In the Old West, legends die hard - and so do witnesses. But that won't stop psychic-turned-detective Ophelia Wylde from finding fresh graves, digging up clues, and catching wanted criminals - with a little help from the dead.

When Maximillian Wilder hides his noble identity and joins the notorious body snatchers known as the London Supply Company, the last thing on his mind is love. He’s worried about Madeline, his vanished half sister, who was last seen in the company of Jack Hurtsill, the gang’s conscienceless leader. Raiding graveyards, stealing corpses, and selling them to medical colleges as dissection material is dirty work, but Max knows he must gain Jack’s trust. He’s determined to find out what happened to Madeline—and to bring Jack to justice if she was murdered for the coin her body could earn. Beautiful, spirited Abigail Hale, daughter of the surgeon at Aldersgate School of Medicine, detests the challenging, hard-bargaining Max almost as much as Jack. But she must procure the necessary specimens if she is to save the college and her father’s career. She believes she is going to be successful—until Jack double-crosses her. Then she’s swept into a plot of danger and intrigue, one where Max must intervene to protect her, no matter the risk to his plan…or his heart. “Novak expertly weaves powerful characters into a complex plot set in a skillfully crafted 1830s London underworld.... (An) entertaining page-turner.” —Publishers’ Weekly on A Matter of Grave Concern “[F]ascinating... a danger-rich, deliciously sexy thrill ride that will have readers hooked from the first page to the last.” —Booklist on A Matter of Grave Concern

Kate, a middle-aged woman, went back to her parents house after they were killed an a car accident and opened a grave-tending business.

For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers. ------------------------------------ The twenty second chronicle of Matthew Bartholomew. Identifying the murderer of the Chancellor of the University is not the only challenge facing physician Matthew Bartholomew. Many of his patients have been made worse by the ministrations of a 'surgeon' recently arrived from Nottingham, his sister is being rooked by the mason she has commissioned to build her husband's tomb, and his friend, Brother Michael, has been offered a Bishopric which will cause him to leave Cambridge. Brother Michael, keen to leave the University in good order, is determined that the new Chancellor will be a man of his choosing. The number of contenders putting themselves forward for election threatens to get out of control, then more deaths in mysterious circumstances make it appear that someone is taking extreme measures to manipulate the competition. With passions running high and a bold killer at large, both Bartholomew and Brother Michael fear the very future of the University is at stake. 'A first-rate treat for mystery lovers' (Historical Novels Review) 'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer

First published in 1999, this book is based on an extensive research study of the experiences of eighty-three families and the range of professionals involved in initial child protection conferences, this book explores the opportunities and difficulties of working in partnership in child protection within the context of rights, justice and empowerment. The research identifies what families find helpful and unhelpful in the intervention, as well as analysing the difficulties faced by practitioners. In exploring the families experience, the author provides a concrete base for a much-needed clarification of the nature of and limitations on partnership practice within child protection. Equally, the analysis of professional perspectives on current procedures and the agency structures in place to support them provides insight into key intra and inter agency issues, including training. The Identification of the conflicts and ambiguities which are inherent in the particular system, and with which the professional struggle is of particular interest to social work practioners and their managers, as well as to academics and other researchers in the field. The book, therefore, contributes to the debate about what constitutes good practice in this complex field and, while affirming some of the strengths of the existing system, suggests some ways in which both the families and professionals who work with them can be better supported.

The author, a former government agent, and other former government agents, detail the pattern of lies by White House politicians to support the invasion of Iraq, the massive cover-ups of the lies by U.S. politicians and most of the U.S. media, and the dire consequences of these wrongful acts.