk. Narrated through the perspectives of his contemporaries—those who revere him, those who revile him, the friend who betrays him, the lone woman who sees him for what he is—The Books of Jacob captures a world on the cusp of precipitous change, searching for certainty and longing for transcendence. In a nod to books written in Hebrew, The Books of Jacob is paginated in reverse, beginning on p. 955 and ending on p. 1 – but read traditionally, front cover to back.

The internationally acclaimed author of The Dream Life of Sukhanov now returns to gift us with Forty Rooms, which outshines even that prizewinning novel. Totally original in conception and magnificently executed, Forty Rooms is mysterious, withholding, and ultimately emotionally devastating. Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.