"Based on thorough archival research combined with stunning visual analysis, Maya Stanfield-Mazzi demonstrates that Andeans were active agents in Catholic image-making and created a particularly Andean version of Catholicism. Object and Apparition describes the unique features of Andean Catholicism while illustrating its connections to both Spanish and Andean cultural traditions"--Provided by publisher.

Today established as one of the twentieth century's most important poets, Elizabeth Bishop (1911-1979) was also a gifted artist and collector of art and artifacts, many of which were collected from her years in Brazil. Objects and Apparitions explores for the first time Bishop's art: her delicate, miniaturist watercolors and gouaches of domestic vignettes; her tenderly fabricated, Cornell-esque constructions; and several works of art from her own collection, including family portraits and a bird cage modeled on a medieval cathedral. Many of these are reproduced here for the first time in full color, alongside poems, archival photographs and essays by Bishop scholars Joelle Biele, Dan Chiasson and Lloyd Schwartz that discuss Bishop's art and its relationship to her poetry. Published for a critically acclaimed show at Tibor de Nagy Gallery, this handsomely produced volume shows Bishop's visual instincts to be as flawlessly poised and exquisite as her poetical sensibility.

Surface is one of the most intensely debated topics in recent arts, humanities and social science scholarship. The changing technologies which manufacture the actual and virtual surfaces of today are radically altering our perception of thresholds and borders. In contrast to the responses to preceding industrial revolutions, contemporary concerns with surface seem preoccupied with its function of mediation or passage, rather than with that of separation or boundary. In Surface and Apparition, each chapter explores a different meaning and function of the material and immaterial qualities of 'surface'. Case studies include various surfaces from computer screens, 'artisanal' engines and glass architecture to gauzy veils, the planetary surface of supply chain capitalism, and spatial embodiment in street markets. International scholars of design, architecture, film, media, fine art, fashion, textiles, silversmithing, woodworking and archival practices account for how the material and the immaterial draw attention to each other in both their everyday and artistic practice. Each chapter addresses particular systems (from the human body to manually operated tools and machines); materials (for instance cloth, wood and light); modes of attention, movement and engagement. 'Surface' therefore functions in this book as a multidisciplinary method for attending to critical issues concerning human creative and technological endeavours.

Even if the width and the depth of Brentano’s intellectual legacy are now quite well known, those asked to list the principal philosophers of the 19th century, very rarely do mention his name. We may call this puzzle the problem of Brentano’s 'invisibility'. One component of the Brentano’s puzzle is that a number of Brentano’s outstanding pupils achieved their own success and founded their own schools. Suffice to mention Husserl’s phenomenology, Twardowski’s Lvov-Warsaw school and Meinong’s Graz school. The personal success and academic recognition attained by these exponents of Brentano’s school (in the broad sense) have come to obscure their common origins. The oblivion into which Franz Brentano’s thought fell was in part due also to the subsequent split between analytic philosophy and phenomenology. The book reconstructs elements of the 'map' of the Brentanists, revitalizing knowledge of the theoretical complexity of their debates, of their unitariness, and of their style. Last but not least, analyses of the relevance of those discussions for contemporary philosophical and scientific debate are also considered.

This book is a practical, portable guide to all of the Arctic's natural history—sky, atmosphere, terrain, ice, the sea, plants, birds, mammals, fish, and insects—for those who will experience the Arctic firsthand and for armchair travelers who would just as soon read about its splendors and surprises. It is packed with answers to naturalists' questions and with questions—some of them answered—that naturalists may not even have thought of.

Phenomenology was one of the twentieth century’s major philosophical movements, and it continues to be a vibrant and widely studied subject today with relevance beyond philosophy in areas such as medicine and cognitive sciences. The Routledge Handbook of Phenomenology and Phenomenological Philosophy is an outstanding guide to this important and fascinating topic. Its focus on phenomenology’s historical and systematic dimensions makes it a unique and valuable reference source. Moreover, its innovative approach includes entries that don’t simply reflect the state-of-the-art but in many cases advance it. Comprising seventy-five chapters by a team of international contributors, the Handbook offers unparalleled coverage and discussion of the subject, and is divided into five clear parts: • Phenomenology and the history of philosophy • Issues and concepts in phenomenology • Major figures in phenomenology • Intersections • Phenomenology in the world. Essential reading for students and researchers in philosophy studying phenomenology, The Routledge Handbook of Phenomenology and Phenomenological Philosophy is also suitable for those in related disciplines such as psychology, religion, literature, sociology and anthropology.