To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

The Monikins

Although my ancestor was much too wise to refuse to look back upon his origin in a worldly point of view, he never threw his retrospective glances so far as to reach the sublime mystery of his moral existence; and while his thoughts might be said to be ever on the stretch to attain glimpses into the future, they were by far too earthly to extend beyond any other settling day than those which were regulated by the ordinances of the stock exchange. With him, to be born was but the commencement of a speculation, and to die was to determine the general balance of profit and loss. A man who had so rarely meditated on the grave changes of mortality, therefore, was consequently so much the less prepared to gaze upon the visible solemnities of a death-bed. Although he had never truly loved my mother, for love was a sentiment much too pure and elevated for one whose imagination dwelt habitually on the beauties of the stock-books, he had ever been kind to her, and of late he was even much disposed, as has already been stated, to contribute as much to her temporal comforts as comported with his pursuits and habits. On the other hand, the quiet temperament of my mother required some more exciting cause than the affections of her husband, to quicken those germs of deep, placid, womanly love, that certainly lay dormant in her heart, like seed withering with the ungenial cold of winter. The last

The Monikins is an 1835 novel, written by James Fenimore Cooper. The novel, a beast fable, was written between his composition of two of his more famous novels from the Leatherstocking Tales, The Prairie and The Pathfinder. Critic Christina Starobin compares the novel's plot to Jonathan Swift's Gulliver's Travels.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.