The Old Orchard boasts miles of sandy beaches which were once home to Native Americans and settlers but are now booming with tourism. From Pine Point in the north to Goosefare Brook in the south, Old Orchard boasts miles of marvelous sandy beaches. For hundreds of years, this well-loved stretch of coastline was home to Native Americans and a few hardy settlers, undisturbed by the chaos and cacophony of modern life. With the coming of the railroad in 1874 this serene place exploded into life. The boom in tourism brought hundreds and then thousands of pleasure-seekers every week to the Old Orchard. They came to relax in the opulent surroundings of the elegant hotels, to stroll hand in hand along the pier with their sweethearts, and to feel the thrill of the wind in their hair as they rode the roller coaster. Some came to dance to the Big Band sound of Glen Miller and Benny Goodman; some came to ride on the Dummy Railroad; others arrived to take airplane flights over the beach, or to watch automobile races in the sand.

"Billionaire Ferdinand Sevigny is brave, bold, and brash. But his latest stunt to sail blindfolded, single-handed, across the Atlantic goes horribly awry, depositing him onto the summer tourist town of Old Orchard Beach, Maine. His sudden arrival triggers a series of sinister events that even he cannot forestall: a naked woman washes up on a beach; a confused teen-aged boy stumbles upon a crime; a naive policeman struggles with a deadly conflict of interest. Now, Sevigny, and all those whose lives he touches, must make decisions that will define them forever." --P. [4] of book jacket.

Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.

From 1631 to the present, Old Orchard Beach has had a singularly rich history among New EnglandA[a¬a[s summer communities. Old Orchard was originally a small seacoast farming community nestled on the shore of Saco Bay. When the railroad came in 1873, the coast exploded into one of the grandest Victorian settings in Maine. It boasted famous religious camp meetings, transatlantic flights, big bands, big fires, harness racing, and automobile racing on the beach. The Kennedy family, Bette Davis, Fred Allen, Rosa and Carmen Ponselle, Pierre Trudeau, and Charles Lindbergh all rejuvenated themselves in this community. Old Orchard Beach is still a vacation mecca, and residents and visitors alike will find enjoyment and education within these pages.

From lobster boats to puffins, this delightful board book celebrates everything the great state of Maine has to offer. Young readers will recognize all their favorite sites and attractions including whales, Acadia National Park, black bears, seals, rafters and kayakers, boating, beaches, lakes, moose, Mount Katahdin, lighthouses, villages, and more.

This collection of sketches and essays captures the spirit of Old Orchard, a coastal town in Maine known for its natural beauty and vibrant community. John Staples Locke, a journalist and historian, celebrates the town's history and people with affectionate humor. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Literacy focus: way of reading books, role of pictures in books, looking at the page for information, listening to and answering questions, using pronouns. Social studies focus: shows the variety of rides found at an amusement park.

This collection of engaging and beautiful portraits by Wayne Lawrence celebrates the diversity and community of one of New York City's most popular beaches. Orchard Beach might not be the most elegant place to sunbathe, but if you live in the Bronx, it's the closest place to swim, relax on the sand, and escape the city's oppressive summer heat. Drawn to the public beach for its less-than-glamorous reputation, photographer Wayne Lawrence felt a connection to the community as soon as he began snapping pictures. His glamorous portraits of proud men and women, loving couples, and families at play challenge stereotypes associated with working-class people by focusing on universal themes such as the ties that bind and cultural pride. Whether Anglo, African American, or Latino; statuesque or stout; young or old, each individual is treated with dignity and sensitivity. Lawrence's subjects are a community standing in defiance of popular opinion, proud to call Orchard Beach their own.