A group of interrelated tales that range from a ghost story to drag-racing, and above all, a gloriously readable narrative of people from all parts of the United States.

“With advice on not just getting along, but truly reconnecting with the great outdoors, Dave Canterbury’s treasure trove of world-renowned wisdom and experience comes to life within these pages.” —Bustle A New York Times Bestseller in Sports and Travel! The ultimate resource for experiencing the backcountry! Written by survivalist expert Dave Canterbury, Bushcraft 101 gets you ready for your next backcountry trip with advice on making the most of your time outdoors. Based on the 5Cs of Survivability--cutting tools, covering, combustion devices, containers, and cordages--this valuable guide offers only the most important survival skills to help you craft resources from your surroundings and truly experience the beauty and thrill of the wilderness. Inside, you'll also discover detailed information on: Choosing the right items for your kit. Manufacturing needed tools and supplies. Collecting and cooking food. Protecting yourself from the elements. With Canterbury's guidance, you'll not only prepare yourself for any climate and situation, you'll also learn how to use the art of bushcraft to reconnect with nature in ways you've never imagined.

Three of F. Scott Fitzgerald’s classic novels of the Jazz Age in one volume. F. Scott Fitzgerald’s stories are emblematic of the Lost Generation, which came of age in the years following World War I. Along with The Great Gatsby—Fitzgerald’s most well-known novel—this volume also includes his earlier works, This Side of Paradise and The Beautiful and Damned. Each novel presents the aura of the Jazz Age in a different context, painting a wide-ranging picture of the uncertainty and upheaval faced by Americans at the time. This classic collection also includes a scholarly introduction about Fitzgerald’s life and work, offering insights into his creative genius.

Classic works of speculative fiction from the earliest masters of the genre. Classic Science Fiction includes nine stories from masters of early science fiction: H. G. Wells, Jules Verne, H. P. Lovecraft, Edgar Allan Poe, Jack London, Fitz James O’Brien, Charlotte Perkins Gilman, and Stanley G. Weinbaum. The exploration of new concepts and technologies has driven the genre since its earliest days, and these works demonstrate how science fiction evolved to encompass not only speculative science but also humanity’s role in the universe.

A fascinating, fair-minded depiction of Archbishop Rowan Williams. /Rowan Williams is a complex and controversial figure. Widely revered for his personal qualities, he is also an intellectual giant who towers over almost all his predecessors as Archbishop of Canterbury. Among other achievements, he has trounced the atheist Richard Dawkins, and published over twenty well-regarded books, including several volumes of poetry and a major study of Dostoevsky. / Yet he is also one of the most reviled church leaders in modern history. Long before facing calls to step down after his lecture on sharia law in early 2008, he had been accused of heresy on account of his pro-gay views. He has disappointed many of his own supporters as well. So how has high office changed Rowan Williams? Has he been bullied and manipulated? Or is he perhaps playing a long game, obliged to rate church unity above the pursuit of his own vision at a time when the Anglican Communion has never looked more unstable? / Rupert Shortt, already the author of an acclaimed introduction to the Archbishop's thought, offers answers to these and other questions in this authoritative biography. He explores how the events of the Archbishop's remarkable life have shaped his beliefs and practices today. Of particular interest is the riveting account of Williams's experience near the World Trade Center towers on the morning of September 11, 201. Written with Williams's cooperation, Rowan's Rule not only elucidates his ideas but gives a compelling portrait of a private and in some ways surprisingly vulnerable man.

In The Muse upon My Shoulder an exceptionally diverse group of writers (including Evan S. Connell, Anthony Piccione, David Trinidad, William Stafford, Jean Thompson, Vance Bourjaily, E. L. Doctorow, Stanley Elkin, Jay McInerney, Beth Henley, David Hwang, Bud Schulberg, and Mary Gordon) discuss the creative process. They entertain self-revealing questions about their status as writers, their inspiration to write, and their relationship to an audience. The conversational form of the interview allows for candid answers that readers rarely hear to questions that seldom are answered. The final chapter lets readers participate in the conflicts that surround the production of a good interview. Sylvia Skaggs McTague is a lecturer at Fairleigh Dickinson University.

Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long. The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the Encyclopedia Britannica, and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, The Joy of Sex, fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism. This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.

This behind-the-scenes examination reveals how the relentless pressure to wincan inspire or destroy a team of high school hockey champions.