Some issues, 1943-July 1948, include separately paged and numbered section called Radio-electronic engineering edition (called Radionics edition in 1943)

Some issues, Aug. 1943-Apr. 1954, are called Radio-electronic engineering ed. (called in 1943 Radionics ed.) which include a separately paged section: Radio-electronic engineering (varies) v. 1, no. 2-v. 22, no. 7 (issued separately Aug. 1954-May 1955).

A devastating expose of U.S. foreign policy which separates the myth of an "international terrorist conspiracy" from the reality.

Knjiga je digitalizirana verzija kartotečnih listov o osnovnih podatkih raziskovalcev in obiskovalcev krasa, ki jih je vrsto let zbiral zgodovinar krasoslovja, Trevor Shaw. V njej je po abecedi razvrščenih nekaj nad 4600 oseb iz vsega sveta, najzgodnejša imena so še iz antike. Struktura gesel je zelo osnovna: imenu sledijo biografski podatki in kratke opis, ob koncu pa je izbrana bibliografija, kot vir tega zapisa.

To je zelo dolgočasna knjiga. Tako kot slovar vsebuje samo dejstva: dejstva, ki jih ni mogoče najti drugje. Ljudje, ki so pomembni za preučevanje jam in krasa, so znani po tem, kaj so počeli, kaj so napisali in na koga so vplivali. Toda večkrat o njih poznamo zgolj ime. Morda o nekaterih vemo tudi kaj več, med njimi so kralji, romanopisci ali zdravniki. Nekateri, denimo Darwin ali Freud, so svet celo spremenili, toda večinoma so imeli le neizstopajoče normalno življenje, med katerim so tudi raziskovali, preučevali ali pisali o jamah. To so tista življenja, o katerih je težko najti kaj več. V knjigi je 4634 gesel, ki vsebujejo podatke iz rojstnih listov, osmrtnic, neobjavljenih pisem in omembe drugih ljudi. Šele ta širši pogled iz njih naredi prave ljudi. V nekaterih primerih je bilo njihovo zanimanje za jame del njihovega poklicnega življenja. V mnogih drugih le spodbuda in sprostitev v sicer napornem življenju. Toda v vsakem primeru so ista oseba in isti možgani uživali oboje; in oboje ju je osebnostno izoblikovalo. Razumemo jih lahko le s pomočjo tukaj zbranih bibliografskih virov.

The Wild West: a term that conjures up pictures of wagon trains, unspoiled prairies, Indians, rough 'n' ready cowboys, roundups, and buffalo herds. Where did this collection of images come from? Paul Reddin exposes the mythology of the American frontier as a carefully crafted product of the Wild West show. Focusing on such pivotal figures as George Catlin, Buffalo Bill Cody, and Tom Mix, Reddin traces the rise and fall of a popular entertainment shaped out of the "raw material of America." Buffalo Bill and other entertainers capitalized on public fascination with the danger, heroism, and courage associated with the frontier by continually modifying their presentation of the West to suit their audiences. Thus the Wild West show, contrary to its own claims of accuracy and authenticity, was highly selective in its representations of the West as well as widely influential in shaping the public image of life on the Great Plains. A uniquely American entertainment--colorful, energetic, unabashed, and, as Reddin demonstrates, self-made--the Wild West show exerted an appeal that was all but irresistible to a public hovering uncertainly between industrial progress and nostalgia for a romanticized past.

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