Follows the spiritual journey of a young man, the child of the last sultan of the Ottoman Empire and a Jewish palace concubine, as he struggles to make sense of God through World War I in Istanbul, World War II in Paris, and the final years of British rule in Jerusalem, while maintaining his own precarious sanity.

On Yom Kippur eve in 1965, Elie Wiesel found himself in Russia, “in a synagogue crowded with people. The air was stifling. The cantor was chanting . . . Suddenly a mad thought crossed my mind: Something is about to happen; any moment now the Rabbi will wake up, shake himself, pound the pulpit and cry out, shout his pain, his rage, his truth. I felt the tension building up inside me; the wait became unbearable. But nothing happened . . . It was too late. The Rabbi no longer had the strength to imagine himself free.” In Zalmen, or The Madness of God, Wiesel gives his Rabbi that strength, the courage to voice his oppression and isolation, and the result is a passionate cry. This play illuminates not only the plight of the Soviet Jew, but the anguish of individuals everywhere who must survive—and yet long for something more than mere survival. (Adapted for the stage by Marion Wiesel.)

"Madness can afford the individual certain resources and abilities that are not available to others. The fantasy life, free flight of ideas, distortions of reality, and heightened senses . . . offer a unique perspective on the world." —From the Introduction Why do some extraordinary individuals overcome mental anguish and produce brilliant creative artistry that is often enhanced by their madness? New York Times best-selling author and noted psychologist Jeffrey Kottler explores this fascinating question in Divine Madness. His book is filled with the compelling stories of emotional turmoil that many great artists have undergone as they struggle for success and survival. Jeffrey Kottler writes about the dramatic and tragic lives of cultural icons Sylvia Plath, Judy Garland, Mark Rothko, Ernest Hemingway, Virginia Woolf, Charles Mingus, Vaslav Nijinsky, Marilyn Monroe, Lenny Bruce, and Brian Wilson. In this riveting book, Kottler highlights the personal story of each of these extraordinary individuals and analyzes how they struggled to overcome their emotional hardships. Divine Madness clearly differentiates between those who surrendered to their illness, often taking their own lives, and those who managed to endure and even recover. Kottler details how their profound psychological issues affected their lives and work, their great productivity and success, and how they strove to achieve some kind of personal stability. The fascinating and brilliantly told stories in Divine Madness help us to find meaning in the incredible lives of these artists. They also serve as an inspiration for those who are grappling to rise above their own challenges and limitations and express themselves more productively and creatively.

The Divine Madness of Philip K. Dick, written by a psychologist, investigates the inner world of the science fiction writer Philip K. Dick. In 1974, Dick was beset by religious visions, and warned police he was an android. The book explores whether Dick's experience was a spiritual awakening or caused by mental illness.

'Divine Madness: Archetypes of Romantic Love' examines the transforming experience of romantic love in literature, myth, religion, and everyday life. A series of psychological meditations on the nature of romantic love and human relationship, Divine Madness takes the perspective that human love is a species of divine love and that our experience of romantic love both conceals and reveals the ultimate Lover and Beloved. John Haule draws on depth psychology, the mystical traditions of the world, and literature from Virgil to Milan Kundera to lead the reader inside the mind and heart of the lover. Each chapter explores a characteristic aspect of relationship, such as seduction and love play, the rapture of union, the agony of separation, madness, woundedness, and transcendence. Focusing on the soulful and spiritual meaning of these experiences, Divine Madness sheds light on our elations, obsessions, and broken hearts, but it also reconnects us with the wisdom of time immemorial. As a practicing Jungian analyst and former professor of religious studies, John Haule masterfully guides his readers through the labyrinth of everyday experience, and the often hidden layers of archetypal realities, sketching a philosophy of romantic love through the stories of the world's literature and mythology.

