The Science of Science Fiction WritingSeven famous science fiction authors--Heinlein, Campbell, "Doc" Smith, Williamson, de Camp, van Vogt, & Taine--present essays on the science and art of writing science fiction. They offer valuable tips and insights to the writer breaking into science fiction, and give the general reader fascinating behind-the-scenes information on how stories are constructed. Originally issued in a limited edition, Of Worlds Beyond rapidly sold out and soon became a collector's item. In response to many requests, Advent arranged to return the book to print, for the benefit of present-day students of science fiction. Many instructors of science fiction courses have chosen Of Worlds Beyond as required reading, and it remains on of the few (and best) explanations of how science fiction stories are written. It is full of useful insights for writers, editors, and readers.ContentsIntroduction by Lloyd Arthur Eshbach"On the Writing of Speculative Fiction" by Robert A. Heinlein"Writing a Science Novel" by John Taine"The Logic of Fantasy" by Jack Williamson"Complication in the Science Fiction Story" by A. E. van Vogt"Humor in Science Fiction" by L. Sprague de Camp"The Epic of Space" by Edward E. Smith, Ph.D."The Science of Science Fiction Writing" by John W. Campbell, Jr.

In the words of Michael Laitman, "It is beyond human comprehension to understand the essence of such spiritual qualities as total altruism and love. This is for the simple reason that human beings cannot comprehend how such feelings can exist at all, as everyone seemingly requires an incentive to perform any act; without some personal gain, people are not prepared to extend themselves. That is why a quality such as altruism can only be imparted to a person from Above, and only those who have experienced it can understand it." Attaining The Worlds Beyond is a first step toward discovering the ultimate fulfillment of spiritual ascent in our lifetime. This book reaches out to all those who are searching for answers, who are seeking a logical and reliable way to understand the world's phenomena. This magnificent introduction to the wisdom of Kabbalah provides a new kind of awareness that enlightens the mind, invigorates the heart, and moves the reader to the depths of their soul.

This is a book on planets: Solar system planets and dwarf planets. And planets outside our solar system – exoplanets. How did they form? What types of planets are there and what do they have in common? How do they differ? What do we know about their atmospheres – if they have one? What are the conditions for life and on which planets may they be met? And what’s the origin of life on Earth and how did it form? You will understand how rare the solar system, the Earth and hence life is. This is also a book on stars. The first and second generation of stars in the Universe. But in particular also on the link between planets and stars – brown dwarfs. Their atmospheric properties and similarities with giant exoplanets. All these fascinating questions will be answered in a non-technical manner. But those of you who want to know a bit more may look up the relevant mathematical relationships in appendices.

An innovative study of how the Victorians used books, portraits, fairies, microscopes, and dollhouses to imagine miniature worlds beyond perception In 1856, Elizabeth Gaskell discovered a trove of handmade miniature books that were created by Charlotte and Branwell Brontë in their youth and that, as Gaskell later recalled, “contained an immense amount of manuscript, in an inconceivably small space.” Far from being singular wonders, these two-inch volumes were part of a wide array of miniature marvels that filled the drawers and pockets of middle- and upper-class Victorians. Victorian miniatures pushed the boundaries of scientific knowledge, mechanical production, and human perception. To touch a miniature was to imagine what lay beyond these boundaries. In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible. Forsberg guides readers through microscopic science, art history, children’s culture, and book production to show how Victorian miniatures offered scripts for expansive fantasies of worlds beyond perception.

