Ward recounts the special highlights of her eleven years of convent life which began three months after her high school graduation.

Hallelujah, it's a book! After proving itself to be the "funniest calendar of the year" (according to Gene Shalit), "irresistible" (USA Weekend), and "habit-forming" (Maxim magazine), the Nuns Having Fun calendar has inspired Nuns Having Fun, a book of endearing nuttiness. Catholic kitsch doesn't get any funnier. Written by Maureen Kelly and Jeffrey Stone, pitch-perfect co-authors of the nuns calendar and the New York Times bestseller Growing Up Catholic, Nuns Having Fun features hundreds of sisters in full habit, cutting loose and having a hoot. Here are nuns in the surf ("This is even more fun than walking on water"), nuns in bumper cars ("We brake for Jesus"), nuns in a beer hall ("Ale Marys"), and nuns in the museum, huddled in front of a study of nudes ("It's okay to open your eyes. Sister Wendy says it's art"). There are nuns on skates, at bat, at the theater, skeet shooting (nuns with guns!), even hitting the slots (you know it's for a good cause). The 125 images are from the 1950s and '60s, black-and-white and possessing a pure retro charm; the written material is all-new. Drawing on their years as parochial school students, the authors explore the lore and legends surrounding nuns, including Favorite Punishments from Nuns, Nuns Say the Darndest Things, How to Recognize a Nun After Vatican II, a Wimple Watch, and List of People Who Could Have Been Nuns. As Sister says, "To err is human. To laugh is divine."

They are known as the Brides of Christ. They wear all-black robes tied with heavy rosary beads and crucifixes that would make any child wince. They cover their heads with vast, winglike hoods. They have no legs but roll along on silent casters. They do not flinch from handing out swift and painful smacks with a switch, cane, or paddle. With photographs of these secretive sisters doing a few of their favorite things—frolicking in the sea, shooting guns, and lying prostrate on the floor, among them—Scary Nuns explores what goes on behind closed convent doors. Included are brief histories of some of the most notorious nuns and orders, as well as thoughts from famous thinkers on what it is to be a nun, that illuminate the mysteries of these wimple-wearing women who roam Gothic cathedrals around the world. Nuns are scary. You don't have to be a lapsed Catholic to think so. But if you are, you'll find Scary Nuns terrifying.

Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now. In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation. In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.

THE STORIES: SISTER MARY IGNATIUS EXPLAINS IT ALL FOR YOU. Sister Mary Ignatius, a teaching nun who is much concerned with sin in all of its various forms, delivers a cautionary lecture to her charges. One of them, a precocious little boy named Tho

"A good story and first-rate social science."—New York Times Book Review. A sinisterly funny modern-day Through the Looking Glass that begins with cyanide poisoning and ends in strawberry ice cream. The idea of the Native American living in perfect harmony with nature is one of the most cherished contemporary myths. But how truthful is this larger-than-life image? According to anthropologist Shepard Krech, the first humans in North America demonstrated all of the intelligence, self-interest, flexibility, and ability to make mistakes of human beings anywhere. As Nicholas Lemann put it in The New Yorker, "Krech is more than just a conventional-wisdom overturner; he has a serious larger point to make. . . . Concepts like ecology, waste, preservation, and even the natural (as distinct from human) world are entirely anachronistic when applied to Indians in the days before the European settlement of North America." "Offers a more complex portrait of Native American peoples, one that rejects mythologies, even those that both European and Native Americans might wish to embrace."—Washington Post "My story, the story of 'how I became a nun,' began very early in my life; I had just turned six. The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira's astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira's How I Became a Nun retains childhood's main treasures: the reality of fable and the delirium of invention. A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write How I Became a Nun. With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life and the importance of literature.

Nuns have had a great run. Ever since Sister Act established they could be cool and fun as well as severe and scary, the habits have been flying into stores and off the shelves. As a great addition to the new trend, this deliciously fun bowling set presents ten praying nun pins, one Satanic fireball, and 32-page introduction to the nun bowling sport. Many adults still have nun-phobia left over from their childhoods. This kit offers a healing experience that, at this price, is the cheapest therapy you can get.