Odell Moore, senior partner in a top Manhattan law firm, is suspected of murdering his father-in-law. The murder becomes a New York sensation: Odell is an African-American all-star who climbed to the top from an impoverished background. His father-in-law is a prominent senator from Alabama, completely opposed to the sudden marriage to his daughter. Odell claims he doesn't remember anything about that afternoon, and he doesn't know why his new wife was found unconscious, bleeding from the head. Did he do it? Or was it his conniving protégé, Jackson Sherman, the southern aristocrat who said he'd do anything to get to the top - even kill? As detectives and lawyers unravel the puzzle, they discover just how far Jackson would go to become partner. Then Odell discovers a secret he's been suppressing all his life - and who really killed his wife's father.

** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.

"Hilarious, insightful and smart. A must-read for anyone who wears clothes.” —Chelsea Handler *US Weekly, “Riveting Reads for Labor Day”* *Bustle, “2015 Books Every Funny Woman Should Read” and “September 2015’s Best Books”* *Refinery29 “Fall’s Most Highly Anticipated Nonfiction Reads”* *theSkimm, “Skimm Reads”* *Popsugar, “Motivational Books You Should Read this Fall”* *AM NY, “New Books for New Yorkers to Read This Fall”* The Lowdown on High Fashion Cosmopolitan.com editor Amy Odell knows what it’s really like to be a young woman working in the fashion industry. In Tales from the Back Row, Amy—funny and fearless—takes readers behind the stage of New York’s hottest fashion shows to meet the world’s most influential models, designers, celebrities, editors, and photographers. But first, she has to push her way through the crowds outside, where we see the lengths people go to be noticed by the lurking paparazzi, and weave her way through the packed venue, from the very back row to the front. And as Amy climbs the ladder (with tips about how you can, too), she introduces an industry powered by larger-than-life characters: she meets the intimidating Anna Wintour and the surprisingly gracious Rachel Zoe, not to mention the hilarious Chelsea Handler, and more. As she describes the allure of Alexander Wang’s ripped tights and Marchesa’s Oscar-worthy dresses, Amy artfully layers in something else: ultimately this book is about how the fashion industry is an exaggerated mirror of human fallibility—reflecting our desperate desire to belong, to make a mark, to be included. For Amy is the first to admit that as much as she is embarrassed by the thrill she gets when she receives an invitation to an exclusive after-party, she can’t help but RSVP “yes.”

Former insider turned critic Wendy Liu busts the myths of the tech industry, and offers a galvanising argument for why and how we must reclaim technology's potential for the public good. Former insider turned critic Wendy Liu busts the myths of the tech industry, and offers a galvanising argument for why and how we must reclaim technology's potential for the public good. "Lucid, probing and urgent. Wendy Liu manages to be both optimistic about the emancipatory potential of tech and scathing about the industry that has harnessed it for bleak and self-serving ends." -- Naomi Klein, author of On Fire: The Burning Case for a Green New Deal "An inspiring memoir manifesto...Technologists all over the world are realizing that no amount of code can substitute for political engagement. Liu's memoir is a road map for that journey of realization." -- Cory Doctorow, author of Radicalized and Little Brother Innovation. Meritocracy. The possibility of overnight success. What's not to love about Silicon Valley? These days, it's hard to be unambiguously optimistic about the growth-at-all-costs ethos of the tech industry. Public opinion is souring in the wake of revelations about Cambridge Analytica, Theranos, and the workplace conditions of Amazon workers or Uber drivers. It's becoming clear that the tech industry's promised "innovation" is neither sustainable nor always desirable. Abolish Silicon Valley is both a heartfelt personal story about the wasteful inequality of Silicon Valley, and a rallying call to engage in the radical politics needed to upend the status quo. Going beyond the idiosyncrasies of the individual founders and companies that characterise the industry today, Wendy Liu delves into the structural factors of the economy that gave rise to Silicon Valley as we know it. Ultimately, she proposes a more radical way of developing technology, where innovation is conducted for the benefit of society at large, and not just to enrich a select few.

