DIVDIVReading and romance, gardening tips, a farewell to a friend, even an opera retold make up this stellar collection from the bestselling author of The Group and Memories of a Catholic Girlhood/divDIV This intriguing nonfiction collection by Mary McCarthy is a cornucopia of literary delights that challenges the mind and captivates the senses./divDIV “On Rereading a Favorite Book” is McCarthy’s reaction to returning to Tolstoy’s Anna Karenina after more than thirty years. In “Politics and the Novel,” she shatters a myth about the American versus European style of storytelling. Acts of reading, when consummated, are akin to “Acts of Love.” And “Saying Good-bye to Hannah” is a poignant farewell to the author of The Human Condition and, in particular, The Life of the Mind, the book Hannah Arendt saw as her crowning achievement./divDIV Whether giving us the story of La Traviata in her own words or reviewing a charming and practical book on gardening, McCarthy imbues Occasional Prose with her powerful sense of time and place. Uninhibited and uncensored, it filters the world through her unique gifts of observation and novelist’s masterful eye for detail. This is a book for anyone interested in the life of the mind—and heart. /divDIV This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate./div/div

This collection shows Flannery O'Connor's extraordinary versatility and expertise as a practitioner of the essayistic form. The book opens with "The King of the Birds", her famous account of raising peacocks. There are three essays on regional writing, two on teaching literature, and four on the writer and religion. Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are gems, and their value to the contemporary reader -- and writer -- is inestimable. Copyright © Libri GmbH. All rights reserved.

Spanning a period of thirty years, a wide-ranging collection of writing about poetry and literature by the Poet Laureate of England includes reflections on the creative process and such figures as Shakespeare, Emily Dickinson, and Sylvia Plath.

In his new collection of essays, Occasional Desire, David Lazar meditates on random violence and vanished phone booths, on the excessive relationship to jewelry that links Kobe Bryant and Elizabeth Taylor, on Hitchcock, Francis Bacon, and M. F. K. Fisher. He explores, in his concentrically self-aware, amused, and ironic voice, what it means to be occasionally aware that we are surviving by our wits, and that our desires, ulterior or obvious, are what keep us alive. Lazar also turns his attention on the essay itself, affording us a three-dimensional look at the craft and the art of reading and writing a literary form that maps the world as it charts the peregrinations of the mind. Lazar is especially interested in the trappings of memory, the trapdoors of memory, the way we gild or codify, select, soften, and self-delude ourselves based on our understanding of the past. His own process of selection and reflection reminds us of how far this literary form can take us, bound only by the limits of desire and imagination.

Twenty-first-century private detective Conrad Metcalf has a dead doctor on his hands, a monkey on his back, and a kangaroo in his waiting room in a first novel with a sharp-edged, funny vision of the future.

R. S. Thomas is Wales's most eminent poet in the English language, and one of the most acclaimed poets writing in Britain today. Since 1946 he has published twenty-six collections of poetry including his massive Collected Poems in 1993. His poems and books have won many prizes including the Queen's Gold Medal for Poetry in 1964. Thomas's growing influence on modern poetry has been considerable. This is a result of the poems themselves: Thomas remains a largely private figure, living on the island Anglesey, content to let his writing speak for itself. Thomas's occasional prose writings have consequently been of great importance, providing a glimpse into the craft of his poems and their concerns. Selected Prose is the only book to collect some of his scattered prose in both languages, many Welsh language articles appearing in translation for the first time. It is a varied selection, both creative and critical, aiming to reflect the major preoccupations of Thomas and his poetry: religion and theology; Wales and its topography; Welsh Nationalism and the language; Nature and the countryside; the poet and his craft. It includes also the translated transcript of an autobiographical radio broadcast.

A selection of prose by “Portugal’s greatest writer of the twentieth century . . . as addictive, and endearing, as Borges and Calvino” (The Washington Post Book World). Building on the wonderful Fernando Pessoa & Co.: Selected Poems, which was acclaimed by Booklist as “a beautiful one-volume course in the soul of the twentieth century,” translator Richard Zenith has now edited and translated selections from Pessoa’s prose, offering a second volume of this forgotten master’s flights of imagination and melancholy wit. Though known primarily as a poet, Pessoa wrote prose in several languages and every genre—the novel, short stories, letters, and essays. The pieces collected here span intellectual inquiry, Platonic dialogue, and literary rivalries between Pessoa’s many alter egos—a diverse cast of literary voices he called ‘heteronyms’—who launch movements and write manifestos. There are appreciations of Shakespeare, Dickens, Wilde, and Joyce; critical essays in which one heteronym derides the work of another; experiments with automatic writing; and works that toy with the occult. Also included is a generous selection from Pessoa’s masterpiece, The Book of Disquiet, freshly translated by Richard Zenith from newly discovered materials. Fernando Pessoa was one of the greatest exponents of modernism. The Selected Prose of Fernando Pessoa is an important contribution to literature that brings back to life a forgotten but crucial part of the canon.

This book offers a guided introduction to Chinese nonfictional prose and its literary and cultural significance. It features more than one hundred major texts from antiquity through the Qing dynasty that exemplify major genres, styles, and forms of traditional Chinese prose. For each work, the book presents an English translation, the Chinese original, and accessible critical commentary by leading scholars. How to Read Chinese Prose teaches readers to appreciate the literary merits, stylistic devices, rhetorical choices, and argumentative techniques of a wide range of nonfictional writing. It emphasizes the interconnections among individual texts and across eras, helping readers understand the development of the literary tradition and what makes particular texts formative or distinctive within it. Organized by dynastic period and genre, the book identifies and examines four broad categories of prose—narrative, expository, descriptive, and communicative. How to Read Chinese Prose is suitable for a range of courses in Chinese literature, history, religion, and philosophy, as well as for scholars and interested readers seeking to deepen their knowledge of the Chinese prose tradition. A companion book, How to Read Chinese Prose in Chinese, is designed for Chinese-language learners and features many of the same texts.

A young girl brings home a peacock, but he refuses to show off his colorful tail! Inspired by the life of Flannery O'Connor. In this picture book, inspired by the life of Flannery O’Connor, a young fan of fowl brings home a peacock to be the king of her collection, but he refuses to show off his colorful tail. The girl goes to great lengths to encourage the peacock to display his plumage — she throws him a party, lets him play in the fig tree, feeds him flowers and stages a parade — all to no avail. Then she finally stumbles on the perfect solution. When she introduces the queen of the birds — a peahen — to her collection, the peacock immediately displays his glorious shimmering tail. This delightful story, full of humor and heart, celebrates the legacy of a great American writer. Includes an author’s note about Flannery O’Connor. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.5 Describe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.