Widely acclaimed as one of the most influential writing coaches, Firdaus H. Salim tried her hand in the publishing industry with this as her first book.Of Scattered Tears is an anthology of 18 soothing poetries on the theme of 'Love'. Love is a thin heavenly neutral line between smiles and tears. Not all relationships end with a 'happy ever after' and that is why this collection is here for you. To help you heal that broken heart.Heartbreak is real. Heal and live happier.The poetries in this book are written with high professionalism that will leave you hungry for more. Suits to be read for leisure as well.

All those who ever lived on Earth have found themselves resurrected - healthy, young, and naked as newborns - on the grassy banks of a mighty river, in a world unknown. Miraculously provided with food, but with no clues to the meaning of their strange new afterlife, billions of people from every period of Earth's history - and prehistory - must start again. Sir Richard Francis Burton would be the first to glimpse the incredible way-station, a link between worlds. This forbidden sight would spur the renowned 19th-century explorer to uncover the truth. Along with a remarkable group of compatriots, including Alice Liddell Hargreaves (the Victorian girl who was the inspiration for Alice in Wonderland), an English-speaking Neanderthal, a WWII Holocaust survivor, and a wise extraterrestrial, Burton sets sail on the magnificent river. His mission: to confront humankind's mysterious benefactors, and learn the true purpose - innocent or evil - of the Riverworld . . . Winner of the Hugo Award for best novel, 1972

1975: When bloody war ravages his beloved Portuguese Timor, Cesar da Silva flees with his wife and children from a country in flames. But in their desperate bid for freedom, amidst the chaos and devastation, Cesar's young family becomes separated. Believing his wife and two daughters dead, Cesar finds passage to the Portugal of his heritage and later to Australia. In occupied Timor, Cesar's wife is alive, but her troubles are far from over. Hunted by a sadistic warlord and with no way to get a message to the outside world, she despairs she will never see her husband again... 1997: More than twenty years later, a young Australian journalist and her photographer are drawn to the killing fields of Timor and discover the terrible suffering of the Timorese people at the hands of a brutal foreign invader. They are compelled to expose the truth to the world, but in their quest for justice, they become entangled in the da Silva family tragedy, placing them all in the gravest of danger... Powerful, moving and enthralling, The Devil's Tears announces the arrival of a bold new voice in Australian fiction. "A captivating story of bravery and honour in a time of war, The Devil's Tears will grip you from the first page to the last." (Peter Watt)

Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka’s primary audience, this music—of parted lovers, long unseen rural hometowns, and self-sacrificing mothers—evokes a direct connection to the traditional roots of “Japaneseness.” Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author’s extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes “Japan.”

Two sisters become trapped in the underworld—and in the machinations of deities, shapeshifters, and ghouls—in this lush and dangerous Phoenician mythology-inspired fantasy. A Kirkus Reviews Best Young Adult Book of the Year Teenage sisters Samira and Rima aren't exactly living the dream. Instead, they live with their maddeningly unreliable mother in a rundown trailer in Michigan. Dad's dead, money's tight, and Mom disappears to gamble for days at a time. So when Sam's grandfather wills her the family valuables—a cache of Lebanese antiquities—she's desperate enough to try pawning them before Mom can. But she shouldn't. Because one is cursed, forbidden, the burial coin of a forgotten god. Disturbing it condemns her and Rima to the Phoenician underworld, a place of wicked cities, burning forests, poisoned feasts of milk and lemons, and an endless, windless ocean. Nothing is what it seems. No one is who they say. And down here, the night never ends. To get home—and to keep her sister safe—Sam will have to outwit beautiful shapeshifters, pose as a royal bride, sail the darkest sea... and maybe kill the god of death himself. A lush and intensely imaginative novel in which fierce women protect each other from rapacious gods and hungering demons, and in which two tenacious sisters come into their power, Vial of Tears introduces readers to the rich and brilliant mythology of ancient Lebanon. A Den of Geek Top New YA A Shelf Awareness Galley Love of the Week Selection

A National Book Award Finalist, this remarkable graphic novel is about growing up in a refugee camp, as told by a former Somali refugee to the Newbery Honor-winning creator of Roller Girl. Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day. Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

Following #1 Sunday Times bestseller The Burning Chambers, New York Times bestseller Kate Mosse returns with The City of Tears, a sweeping historical epic about love in a time of war. "Mosse is a master storyteller."—Madeline Miller, #1 New York Times bestselling author of Circe Alliances and Romance August 1572: Minou Joubert and her husband Piet travel to Paris to attend a royal wedding which, after a decade of religious wars, is intended to finally bring peace between the Catholics and the Huguenots. Loyalty and Deception Also in Paris is their oldest enemy, Vidal, in pursuit of an ancient relic that will change the course of history. Revenge and Persecution Within days of the marriage, thousands will lie dead in the street, and Minou’s family will be scattered to the four winds . . .

A series of poems traces the course of a love affair from both the man's and the woman's point of view.

A highly evolved civilization, almost unknown to history, thrived in North America for centuries long before the coming of Europeans.The Camp of God's Tears is a tragic tale about this civilization as it ended. This story is grounded in fact according to archeological, genetic, and linguistic data as reflected in the Afterward which presents supportive information and a bibliography of nearly 400 sources. This saga is told as a narrative by Gray Wolf who begins his story during his late adolescence and follows through six generations until he becomes a great-grandfather.The Camp of God's Tears reveals the high level of sophistication of this culture which was far more advanced than many cultures of the same time period, circa 300 AD. More importantly, it articulates the depth of their spirituality and moral codes by which these people lived. While the mysterious ending of a great culture is heart-rendering, the story ends on a note of hope for contemporary times. The story came to me in a dream. It was told to me by Falling Star. She answered a myriad of questions I asked. She showed me the locations of where the events in the story took place. She showed me her People who wore exotic clothes made of finely woven textiles decorated with pearls, copper and other artistic ornaments. She showed me strongly built homes, their villages, and their expansive farms. I saw their social organization was powerful yet simple, a few shaman, elders, and no real leaders. She intrigued me with their immense earthworks which demonstrate accurate astronomical alignments to the Sun, Moon, stars, and galaxies. The organization of labor, engineering skills, mathematical and astronomical knowledge required to build these phenomenal earthworks amazes modern researchers. I asked Falling Star why she showed me all of this. She said her People wanted their story told and asked me if I would tell it. Of course, I said, and then I asked her why. She said her People were so deeply spiritual, so in tune and in touch with the Creator that they actively lived the principles of Oneness. Their ways demonstrated what being one and at one with the One . . . looked like in real life. She said the people of my time need to know these principles and to learn to live them, because humankind is struggling to regain balance in a troubled world.