Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs. "It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review "Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books "Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History

As agency physician on the Pine Ridge Reservation from 1896 to 1914, Dr. James R. Walker recorded a wealth of information on the traditional lifeways of the Oglala Sioux.

Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.

Sioux women are the center of tribal life and the core of the tiospaye, the extended family. They maintain the values and traditions of Sioux culture, but their own stories and experiences often remain untold. Virginia Driving Hawk Sneve combed through the winter counts and oral records of her ancestors to discover their past. The result, Sioux Women: Traditionally Sacred, illuminates the struggles and joys of her grandmothers and other women who maintained tribal life as circumstances changed and outside cultures pushed for dominance.

Popular culture largely perceives the tragedy at Wounded Knee in 1890 as the end of Native American resistance in the West, and for many years historians viewed this event as the end of Indian history altogether. The Dawes Act of 1887 and the reservation system dramatically changed daily life and political dynamics, particularly for the Oglala Lakotas. As Akim D. Reinhardt demonstrates in this volume, however, the twentieth century continued to be politically dynamic. Even today, as life continues for the Oglalas on the Pine Ridge Reservation in southwestern South Dakota, politics remain an integral component of the Lakota past and future. Reinhardt charts the political history of the Oglala Lakota people from the fifteenth century to the present with this edited collection of primary documents, a historical narrative, and a contemporary bibliographic essay. Throughout the twentieth century, residents on Pine Ridge and other reservations confronted, resisted, and adapted to the continuing effects of U.S. colonialism. During the modern reservation era, reservation councils, grassroots and national political movements, courtroom victories and losses, and cultural battles have shaped indigenous populations. Both a documentary reader and a Lakota history, Welcome to the Oglala Nation is an indispensable volume on Lakota politics.

"In Warrior Princesses Strike Back, Lakhota twin sisters Sarah Eagle Heart and Emma Eagle Heart-White recount growing up on the Pine Ridge Indian Reservation and overcoming odds throughout their personal and professional lives. Woven throughout are self-help strategies centering women of color, that combine marginalized histories, psychological research on trauma, perspectives on "decolonial therapy," and explorations on the possibility of healing intergenerational and personal trauma"--

"From diversity comes strength and wisdom": this was the guiding principle for selecting the articles in this collection. Because there is no single voice, identity, history, or cultural experience that represents the women of the First Nations, a realistic picture will have many facets. Accordingly, the authors in Women of the First Nations include Native and non-Native scholars, feminists, and activists from across Canada.Their work examines various aspects of Aboriginal women's lives from a variety of theoretical and personal perspectives. They discuss standard media representations, as well as historical and current realities. They bring new perspectives to discussions on Aboriginal art, literature, historical, and cultural contributions, and they offer diverse viewpoints on present economic, environmental, and political issues.This collection counters the marginalization and silencing of First Nations women's voices and reflects the power, strength, and wisdom inherent in their lives.

The bestselling memoir of a Native American woman’s struggles and the life she found in activism: “courageous, impassioned, poetic and inspirational” (Publishers Weekly). Mary Brave Bird grew up on the Rosebud Indian Reservation in South Dakota in a one-room cabin without running water or electricity. With her white father gone, she was left to endure “half-breed” status amid the violence, machismo, and aimless drinking of life on the reservation. Rebelling against all this—as well as a punishing Catholic missionary school—she became a teenage runaway. Mary was eighteen and pregnant when the rebellion at Wounded Knee happened in 1973. Inspired to take action, she joined the American Indian Movement to fight for the rights of her people. Later, she married Leonard Crow Dog, the AIM’s chief medicine man, who revived the sacred but outlawed Ghost Dance. Originally published in 1990, Lakota Woman was a national bestseller and winner of the American Book Award. It is a story of determination against all odds, of the cruelties perpetuated against American Indians, and of the Native American struggle for rights. Working with Richard Erdoes, one of the twentieth century’s leading writers on Native American affairs, Brave Bird recounts her difficult upbringing and the path of her fascinating life.

Raw account of modern day Oglala Sioux who now live on the Pine Ridge Indian reservation.