If one understands what the mind is, he is already on the path to happiness. So what is the mind? How can one cleanse one’s mind? Bestselling author Woo Myung has written World Beyond World which is the first book that offers the answers by defining the mind and explaining how one can eliminate the individual self-centered mind, which is pain and burden. Woo Myung is the first to give us the method to cleanse our mind and attain perfect freedom. Sharing his story of how he became Truth, Woo Myung also reveals the method for others to become Truth. He illustrates in writings and graphics the step-by-step process for human completion. He clearly defines the difference between heaven and hell, explaining the reality of the true world and the world of illusion, the human mind world. Woo Myung explains why we must awaken from our illusion and live in the world of reality. For the first time ever, Truth can be fully understood since the book presents the method to realize and become what others have only spoken of. Woo Myung is the first to provide the answers to our deep-rooted questions and the method to attain enlightenment. World Beyond World also includes beautiful poetry that will assist in awakening the human consciousness. Author's official website: www.woomyung.org

Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art and the artists who created these extraordinary images. In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. With deep dives into the subject matter that commonly appeared on these covers—spaceships, alien landscapes, fantasy realms, cryptozoology, and heavy machinery—this book is a loving tribute to a unique and robust art form whose legacy lives on both in nostalgic appreciation as well as the retro-chic design of mainstream sci-fi films such as Guardians of the Galaxy, Alien: Covenant, and Thor: Ragnarok. Includes Color Illustrations

1959 Physical continuity of the universe. Contents: the Changing Scene; Extrasensory Perception; Connected Universe; Modern Columbus Seeks Queen Isabella; Disclosing Southern Land Corridor into the Heavens Above; Stratosphere Revelations; Journey.

In his bestselling book Shop Class as Soulcraft, Matthew B. Crawford explored the ethical and practical importance of manual competence, as expressed through mastery of our physical environment. In his brilliant follow-up, The World Beyond Your Head, Crawford investigates the challenge of mastering one's own mind. We often complain about our fractured mental lives and feel beset by outside forces that destroy our focus and disrupt our peace of mind. Any defense against this, Crawford argues, requires that we reckon with the way attention sculpts the self. Crawford investigates the intense focus of ice hockey players and short-order chefs, the quasi-autistic behavior of gambling addicts, the familiar hassles of daily life, and the deep, slow craft of building pipe organs. He shows that our current crisis of attention is only superficially the result of digital technology, and becomes more comprehensible when understood as the coming to fruition of certain assumptions at the root of Western culture that are profoundly at odds with human nature. The World Beyond Your Head makes sense of an astonishing array of common experience, from the frustrations of airport security to the rise of the hipster. With implications for the way we raise our children, the design of public spaces, and democracy itself, this is a book of urgent relevance to contemporary life.

Looking for adventure and continuing a process of self-discovery, Janisse Ray has repeatedly set out to immerse herself in wildness, to be wild, and to learn what wildness can teach us. From overwintering with monarch butterflies in Mexico to counting birds in Belize, the stories in Wild Spectacle capture her luckiest moments—ones of heart-pounding amazement, discovery of romance, and moving toward living more wisely. In Ray’s worst moments she crosses boundaries to encounter danger and embrace sadness. Anchored firmly in two places Ray has called home—Montana and southern Georgia—the sixteen essays here span a landscape from Alaska to Central America, connecting common elements in the ecosystems of people and place. One of her abiding griefs is that she has missed the sights of explorers like Bartram, Sacagawea, and Carver: flocks of passenger pigeons, routes of wolves, herds of bison. She craves a wilder world and documents encounters that are rare in a time of disappearing habitat, declining biodiversity, and a world too slowly coming to terms with climate change. In an age of increasingly virtual, urban life, Ray embraces the intentionality of trying to be a better person balanced with seeking out natural spectacle, abundance, and less trammeled environments. She questions what it means to travel into the wild as a woman, speculates on the impacts of ecotourism and travel in general, questions assumptions about eating from the land, and appeals to future generations to make substantive change. Wild Spectacle explores our first home, the wild earth, and invites us to question its known and unknown beauties and curiosities.

No matter how one defines its extent and borders, Eastern Europe has long been understood as a liminal space, one whose undeniable cultural and historical continuities with Western Europe have been belied by its status as an “Other” in the Western imagination. Across illuminating and provocative case studies, The World beyond the West focuses on the region’s ambiguous relationship to historical processes of colonialism and Orientalism. In exploring encounters with distant lands through politics, travel, migration, and exchange, it places Eastern Europe at the heart of its analysis while decentering the most familiar narratives and recasting the history of the region.