First published in 1935, Old Jules is unquestionably Mari Sandoz?s masterpiece. This portrait of her pioneer father grew out of ?the silent hours of listening behind the stove or the wood box, when it was assumed, of course, that I was asleep in bed. So it was that I heard the accounts of the hunts,? Sandoz recalls. "Of the fights with the cattlemen and the sheepmen, of the tragic scarcity of women, when a man had to ?marry anything that got off the train,? of the droughts, the storms, the wind and isolation. But the most impressive stories were those told me by Old Jules himself.? This Bison Books edition includes a new introduction by Linda M. Hasselstrom.

By zealous research, keen observation, and wide-ranging and deeply probing commentary, Mari Sandoz has become one of the most famous and well-respected interpreters of the American West. Old Jules Country is made up of the region thatøSandoz has written about most frequently?the High Plains of the Dakotas, Montana, Nebraska, and Wyoming?the Black Hills, the Bad Lands, the sandhills, and the great rivers: the Missouri, the Platte, and the Yellowstone. Here are selections from the six volumes of her acclaimed Great Plains Series The Beaver Men, Crazy Horse, Cheyenne Autumn, The Buffalo Hunters, The Cattlemen, and Old Jules and from her study of a great people, These Were the Sioux. Also included are two essays, "The Lost Sitting Bull" and "The Homestead in Perspective." A Cheyenne prayer and two sketches unavailable elsewhere?"Snakes" and "Coyotes and Eagles"?complete the collection. This anthology provides a stimulating sampling for readers not yet acquainted with Sandoz's work. For her extensive following, it offers the opportunity for a satisfying reappraisal of her overall achievement.

Recreates the life of a Swiss-born Nebraska homesteader, while reflecting on the character of the people who shaped the American nation

Mari Sandoz immortalized her irascible father in Old Jules. Now her brother, Jules Sandoz, Jr. fills out the story of their family life, dominated by Papa, in western Nebraska in the early l900s. A frail boy who clung to the skirts of his German grandmother, Jules Jr. had to learn lessons of survival early. He was beaten up by his schoolmates and did not speak English well, but with his brother James he helped feed the family by hunting and trapping. Eventually he found the strength to stand up to his father. Son of Old Jules offers fresh glimpses of other family members, most memorably of Mary, his hardworking and stoical mother and of Mari, who de-clared her independence by becoming a schoolteacher and marrying and then divorcing a local swain. Some of the Sandhillers who figured in Mari's books appear here too, including a succession of immigrants whom Papa Jules recruited as settlers. By the early twenties, when these memoirs end, Jules Jr., newly married, had gone into farming for himself Corroborating and fleshing out the story of the family told by Mari Sandoz, Son of Old Jules was written "to give a more balanced view of the settler period." Jules Sandoz, Jr. recorded his memories in the last years of his life, and after his death in 1980 they were edited and organized into book form by his youngest sister, Caroline Sandoz Pifer.

The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."

A coming-of-age queer love story set in the glamorous but grueling world of international modeling—a "terrific debut ... roiling with deep questions of identity and art, love, and the irrepressible need for meaning in life" (Jess Walter, bestselling author of The Cold Millions) By the time Lou turns eighteen, modeling agents across Portland have scouted her for her striking androgynous look. Lou has no interest in fashion or being in the spotlight. She prefers to take photographs, especially of Ivy, her close friend and secret crush. But when a hike ends in a tragic accident, Lou finds herself lost and ridden with guilt. Determined to find a purpose, Lou moves to New York and steps into the dizzying world of international fashion shows, haute couture, and editorial shoots. It’s a whirlwind of learning how to walk and how to command a body she’s never felt at ease in. But in the limelight, Lou begins to fear that she’s losing her identity—as an individual, as an artist, and as a person still in love with the girl she left behind. A sharply observed and intimate story of grief and healing, doubt and self-acceptance set against the hyper-image-conscious industry of modeling and high fashion, Body Grammar shines with the anxieties of finding your place in the world and the heartbreaking beauty of pursuing love. A VINTAGE ORIGINAL

The essential guide to twentieth-century literature around the world For six decades the Penguin Modern Classics series has been an era-defining, ever-evolving series of books, encompassing works by modernist pioneers, avant-garde iconoclasts, radical visionaries and timeless storytellers. This reader's companion showcases every title published in the series so far, with more than 1,800 books and 600 authors, from Achebe and Adonis to Zamyatin and Zweig. It is the essential guide to twentieth-century literature around the world, and the companion volume to The Penguin Classics Book. Bursting with lively descriptions, surprising reading lists, key literary movements and over two thousand cover images, The Penguin Modern Classics Book is an invitation to dive in and explore the greatest literature of the last hundred years.

