The first collection of poetry that allows us to see police officers not just as brutalizers or heroes but as complicated human beings in a position that is sometimes terrifying, sometimes rewarding and often questionable. On a daily basis police save lives, take lives, and risk their own lives. Existing books on police and policing give us a single point-of-view, a black and white story that portrays cops as either saints or villains. This exploration of the dynamic point of understanding makes Off The Cuffs unique. Divided into four sections--Eyewitnesses, Insiders, Victims & Perpetrators, and Dreamers--Off The Cuffs gives us a diversity of voices, telling stories of fear, apprehension, love, brutality, death, sorrow, joy, hope and resolve. Out of this multiplicity of voices: convicts, police, bike messengers and established poets such as Charles Simic, Martin Espada, Kevin Young and Colette Inez - emerges a dialogue showing us the infinite shades of blue that surround the profession and the profession's relationship to the society they are sworn to protect. Off The Cuffs adds an important and unheard piece to this body of work: the usually disparate voices of cops, prisoners and everyone in between engaging with one another within the pages of one book.

Lawyer Saul Goodman of Better Call Saul and Breaking Bad offers his own particular brand of funny, down-to-earth legal advice. Got the long arm of the law around your neck? Does Lady Justice have her eye on you? Were you set up at a lineup? Saul Goodman can help! There are some crazy laws out there. Did you know that in New Mexico there’s a law that says “idiots” can’t vote? Or that Massachusetts still has a ban on Quakers and witches? Or that in Georgia it’s illegal to put a donkey in a bathtub? Even if you’re not bathing a donkey (and hey, if you are, no judgment from me!), you could be breaking the law right now and not even know it. That’s why you need Don't Go to Jail! You can carry the advice of a seasoned legal practitioner with you anywhere you go, helping you to stay out of the courts and in the good graces of the criminal justice system. Want to be your own attorney? Want to avoid getting hauled in on a warrant? Want to keep the cops from discovering the baggie of “your friend’s” marijuana stashed under the passenger seat of your car? This is your chance to get those tips and many more savory bits of indispensable legal advice--all for much less than my usual hourly fee.

An exploration of why people all over the world love to engage in pain on purpose--from dominatrices, religious ascetics, and ultramarathoners to ballerinas, icy ocean bathers, and sideshow performers Masochism is sexy, human, reviled, worshipped, and can be delightfully bizarre. Deliberate and consensual pain has been with us for millennia, encompassing everyone from Black Plague flagellants to ballerinas dancing on broken bones to competitive eaters choking down hot peppers while they cry. Masochism is a part of us. It lives inside workaholics, tattoo enthusiasts, and all manner of garden variety pain-seekers. At its core, masochism is about feeling bad, then better—a phenomenon that is long overdue for a heartfelt and hilarious investigation. And Leigh Cowart would know: they are not just a researcher and science writer—they’re an inveterate, high-sensation seeking masochist. And they have a few questions: Why do people engage in masochism? What are the benefits and the costs? And what does masochism have to say about the human experience? By participating in many of these activities themselves, and through conversations with psychologists, fellow scientists, and people who seek pain for pleasure, Cowart unveils how our minds and bodies find meaning and relief in pain—a quirk in our programming that drives discipline and innovation even as it threatens to swallow us whole.

Full-color illustrated instructions to creating a number of strange and eccentric figures from socks.

Chicago in the ’60s was a hard place to be for young Tony Tormenti. Racial strife, political corruption, and changing social values have torn apart his world. He is assaulted by conflicting messages from his Catholic school, his damaged drunken father, and the black spot he acknowledges stains his soul. "Pastaman" is a coming-of-age story reverberating in the rhythms of a great city in turmoil, reflected through the characters living in Tony’s south side Italian