The untold story of King Nebuchadnezzar’s daughter For seven years the Babylonian princess Tiamat has waited for the mad king Nebuchadnezzar to return to his family and to his kingdom. Driven from his throne to live as a beast, he prowls his luxurious Hanging Gardens, secreted away from the world. Since her treaty marriage at a young age, Tia has lived an opulent yet oppressive life in the palace. But her husband has since died and she relishes her newfound independence. When a nobleman is found murdered in the palace, Tia must discover who is responsible for the macabre death, even if her own freedom is threatened. As the queen plans to wed Tia to yet another prince, the powerful mage Shadir plots to expose the family’s secret and set his own man on the throne. Tia enlists the help of a reluctant Jewish captive, her late husband’s brother Pedaiah, who challenges her notions of the gods even as he opens her heart to both truth and love. In a time when few gave their hearts to Yahweh, Tia must decide if she is willing to risk everything—her possessions, her gods, and her very life—for the Israelites’ one God. Madness, sorcery, and sinister plots mingle like an alchemist’s deadly potion as Tia chooses whether to risk all to save the kingdom—and her family. “The biblical story of Babylonian King Nebuchadnezzar’s seven years as a madman, found in the Old Testament Book of Daniel, deepens and broadens thanks to veteran author Higley’s historical research and vivid imagination . . . Readers will find much to enjoy here: fine writing, suspense, mystery, faith, love, and a new look at an old story.” —Publishers Weekly “Higley gives readers a dose of biblical history set in King Nebuchadnezzar’s palatial gardens and a character like no other in Tiamat, devoted daughter of a king gone mad. The author’s insights into a woman’s inner strength as she searches for the one true God will leave readers rejoicing.”—Romantic Times TOP PICK "Her story will appeal not just to readers of historical fiction but also to those with an interest in biblical history." —Booklist

A National Book Foundation “5 Under 35” Honoree Finalist for the PEN/Hemingway Award for a Debut Novel Shortlisted for the Center for Fiction First Novel Prize A New York Times Notable Book The astonishing debut novel from the acclaimed bestselling author of The Death of Vivek Oji, You Made a Fool of Death with Your Beauty, and Pet, Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family. Young Ada is troubled, prone to violent fits. Born “with one foot on the other side,” she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters—now protective, now hedonistic—move into control. Written with stylistic brilliance and based in the author’s realities, Freshwater dazzles with ferocious energy and serpentine grace.

Traversing visible and invisible realms, A Time of Lost Gods attends to profound rereadings of politics, religion, and madness in the cosmic accounts of spirit mediumship. Drawing on research across a temple, a psychiatric unit, and the home altars of spirit mediums in a rural county of China’s Central Plain, it asks: What ghostly forms emerge after the death of Mao and the so-called end of history? The story of religion in China since the market reforms of the late 1970s is often told through its destruction under Mao and relative flourishing thereafter. Here, those who engage in mediumship offer a different history of the present. They approach Mao’s reign not simply as an earthly secular rule, but an exceptional interval of divine sovereignty, after which the cosmos collapsed into chaos. Caught between a fading era and an ever-receding horizon, those “left behind” by labor outmigration refigure the evacuated hometown as an ethical-spiritual center to come, amidst a proliferation of madness-inducing spirits. Following pronouncements of China’s rise, and in the wake of what Chinese intellectuals termed semicolonialism, the stories here tell of spirit mediums, patients, and psychiatrists caught in a shared dilemma, in a time when gods have lost their way.

"Have you seen such men--peculiar, raving, foam-mouthed, and straitjacketed--throwing themselves mercilessly at white padded walls . . . ? Such men are said to be insane. But there is more to insanity than the images depicted in film and planted in our minds by popular media. Insanity is a condition that affects us all. Unsoundness of mind disrupts our ability to think clearly and to form knowledge about the world. Our understanding is dangerously incomplete and our minds are corrupt. We are all insane. How then can we ever hope to know our world? Is it possible to form justified true beliefs about anything? What possibility, if any, do we have of escaping this condition of madness that keeps us from the light of knowledge? In Insanity, Jonah Haddad explores these very questions by introducing the main problems of the theory of knowledge and by offering a response to our madness--a response grounded in God, the ultimate Knower. "