This engaging textbook teaches students about the Middle Ages, from the fall of Rome to the Renaissance. Follow this story-based approach to world history as you meet numerous historical figures (including St. Patrick, Genghis Khan, Richard the Lionheart, Joan of Arc, and Martin Luther), visit medieval sites around the world, and trace the rise and fall of numerous empires and kingdoms. Volume 2 in this series for your junior high students includes: A conversational narrative that brings medieval history to lifeGorgeous photographs, artwork, and maps that help students visualize people, places, and eventsEducational features that dig deeper into the history of the Christian Church Throughout the course, students will see God’s guiding hand through history. They will study the major events of the Middle Ages and delve into how society and culture developed and changed. Students will also study medieval civilizations spanning the whole globe, including the Byzantines, Anglo-Saxons, Muslims, Chinese, Japanese, Mongols, Mughals, Vikings, Normans, Russians, Songhai, and Aztecs!

This biography of the legendary fashion journalist and media mogul follows her journey from the trendy fashion scene of swinging 1960s London to becoming the editor-in-chief of Vogue magazine.

Plantation mistress Amanda Satterfield’s intense grief over losing her daughter crosses the line into madness when she takes a newborn slave child as her own and names her Granada. Troubled by his wife’s disturbing mental state and concerned about a mysterious plague that is sweeping through the plantation’s slave quarters, Master Satterfield purchases Polly Shine, a slave woman known as a healer who immediately senses a spark of the same gift in Granada. Soon, a domestic battle of wills begins, leading to a tragedy that weaves together three generations of strong Southern women. Rich in mood and atmosphere, The Healing is a powerful, warmhearted novel about unbreakable bonds and the power of story to heal.

"Breathtaking . . . A tightly woven spiderweb of plot and a rich cast of characters make this a truly gripping read." —Jeffery Deaver, author of The Bodies Left Behind It should be an open–and–shut case. Canada's leading radio–show host, Kevin Brace, has confessed to killing his young wife. He had come to the door of his luxury condominium with his hands covered in blood and told the newspaper deliveryman: "I killed her." His wife's body lay in the bathtub of their suite, fatal knife wound just below the sternum. Now all that should remain is legal procedure: document the crime scene, prosecute the case, and be done with it. The trouble is, Brace refuses to talk to anyone—including his own lawyer—after muttering those incriminating words. With the discovery that the victim was actually a self-destructive alcoholic, the appearance of strange fingerprints at the crime scene, and a revealing courtroom cross-examination, the seemingly simple case begins to take on all the complexities of a hotly–contested murder trial. In the tradition of defense lawyers–turned–authors such as Scott Turow and John Grisham, Toronto-based defense counsel Robert Rotenberg delivers a debut legal thriller rich with his forensic skill. Firmly rooted in Toronto, from the ancient Don Jail to the sterile morgue and the shadowy corridors of the historic courthouse, Old City Hall takes the reader inside clattering Italian restaurants and late-night greasy spoons—and outside, to open-air skating rinks and parade-filled streets. Rotenberg leads us on a fascinating tour of a city as exciting and vital as the motley ensemble populating his story: there's Awotwe Amankwah, the only black reporter covering the crime; Judge Johnathan Summers, an old navy captain who runs his courtroom like he's still standing astride the foredeck; Edna Wingate, an eighty-three year old British war bride who just loves hot yoga; and Daniel Kennicott, a former big-firm lawyer who became a cop after his brother was murdered and the investigation hit a dead end. Douglas Preston rejoices that Rotenberg's Toronto settings "make this most multicultural city in North America come alive." Elmore Leonard has Florida; John Lescroart, San Francisco; Robert B. Parker, Boston; Scott Turow, Chicago; George Pelecanos, D.C. And now, with Old City Hall, Rotenberg offers us a page-turning legal thriller set in a diverse and surprising Toronto filled with unexpected characters and plot twists that keep you guessing until the very end.