This diary has one week per 2 pages so you can see the whole week at a glance. It also contains: Priorities for the week column Victories for the week column Looking Ahead to Next Week column and Notes section. 8.5 x 11 inches 52 weeks with durable glossy cover

Sleepless through the night, full of thoughts. Outside the silence, gloomy emptiness, inside the restless spirit; thoughts, partly fleeting, partly anchored, eternal companions, as if it were now, right now, in the middle of the night, to solve all problems, to make plans, and to evaluate situations. Soul Notes is spoken word poetry. A collection of notes and poetry about love, pain, doubts, laughing, development and chaos. Sometimes, a note expresses more than 100 words - a note that's deeply moved, scrutinized, and reflects. Soul Notes is an echo, asking you to dance.

To me... the four biggest evils in the world are: WAR, CRIME, PHYSICAL DISEASES, AND MENTAL SUFFERING. _______________ The four morals/values I regard the highest are: The truth, Honesty, Knowledge, & respect; Respect for other peoples feelings and property, & most of all respect for human life. _______________ MY MOTTO IS: THERE IS NO SUBSTITUTE FOR THE TRUTH.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Murder. Marriage. Forgiveness. The kingdom of Allsveil is the chessboard, and the royals are the pieces. Two noble families meet in a whirlwind of battle, conquest, hate, and passion. When a neighboring army conquers her home, Princess Alexia is forced to marry her father's murderer, Darrin, the new king's young prince. While Alexia grapples with revenge and flirtation, finding her own strength in the process --the new king, Goththor, seeks forgiveness from his queen and from himself. Two generations learn that the game of chess is nothing compared to the game of love and forgiveness...

'Never before has there been so many and such dreadful weapons in so many irresponsible hands.' - Karl Popper, from the Preface All Life is Problem Solving is a stimulating and provocative selection of Popper's writings on his main preoccupations during the last twenty-five years of his life. This collection illuminates Popper's process of working out key formulations in his theory of science, and indicates his view of the state of the world at the end of the Cold War and after the collapse of communism.

Describes why men are attracted to strong women and offers advice on ways a woman can relate to men and gain a man's love and respect.

A semiautobiographical coming-of-age story, framed by the harrowing 1975 Circeo massacre Edoardo Albinati’s The Catholic School, the winner of Italy’s most prestigious award, The Strega Prize, is a powerful investigation of the heart and soul of contemporary Italy. Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat. It is this environment, the halls of San Leone Magno in the late 1960s and the 1970s, that Edoardo Albinati takes as his subject. His experience at the school, reflections on his adolescence, and thoughts on the forces that produced contemporary Italy are painstakingly and thoughtfully rendered, producing a remarkable blend of memoir, coming-of-age novel, and true-crime story. Along with indelible portraits of his teachers and fellow classmates—the charming Arbus, the literature teacher Cosmos, and his only Fascist friend, Max—Albinati also gives us his nuanced reflections on the legacy of abuse, the Italian bourgeoisie, and the relationship between sex, violence, and masculinity.

“Carolyn See has written a novel alive with wit and love and energy–a book about things falling apart that turns out to be a day at the beach. . . . Pure joy.”–Joan Didion Accomplished author Carolyn See triumphantly returns to fiction–seven years after her last novel was published–with this provocative, vibrantly written new novel. Set in a security-obsessed world that eerily mirrors our own, There Will Never Be Another You captures the paranoia and propaganda of a volatile time and place in which humanity’s divisions run deep and society sits on edge–and one Southern California family faces profound crises from within and without. It is a moment in the near future when the global threat of terror has cultivated rage, apathy, and panic across the country. People fear that “anybody could be armed, or have a bomb. Or a disease. Or all three.” For Phil, a dermatologist at the UCLA hospital, it is a time of unease and uncertainty, in stark contrast to the days when he coasted through life on his good looks, a modicum of charm, and only haphazard effort. Now Phil must deal with his mother, Edith, who’s been grieving over the death of her husband for several years and only recently has thought to reconnect with a family that seems to have other priorities. Phil’s energies are already divvied up among his belligerent children, his wayward wife, and his unreliable mistress. Then Phil’s life takes a dramatic turn: He is recruited for a top-secret team whose task is to act quickly in the event of a biological or chemical attack. The assignment just may provide him with a renewed sense of purpose. Yet dire circumstances force Phil to make profound decisions that will affect not just himself and his loved ones but the entire country. It is a chance for an ordinary man to rise from mediocrity to heroism–and at which failure would prove to be catastrophic. Foreboding and all too plausible, There Will Never Be Another You is a cautionary novel of family and society, where a naïve past is replaced by a menacing future in which distinguishing between reality and imagination proves to be more challenging than ever.

Starting with Bad Behavior in the 1980s, Mary Gaitskill has been writing about gender relations with searing, even prophetic honesty. In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.