In this follow-up to her acclaimed memoir Lakota Woman, the bestselling author shares “a grim yet gripping account” of Native American life (The Boston Globe). In this stirring sequel to the now-classic Lakota Woman, Mary Brave Bird continues the chronicle of her life with the same grit, passion, and piercing insight. It is a tale of ancient glory and present anguish, of courage and despair, of magic and mystery, and, above all, of the survival of both body and mind. Having returned home from Wounded Knee in 1973 and gotten married to American Indian movement leader Leonard Crow Dog, Mary became a mother who had hope of a better life. But, as she says, “Trouble always finds me.” With brutal frankness she bares her innermost thoughts, recounting the dark as well as the bright moments in her tumultuous life. She talks about the stark truths of being a Native American living in a white-dominated society as well as her experience of being a mother, a woman, and, rarest of all, a Sioux feminist. Filled with contrasts, courage, and endurance, Ohitika Woman is a powerful testament to Mary’s will and spirit.

The dramatic, brutally honest, and ultimately triumphant sequel to the bestselling American Book Award winner Lakota Woman, this book continues Mary Brave Bird's courageous story of life as a Native American in a white-dominated society.

The bestselling memoir of a Native American woman’s struggles and the life she found in activism: “courageous, impassioned, poetic and inspirational” (Publishers Weekly). Mary Brave Bird grew up on the Rosebud Indian Reservation in South Dakota in a one-room cabin without running water or electricity. With her white father gone, she was left to endure “half-breed” status amid the violence, machismo, and aimless drinking of life on the reservation. Rebelling against all this—as well as a punishing Catholic missionary school—she became a teenage runaway. Mary was eighteen and pregnant when the rebellion at Wounded Knee happened in 1973. Inspired to take action, she joined the American Indian Movement to fight for the rights of her people. Later, she married Leonard Crow Dog, the AIM’s chief medicine man, who revived the sacred but outlawed Ghost Dance. Originally published in 1990, Lakota Woman was a national bestseller and winner of the American Book Award. It is a story of determination against all odds, of the cruelties perpetuated against American Indians, and of the Native American struggle for rights. Working with Richard Erdoes, one of the twentieth century’s leading writers on Native American affairs, Brave Bird recounts her difficult upbringing and the path of her fascinating life.

"I am Crow Dog. I am the fourth of that name. Crow Dogs have played a big part in the history of our tribe and in the history of all the Indian nations of the Great Plains during the last two hundred years. We are still making history." Thus opens the extraordinary and epic account of a Native American clan. Here the authors, Leonard Crow Dog and Richard Erdoes (co-author of Lakota Woman) tell a story that spans four generations and sweeps across two centuries of reckless deeds and heroic lives, and of degradation and survival. The first Crow Dog, Jerome, a contemporary of Sitting Bull and Crazy Horse, was a witness to the coming of white soldiers and settlers to the open Great Plains. His son, John Crow Dog, traveled with Buffalo Bill Cody's Wild West Show. The third Crow Dog, Henry, helped introduce the peyote cult to the Sioux. And in the sixties and seventies, Crow Dog's principal narrator, Leonard Crow Dog, took up the family's political challenge through his involvement with the American Indian Movement (AIM). As a wichasha wakan, or medicine man, Leonard became AIM's spiritual leader and renewed the banned ghost dance. Staunchly traditional, Leonard offers a rare glimpse of Lakota spiritual practices, describing the sun dance and many other rituals that are still central to Sioux life and culture.

The four oral histories presented in this attractive volume pay homage to elder women who quietly serve as community and political activists within the Lakota-Dakota Nation. . . Recommended.--Library Journal

A “raw and honest” (Los Angeles Review of Books) memoir from the first Native American Poet Laureate of the United States. In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo details her journey to becoming a poet. Born in Oklahoma, the end place of the Trail of Tears, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. Narrating the complexities of betrayal and love, Crazy Brave is a haunting, visionary memoir about family and the breaking apart necessary in finding a voice.

This A-Z reference contains 275 biographical entries on Native American women, past and present, from many different walks of life. Written by more than 70 contributors, most of whom are leading American Indian historians, the entries examine the complex and diverse roles of Native American women in contemporary and traditional cultures. This new edition contains 32 new entries and updated end-of-article bibliographies. Appendices list entries by area of woman's specialization, state of birth, and tribe; also includes photos and a comprehensive index.

With My Own Eyes tells the history of the nineteenth-century Lakotas. Susan Bordeaux Bettelyoun (1857–1945), the daughter of a French-American fur trader and a Brulé Lakota woman, was raised near Fort Laramie and experienced firsthand the often devastating changes forced on the Lakotas. As Bettelyoun grew older, she became increasingly dissatisfied with the way her people’s history was being represented by non-Natives. With My Own Eyes represents her attempt to correct misconceptions about Lakota history. Bettelyoun’s narrative was recorded during the 1930s by another Lakota historian, Josephine Waggoner. This detailed, insightful account of Lakota history was never previously published.

Oklahoma Choctaw scholar Devon Abbott Mihesuah offers a frank and absorbing look at the complex, evolving identities of American Indigenous women today, their ongoing struggles against a centuries-old legacy of colonial disempowerment, and how they are seen and portrayed by themselves and others. ø Mihesuah first examines how American Indigenous women have been perceived and depicted by non-Natives, including scholars, and by themselves. She then illuminates the pervasive impact of colonialism and patriarchal thought on Native women?s traditional tribal roles and on their participation in academia. Mihesuah considers how relations between Indigenous women and men across North America continue to be altered by Christianity and Euro-American ideologies. Sexism and violence against Indigenous women has escalated; economic disparities and intratribal factionalism and ?culturalism? threaten connections among women and with men; and many women suffer from psychological stress because their economic, religious, political, and social positions are devalued. ø In the last section, Mihesuah explores how modern American Indigenous women have empowered themselves tribally, nationally, or academically. Additionally, she examines the overlooked role that Native women played in the Red Power movement as well as some key differences between Native women "feminists" and "activists."

American Women Activists and Autobiography examines the feminist rhetorics that emerge in six very different activists’ autobiographies, as they simultaneously tell the stories of unconventional women’s lives and manifest the authors’ arguments for social and political change, as well as provide blueprints for creating tectonic shifts in American society. Exploring self-narratives by six diverse women at the forefront of radical social change since 1900—Jane Addams, Emma Goldman, Dorothy Day, Angela Davis, Mary Crow Dog, and Betty Friedan—the author offers a breadth of perspectives to current dialogues on motherhood, essentialism, race, class, and feminism, and highlights the shifts in situated feminist rhetorics through the course of the last one hundred years. This book is a timely instructional resource for all scholars and graduate students in rhetorical studies, composition, American literature, women's studies, feminist rhetorics, and social justice.