Larson became intrigued by the ingenuity of the processes involved in creating numismatic forgeries. He shows you how they are done, so that you may be forewarned when inventing in your collection.

"Scientific Investigation of Copies, Fakes and Forgeries is a comprehensive guide to the technical and scientific study of the authenticity of a wide range of antiquities and artworks. It is the first book to provide a full survey of the subject of forgery from a scientific basis, examining a wide range of materials and techniques." "The demand for copies, fakes and forgeries is driven by rising prices in an international marketplace. The book examines the available new technologies and ever more sophisticated forging techniques, looking at production and distribution of fraudulent artworks. The subject is exemplified by numerous internationally based case studies, some turning out not to be as conclusive as is sometimes believed." "The book is aimed at those who need to understand the available approaches to and methods of scientific and technical authentication, be they curator, collector, conservator or scientist." --Book Jacket.

Coins are one of the most abundant sources for our study of the past, yet their value as historical evidence is relatively neglected because of a general lack of knowledge of numismatic techniques. This volume of essays, offered by a circle of friends, colleagues and pupils working in Britain, Europe and North America, is intended to pay tribute to Philip Grierson's unique contribution to the study of numismatic method. A medievalist by training, through his wide-ranging interests in coins and coinage Grierson has commanded the respect of historians and numismatists of all periods for the originality and good sense of his prolific scholarship. More than any other living scholar, he has been responsible for making available an understanding of numismatic expertise to specialist and non-specialist audiences.

The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.

Reprint of the original, first published in 1837.

Vols. 24-52 include the proceedings of the A.N.A. convention. 1911-39.