This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!

Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

For her graduation from high school in 1920, Frankie Pratt receives a scrapbook and her father’s old Corona typewriter. Despite Frankie’s dreams of becoming a writer, she must forgo a college scholarship to help her widowed mother. But when a mysterious Captain James sweeps her off her feet, her mother finds a way to protect Frankie from the less-than-noble intentions of her unsuitable beau. Through a kaleidoscopic array of vintage postcards, letters, magazine ads, ticket stubs, catalog pages, fabric swatches, candy wrappers, fashion spreads, menus, and more, we meet and follow Frankie on her journey in search of success and love. Once at Vassar, Frankie crosses paths with intellectuals and writers, among them “Vincent” (alumna Edna St. Vincent Millay), who encourages Frankie to move to Greenwich Village and pursue her writing. When heartbreak finds her in New York, she sets off for Paris aboard the S.S. Mauritania, where she keeps company with two exiled Russian princes and a “spinster adventuress” who is paying her way across the Atlantic with her unused trousseau. In Paris, Frankie takes a garret apartment above Shakespeare & Company, the hub of expat life, only to have a certain ne’er-do-well captain from her past reappear. But when a family crisis compels Frankie to return to her small New England hometown, she finds exactly what she had been looking for all along. Author of the New York Times Notable Book Jackie by Josie, Caroline Preston pulls from her extraordinary collection of vintage ephemera to create the first-ever scrapbook novel, transporting us back to the vibrant, burgeoning bohemian culture of the 1920s and introducing us to an unforgettable heroine, the spirited, ambitious, and lovely Frankie Pratt.

Jack Olsen's Last Man Standing is the gripping story of Geronimo Pratt, war hero and community leader, who was framed by the FBI in one of the greatest travesties of justice in American history. Geronimo Pratt did not commit the murder for which he served twenty-seven nightmarish years. As a UCLA student, though, he had led the Los Angeles Chapter of the Black Panther Party, and became a target of the FBI. Here is the spellbinding saga of Pratt, his heroic lawyers, Johnnie Cochran and Stuart Hanlon, and the Reverend James McCloskey, who overcame all the odds to bring the truth to light and free Geronimo.

The Village Enlightenment in America focuses on three nineteenth-century spiritual activists who epitomized the marriage of science and religion fostered in antebellum, pre-Darwinian America by the American Enlightenment. A theologian, writer, and apologist for the nascent Mormon movement, as well as an amateur scientist, Orson Pratt wrote Key to the Universe, or a New Theory of Its Mechanism, to establish a scientific base for the Church of Jesus Christ of Latter-day Saints. Robert Hare, an inventor and ardent convert to spiritualism, used his scientific expertise to lend credence to the spiritualist movement. Phineas Parkhurst Quimby, generally considered the initiator of the American mind-cure movement, developed an overtly religious concept of science and used it to justify his system of theology. Pratt, Hare, and Quimby all employed a potent combination of popular science and Baconianism to legitimate their new religious ideas. Using the same terms--matter, ether, magnetic force--to account for the behavior of particles, planetary rotation, and the influence of the Holy Ghost, these agents of the Enlightenment constructed complex systems intended to demonstrate a fundamental harmony between the physical and the metaphysical. Through the lives and work of these three influential men, The Village Enlightenment in America opens a window to a time when science and religion, instead of seeming fundamentally at odds with each other, appeared entirely reconcilable.

Sir Richard Francis Burton (1821 – 1890) was a British explorer, writer, scholar, and soldier. He was famed for his travels and explorations in Asia, Africa, and the Americas, as well as his extraordinary knowledge of languages and cultures. "The City of the Saints and across the Rocky Mountains to Canada" was first published in London in 1861. It is a description of this trip with the detail and close scholarly writing that were Burton's hallmark.