In this new selection of Warner's fantasy short fiction the remaining four Elfin stories are gathered together with the remarkable forgotten tales of The Cat's Cradle Book (1940), eighty years after its first publication.

Lolly Willowes: or, The Loving Huntsman by Sylvia Townsend Warner is a captivating and unconventional novel that blends elements of fantasy, feminism, and dark comedy. The story follows Laura Willowes, a spinster who defies societal expectations by embracing a life of independence and adventure in the English countryside. After the death of her overbearing father and the departure of her family, Laura, or “Lolly,” relocates to a remote village where she finds solace and freedom. However, her quiet life takes a fantastical turn when she becomes involved with witchcraft and a mysterious pact with the devil. Warner’s novel is celebrated for its unique exploration of themes such as autonomy, the role of women in society, and the conflict between personal desires and societal norms. With its rich prose, sharp wit, and imaginative narrative, Lolly Willowes offers a profound and entertaining commentary on the constraints placed on women and the transformative power of embracing one’s true self. It’s a must-read for those interested in literary fiction with a touch of the supernatural and a deep, feminist perspective.

Sylvia Townsend Warner's final collection of short stories contains sixteen sly and enchanting stories of Elfindom.

In revolutionary Paris, a disaffected Victorian wife becomes enraptured by her husband’s mistress—a “brilliantly entertaining” historical fiction novel that was “far ahead of its time” (Guardian). “One of the great under-read British novelists of the 20th century . . . my favorite of her novels.” —Sarah Waters, author of Fingersmith Sophia Willoughby, a young Englishwoman from an aristocratic family and a person of strong opinions and even stronger will, has packed her cheating husband off to Paris. He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion. Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband’s sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, “magnanimous and unscrupulous, fickle, ardent, and interfering,” leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades. Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.

A unique novel about life in a 14th-century convent by one of England's most original authors. Sylvia Townsend Warner’s The Corner That Held Them is a historical novel like no other, one that immerses the reader in the dailiness of history, rather than history as the given sequence of events that, in time, it comes to seem. Time ebbs and flows and characters come and go in this novel, set in the era of the Black Death, about a Benedictine convent of no great note. The nuns do their chores, and seek to maintain and improve the fabric of their house and chapel, and struggle with each other and with themselves. The book that emerges is a picture of a world run by women but also a story—stirring, disturbing, witty, utterly entrancing—of a community. What is the life of a community and how does it support, or constrain, a real humanity? How do we live through it and it through us? These are among the deep questions that lie behind this rare triumph of the novelist’s art.

'With his gallows humour and observational wit, Jim Powell gives us a vivid portrait of a man in meltdown.' Daily Mail When I was small, my mother showed me how to grow a carrot from a carrot. She filled a jam jar with water, cut the top off a carrot, ran a cocktail stick horizontally through the stub and suspended it over the jar, just touching the water. In time, roots sprouted, and when they were long enough and strong enough, the plant was translated to the garden and new carrots grew. This was one of the many exciting ways in which I was prepared for adult life. This is Matthew Oxenhay at sixty: a stranger to his wife, an embarrassment to his children, and failed former contender for the top job at his City firm. Seizing on his birthday party as an opportunity to deliver some rather crushing home truths to his assembled loved ones, it seems as though Matthew might have hit rock bottom. The truth, however, is that he has some way to go yet . . . With forensic precision and mordant wit, Matthew unpicks the threads that bind him: a comfortable home in the suburbs, a career spent trading futures and a life that bears little resemblance to the one he imagined for himself at twenty. When he unexpectedly bumps into Anna (the one who got away), the stage is set for an epic unravelling. Darkly funny, Trading Futures forces us to confront how change, like death, is an inevitable fact of life: feared by most, it can transform or overwhelm us. This is a brilliantly observed novel, for fans of works such as John Lanchester's Mr Phillips and On Chesil Beach by Ian McEwan. It also featured as Radio 4's Book at Bedtime.

Princeton. New Jersey. 14th March 1954 'Albert Einstein speaking.' 'Who?' asks the girl on the telephone. 'I'm sorry,' she says. 'I have the wrong number.' 'You have the right number,' Albert says. From a wrong number to a friendship that would impact both their lives, Albert Einstein Speaking begins with two unlikely friends - the world's most respected scientist and a schoolgirl from New Jersey. From their first conversation Mimi Beaufort had a profound effect on Einstein and brought him, in his final years, back to life. In turn he let her into his world. Albert Einstein Speaking is the story of an incredible friendship, and of a remarkable life. The son of an electrician in nineteenth-century Germany, Albert Einstein went on to become one of the twentieth century's most influential scientists and the most famous face in the world. This riotous, charming and moving novel spans almost a century of European history and shines a light on the real man behind the myth.

'One November evening in 1925, two young women from London arrived at the village of Chaldon, in Dorset. They brought with them two suitcases, a gramophone, and a wooden boxful of records; the bare necessities. Both wore trousers and had Eton-cropped hair. The taller of the two, Mrs Turpin, had come to the country to recover from a recent operation to remove her hymen.' Mrs Turpin was Valentine Ackland, on the run from her recent disastrous marriage. She was soon to meet the love of her life, Sylvia Townsend Warner, already a celebrity for her dashing debut novel Lolly Willowes. They would live in Dorset together in a passionate relationship until Valentine's death in 1969. Valentine was a dedicated poet, deeply involved with Communism during the 1930s, and an environmentalist and peace campaigner. Recently released MI5 files show that she was blacklisted for confidential work during the Second World War, and remained under long-term surveillance. Despite her commitment to Sylvia, Valentine had many affairs with women who fell for her androgynous beauty and her masterful conduct of an amour. She also struggled with alcoholism, but the relationship with Sylvia survived all challenges.

Born into a Calvinist Scottish family, Elizabeth Young's life was turned upside down when she was given, at the age of 11, three American novels: Algren's The Man with the Golden Arm, Ginsberg's Howl and Kerouac's On the Road. An exceptionally ghoulish child, obsessed with graveyards, owls, wolves and horror stories, she very early on decided to devote her life to books, reading and writing. Elizabeth Young's collected writings exhibit her singular attraction to the bizarre and her dedication to the high standards of a critic. Witty, incisive, wide-ranging and also moving, Pandora's Handbag chronicles the journey of a modern arts critic and Young's personal journey from childhood to critic. Each previously published article is presented in its entirety, with original titles and additional notes. This collection includes two of Young's crusading articles (on Drug Legislation and the Hepatitus C virus), which have become seminal texts.