of sirens, body & faultlines is a book of prophecy against this Brexit era, rising from a post-2008 London, where crisis and austerity meet the vanity projects of the super-rich. Committed to the immediacy of a present that is precarious and under surveillance, of sirens... attends to queer, transfeminist and people of colour counter-memories and histories. It seeks new expressions of desire and modes of breath, pushing against the gravities that would rather these lives and worlds disappear. While arguing with the radio may seem futile, syntax, punctuation, grammar and the page must still all be mobilised to help create new conditions of possibility - for collectivity, for poetry to speak. Nat Raha's exceptional, experimental, queer lyric mobilises all aspects of language to reveal contradictions of capitalism and defuse populist rhetoric. This is a writing of city life against the flows to capital; labouring bodies speaking back to the demands of work and the fictions of xenophobic politicians. It concerns herstory, transfeminism, collectivity; the everyday of South East London, transformation and decolonisation, through counter-memories, anti-memoir, and a trans poetics.

The Contemporary Small Press: Making Publishing Visible addresses the contemporary literary small press in the US and UK from the perspective of a range of disciplines. Covering numerous aspects of small press publishing—poetry and fiction, children’s publishing, the importance of ethical commitments, the relation to the mainstream, the attitudes of those working for presses, the role of the state in supporting presses—scholars from literary criticism, the sociology of literature and publishing studies demonstrate how a variety of approaches and methods are needed to fully understand the contemporary small press and its significance for literary studies and for broader literary culture.

The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity.

A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.

Conrad has just returned home to Westchester after four years in Iraq, and something is very wrong. As he attempts to reconnect with his girlfriend and find his footing in the civilian world, he has an impossible time adjusting. As weeks turn into months, his estrangement increases.

Callie Gardner's debut collection Naturally it is not: a poem in four letters is a remarkable work written between the Spring Equinox of 2016 and the Spring Equinox of 2017. It is a work that moves between form, part lyric, part manifesto, part essay. Gardner's poetry here is a truly unique blend of avant-garde rhetoric, utopian politics, and elemental alchemy. A timely work that engages anew with 'the natural' and 'the cultural' in an era marked by the increasing irrelevance of the four-season cycle of the year under climate change.

Quentin Jacobson has spent a lifetime loving Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life - dressed like a ninja and summoning him for an ingenious campaign of revenge - he follows. After their all-nighter ends, Q arrives at school to discover that Margo has disappeared.

sub rosa: The Book of Metaphysics is a three-part interrogation of love, gender, ritual and the body. It heralds a new kind of poetic thinking, one that seeks to articulate and enact a mode of resistance to the obstinacy of present conditions, but which focuses on embodiment, tenderness and optimism. It wants to break present paths and contribute to a collective imagining of a different future; a record of and a practice towards healing. The opening sequence charts the breakdown and aftermath of a romantic relationship. The second, 'Becoming', then traces several feminine archetypes - the mother, the girl, the wild woman, the mermaid, Venus - in a critique of gender identity, summoning a lineage of strongly developed feminine ego identities in order to transcend and dissolve the individual (gendered) subject. The third sequence, entitled 'Ecstasy (Dispersal)' is then a reconstruction: a somatic and poetic (re)connection with the elements via crystal work, dance, somatics and food. Altogether, this collection is the latest installments of Lisette's engrossing attempt to develop a poetics which is more inclusive of the body, the feminine, and the performative.

Toby Martinez de las Rivas is regarded as one of the most distinctive voices to have emerged in recent times; to some, a modern day William Blake. The Guardian described Terror, his first book, as 'visionary' and 'exciting', the New Statesman as 'remarkable', and all combined to praise it's brave and lucid intensity. Black Sun is a sequel of poise and clarity that is, if anything, more open and accessible than its predecessor. Beginning where Terror left off, it pursues that book's fascination with history and with theology, with preservation and redemption.

Evan Smoak—government assassin gone rogue—returns in Hellbent, an engrossing, unputdownable thriller from Gregg Hurwitz, the latest in his #1 international bestselling Orphan X series. Taken from a group home at age twelve, Evan Smoak was raised and trained as an off-the-books government assassin: Orphan X. After he broke with the Orphan Program, Evan disappeared and reinvented himself as the Nowhere Man, a man spoken about only in whispers and dedicated to helping the truly desperate. But this time, the voice on the other end is Jack Johns, the man who raised and trained him, the only father Evan has ever known. Secret government forces are busy trying to scrub the remaining assets and traces of the Orphan Program and they have finally tracked down Jack. With little time remaining, Jack gives Evan his last assignment: find and protect his last protégé and recruit for the program. But Evan isn’t the only one after this last Orphan—the new head of the Orphan Program, Van Sciver, is mustering all the assets at his disposal to take out both Evan (Orphan X) and the target he is trying to protect.