"With Heinrich Kaan's book we have then what could be called the date of birth, or in any case the date of the emergence, of sexuality and sexual aberrations in the psychiatric field." Michel Foucault, Abnormal: Lectures at the Collège de France, 1974–1975. Heinrich Kaan's fascinating work—part medical treatise, part sexual taxonomy, part activist statement, and part anti-onanist tract—takes us back to the origins of sexology. He links the sexual instinct to the imagination for the first time, creating what Foucault called "a unified field of sexual abnormality." Kaan's taxonomy consists of six sexual aberrations: masturbation, pederasty, lesbian love, necrophilia, bestiality, and the violation of statues. Kaan not only inaugurated the field of sexology, but played a significant role in the regimes of knowledge production and discipline about psychiatric and sexual subjects. As Benjamin Kahan argues in his Introduction, Kaan's text crucially enables us to see how homosexuality replaced masturbation as the central concern of Euro-American sexual regulation. Kaan's work (translated into English for the first time here) opens a new window onto the history of sexuality and the history of sexology and reconfigures our understanding of Richard von Krafft-Ebing's book of the same name, published some forty years later.

In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the "color problem." Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called "the bran of history"—the uncollected, unexamined history of black people—in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race—humanity—precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. The books are presented here in their original editions.

This lively, accessible book is the first to explore Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. Concentrating on aesthetic and decadent authors, Scents and Sensibility introduces a rich selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility. A key theme is the emergence of the olfactif, the cultivated individual with a refined sense of smell, influentially represented by the poet and critic Algernon Charles Swinburne, who is emulated by a host of canonical and less well-known aesthetic and decadent successors such as Walter Pater, Edmund Gosse, John Addington Symonds, Lafcadio Hearn, Michael Field, Oscar Wilde, Arthur Symons, Mark André Raffalovich, Theodore Wratislaw, and A. Mary F. Robinson. This book explores how scent and perfume pervade the work of these authors in many different ways, signifying such diverse things as style, atmosphere, influence, sexuality, sensibility, spirituality, refinement, individuality, the expression of love and poetic creativity, and the aura of personality, dandyism, modernity, and memory. A coda explores the contrasting twentieth-century responses of Virginia Woolf and Compton Mackenzie to the scent of Victorian literature.

The Encyclopædia of Sexual Behaviour, Volume Two is an encyclopedia of sexual behavior and covers topics ranging from the linguistic aspects of sex to sex life in Latin America, sex in the literature, and sexual love. Laws on marriage and family and on sex crimes are also discussed, along with sexual perversions and the art of loving. Comprised of 52 chapters, this volume first deals with Judaism's attitudes and teachings on sex, particularly with regard to the sexuality of women, nudity, and prostitution. The reader is then introduced to the connection between language and sex; sex life in regions such as Latin American, the Orient, and the Soviet Union; and the portrayal of sex in literature. Subsequent chapters explore sexual love as opposed to altruistic love; marriage and family living; menopause and the menstrual cycle; movement and feeling in sex; the interrelationship of music and sex; and the effects of nutrition and health on sexuality. Other chapters focus on phallicism and sexual symbolism; planned parenthood around the world; the psychology of pornography; human reproduction; and sex in relation to race and Protestantism. This book will be of interest to psychologists and psychiatrists.

Presents a history of sexual desire - a provocative chronicle of the changing nature of what people yearn to do sexually. This work demonstrates that desire is hardwired into the brain, expressing itself in remarkably similar ways in men and women, adolescent and adult, and in gays, lesbians, and straights alike.

This is a new release of the original 1933 edition.

Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times

This is the classic guide to using and interpreting the black arts for seduction and manipulation. This new updated and expanded edition fills readers in on the final days of LaVey and the latest from the Church of Satan, and includes a new Introduction by the church's current leader.

This book examines how modernizing German-speaking cultures, undergoing their own processes of identification, responded to the narcissistic threat posed by the continued persistence of Judentum (Judaism, Jewry, Jewishness) by representing "the Jew"'s body--or rather parts of that body and the techniques performed upon them. Such fetish-producing practices reveal the question of German-identified modernity to be inseparable from the Jewish Question. But Jewish-identified individuals, immersed in the phantasmagoria of such figurations--in the gutter and garret salon, medical treatise and dirty joke, tabloid caricature and literary depiction, church fa ade and bric-a-brac souvenir--had their own question, another Jewish Question. They also had other answers, for these physiognomic fragments not only identified "the Jew" but also became for some Jewish-identified individuals the building blocks for working through their particular situations and relaying their diverse responses. The Other Jewish Question maps the dissemination of and interrelationships among these corporeal signifiers in Germanophone cultures between the Enlightenment and the Shoah. Its analyses of ascribed Jewish physiognomy include tracing the gendered trajectory of the reception of Benedict Spinoza's correlation of Jewish persistence, anti-Semitism, and circumcision; the role of Zopf ("braid") in mediating German Gentile-Jewish relations; the skin(ny) on the association of Jews and syphilis in Arthur Dinter's antisemitic bestseller Sin against the Blood and Adolf Hitler's Mein Kampf; as well as the role of Jewish corporeality in the works of such Jewish-identified authors as Rahel Levin Varnhagen, Heinrich Heine, Karl Marx, Max Nordau, Franz Kafka, and Walter Benjamin, as well as such "Jew"-identifying writers as Ludwig Feuerbach and Daniel Paul Schreber. The Other Jewish Question portrays how Jewish-identified individuals moved beyond introjection and disavowal to appropriate and transform this epidemic of signification to make sense of their worlds and our modernity.