An incredible, true story of a missionary family who landed on Great Sangir Island, just south of the Philippines in the Pacific Ocean to teach islanders truth, loyalty and faith. At first the village people were suspicious of the newcomers but soon many grew to love and respect the Christian family. However, the witch doctor, the chief and many of the head men resented them being there. They decided to counteract the Christian influence by importing some Islamic leaders from an island nearby. The plot thickens when the Christians were confined to the seashore while most of the villagers climbed a mountain to escape a gigantic tidal wave that was created by an erupting volcano on an island close by. Read how God intervened and miraculously delivered his servants from serious accidents, destruction and immediate death. A very exciting and thrilling story!

This is the story of a young girl named Kondima in the mountains of Borneo. While playing with the village children in the jungle, she meets with misfortune. Her accident requires a trip to Singapore where doctors are able to restore her to good health. During this whole adventure, she learns about Jesus as her personal friend, and wants to show others. As a result, she ends up converting a large part of her village.

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beyond Observation is structured by the argument that the ‘ethnographicness’ of a film should not be determined by the fact that it is about an exotic culture – the popular view – nor because it has apparently not been authored – a long-standing academic view – but rather because it adheres to the norms of ethnographic practice more generally. On these grounds, the book covers a large number of films made in a broad range of styles across a 120-year period, from the Arctic to Africa, from the cities of China to rural Vermont. Paul Henley discusses films made within reportage, exotic melodrama and travelogue genres in the period before the Second World War, as well as more conventionally ethnographic films made for academic or state-funded educational purposes. The book explores the work of film-makers such as John Marshall, Asen Balikci, Ian Dunlop and Timothy Asch in the post-war period, considering ideas about authorship developed by Jean Rouch, Robert Gardner and Colin Young. It also discusses films authored by indigenous subjects themselves using the new video technology of the 1970s and the ethnographic films that flourished on British television until the 1990s. In the final part of the book, Henley examines the recent work of David and Judith MacDougall and the Harvard Sensory Ethnography Lab, before concluding with an assessmentof a range of films authored in a participatory manner as possible future models.

Queer Masculinities: A Critical Reader in Education is a substantial addition to the discussion of queer masculinities, of the interplay between queer masculinities and education, and to the political gender discourse as a whole. Enriching the discourse of masculinity politics, the cross-section of scholarly interrogations of the complexities and contradictions of queer masculinities in education demonstrates that any serious study of masculinity—hegemonic or otherwise—must consider the theoretical and political contributions that the concept of queer masculinity makes to a more comprehensive and nuanced understanding of masculinity itself. The essays adopt a range of approaches from empirical studies to reflective theorizing, and address themselves to three separate educational realms: the K-12 level, the collegiate level, and the level in popular culture, which could be called ‘cultural pedagogy’. The wealth of detailed analysis includes, for example, the notion that normative expectations and projections on the part of teachers and administrators unnecessarily reinforce the values and behaviors of heteronormative masculinity, creating an institutionalized loop that disciplines masculinity. At the same time, and for this very reason, schools represent an opportunity to ‘provide a setting where a broader menu can be introduced and gender/sexual meanings, expressions, and experiences boys encounter can create new possibilities of what it can mean to be male’. At the collegiate level chapters include analysis of what the authors call ‘homosexualization of heterosexual men’ on the university dance floor, while the chapters of the third section, on popular culture, include a fascinating analysis of the construction of queer ‘counternarratives’ that can be constructed watching TV shows of apparently hegemonic bent. In all, this volume’s breadth and detail make it a landmark publication in the study of queer masculinities, and thus in critical masculinity studies as a whole.

Describes the most common exotic animals on the loose in Florida--species like green iguanas, Burmese pythons, Nile Monitor lizards, and Rhesus monkeys.

Alice Mertie Underhill writes a story of adventure, magic, love and ultimately redemption set in the lonely jungles of India. Big Mo is well-known in his tribe as a great fighter and an alcoholic. A rich, four-cow man, he doesn't feel the need of anything. That is, until the day he attends a burning of a dead mother and her still living child. Feeling pangs of injustice, Big Mo tries to save the infant, but is too late. The witch doctor condemns his actions, and Big Mo begins a journey to find meaning in his life and answers to his questions. During this time he finds Dookie, an abandoned infant about to be devoured by wild dogs. After saving the child, Big Mo attempts to raise the child on his own. As the child grows, she makes friends with another girl who is her own age and who is a Christian. This sparks a feud between himself and the tribal witch doctor who curses Big Mo and Dookie with the curse of the snake. Ironically, the young child is bitten by a poisonous snake a few months later and becomes deathly ill to the point that a cure seems hopeless. Is the power of the evil spirits stronger than the Christian magic that Big Mo is learning about? Follow the tales of Big Mo and his adoptive daughter, Dookie, in their Indian village as they learn about the Great Spirit from the Christians. A must-read for all ages, Dookie, Sookie, and Big Mo will make you laugh and cry, and bring you closer to the Christian God they are learning to love, Jesus Christ.