Humans have always sought ecstatic experiences - moments where they go beyond their ordinary self and feel connected to something greater than them. Such moments are fundamental to human flourishing, but they can also be dangerous. Beginning around the Enlightenment, western intellectual culture has written off ecstasy as ignorance or delusion. But philosopher Jules Evans argues that this diminishes our reality and denies us the healing, connection and meaning that ecstasy can bring. He sets out to discover how people find ecstasy in a post-religious culture, how it can be good for us, and also harmful. Along the way, he explores the growing science of ecstasy, to help the reader - and himself - learn the art of losing control. Jules' exploration of ecstasy is an intellectual and emotional odyssey balancing personal experience, interviews and readings from ancient and modern philosophers that will change the way you think about how you feel. From Aristotle and Plato, via the Bishop of London and Sister Bliss, radical jihadis and Silicon Valley transhumanists, The Art of Losing Control is a funny and life-enhancing journey through under-explored terrain.

"Dick Sands the Boy Captain" by Jules Verne is an enthralling adventure novel that centers around the young protagonist, Dick Sands. Set against the backdrop of a maritime voyage, the story follows Dick Sands as he faces a series of challenges and tests his mettle as a leader and a hero. The narrative begins with the young cabin boy, Dick Sands, aboard the ship "Pilgrim." When disaster strikes and the ship becomes wrecked on the coast of Africa, Dick Sands finds himself in a position of authority and responsibility. With the crew and passengers looking up to him, Dick must step up and lead the group to survival. Despite his youth, Dick Sands demonstrates remarkable resourcefulness, courage, and determination. As he navigates through the unfamiliar and often perilous terrain of Africa, he shows a strong sense of ethics and justice. He forges connections with both the native people and his fellow shipwrecked companions, highlighting themes of understanding and cooperation. Throughout the novel, Jules Verne weaves together themes of leadership, exploration, and cultural exchange. The story explores the clash between different cultures and the potential for mutual learning and respect. As Dick Sands takes charge and strives to keep his group safe, readers witness his growth from a humble cabin boy to a capable and inspiring leader. Verne's meticulous attention to detail and vivid descriptions create a rich and immersive reading experience. The African landscape and its challenges come to life, offering readers a glimpse into the beauty and harshness of the environment. The narrative is also punctuated with moments of action, suspense, and emotional depth, keeping readers engaged from start to finish. "Dick Sands the Boy Captain" is a testament to the indomitable spirit of youth and the power of determination. It showcases the potential for leadership and heroism to emerge from unexpected sources and underscores the importance of unity and understanding in the face of adversity. Jules Verne's masterful storytelling skillfully combines adventure, exploration, and profound themes, making this novel a timeless and captivating read for audiences of all ages.

Worlds collide in a spectacular way when Newbery and National Book Award finalist Kathi Appelt and Pulitzer Prize nominee and #1 New York Times bestseller Alison McGhee team up to create a fantastical, heartbreaking, and gorgeous tale about two sisters, a fox cub, and what happens when one of the sisters disappears forever. Sylvie and Jules, Jules and Sylvie. Better than just sisters, more than best friends, they’d be identical twins if only they’d been born in the same year. And if only Sylvie wasn’t such a fast—faster than fast—runner. But Sylvie is too fast, and when she runs to the river they’re not supposed to go anywhere near to throw a wish rock just before the school bus comes on a snowy morning, she runs so fast that no one sees what happens…and no one ever sees her again. Jules is devastated, but she refuses to believe what all the others believe, that—like their mother—her sister is gone forever. At the very same time, in the shadow world, a shadow fox is born—half of the spirit world, half of the animal world. She too is fast—faster than fast—and she senses danger. She’s too young to know exactly what she senses, but she knows something is very wrong. And when Jules believes one last wish rock for Sylvie needs to be thrown into the river, the human and shadow worlds collide. Writing in alternate voices—one Jules’s, the other the fox’s—Kathi Appelt and Alison McGhee tell the searingly beautiful tale of one small family’s moment of heartbreak, a moment that unfolds into one that is epic, mythic, shimmering, and most of all, hopeful.