Object Atlas presents objects from the Weltkulturen Museum's ethnographic collection alongside new works produced by eight artists who lived and worked in the museum's laboratory during 2011: Alf Bayrle, Helke Bayrle, Thomas Bayrle, Marc Camille Chaimowicz, Sunah Choi, Antje Majewski, Otobong Nkanga, Simon Popper and Hans-Jürgen Heinrichs.

The most comprehensive, detailed, and beautiful account of the Messier objects available, for amateur astronomers of all abilities.

Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences — and show how the concept differs from alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images. From the eighteenth through the early twenty-first centuries, the images that reveal the deepest commitments of the empirical sciences — from anatomy to crystallography — are those featured in scientific atlases: the compendia that teach practitioners of a discipline what is worth looking at and how to look at it. Atlas images define the working objects of the sciences of the eye: snowflakes, galaxies, skeletons, even elementary particles. Galison and Daston use atlas images to uncover a hidden history of scientific objectivity and its rivals. Whether an atlas maker idealizes an image to capture the essentials in the name of truth-to-nature or refuses to erase even the most incidental detail in the name of objectivity or highlights patterns in the name of trained judgment is a decision enforced by an ethos as well as by an epistemology. As Daston and Galison argue, atlases shape the subjects as well as the objects of science. To pursue objectivity — or truth-to-nature or trained judgment — is simultaneously to cultivate a distinctive scientific self wherein knowing and knower converge. Moreover, the very point at which they visibly converge is in the very act of seeing not as a separate individual but as a member of a particular scientific community. Embedded in the atlas image, therefore, are the traces of consequential choices about knowledge, persona, and collective sight. Objectivity is a book addressed to any one interested in the elusive and crucial notion of objectivity — and in what it means to peer into the world scientifically.

There is huge interest in Ajax and Atlas. This book will demystify the technology and show people how to apply it. First book to be published on this revolutionary new technology. Written by an experienced .NET author working in close collaboration with the Atlas development team

This star guide enables astronomers to choose a class of object, and for any month of the year find an observation list that begins with the easiest through to progressively more difficult targets. Following detailed descriptive summaries of each class of object, it includes extensive lists of deep-sky targets which are classified according to type of object. Amateur astronomers of all levels will find this book invaluable for its broad-ranging background material, its lists of fascinating objects, and for its power to improve practical observing skills while viewing many different types of deep-sky objects.

In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality? The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.