The Present Book Provides A Critical Analysis Of All The Novels And Short Stories Of Ernest Hemingway, A Twentieth Century American Novelist Who Got Nobel Prize For Literature. Hemingway Is A Writer Of Lost Generation, Of An Era Of Chaos And Disillusionment, But His Approach Is Neither Defeatist Nor Negative In Nature; Instead, It Is Something Vigorously Optimistic And Positive In Spirit. What Hemingway Seeks To Tell Us Through His Novels And Short Stories Is Indeed Important, But Far More Important Is The Way, The Mode In Which He Tells Us. It Is In This Course That A Proper Emphasis Has Been Given In The Present Book On The Use Of Symbols And Images In His Novels And Short Stories Besides Other Trends And Techniques In His Writings. Undoubtedly This Book Will Be A Boon For The Scholars Of Ernest Hemingway.

With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith

"A line-by-line examination of an important but neglected Hemingway novel."--

The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.

This Book Presents A Critical Study Of Ernest Hemingway S Short Stories And Non-Fiction. Ernest Hemingway Is One Of The Most Popular American Writers Have Aroused Worldwide Interest. Participation In War And The Wounds Received In The Warfield Were Events Of Great Magnitude In Hemingway S Life. His Short-Stories, Rich In Form And Content, Display The Writer S Powerful Style Forming Mastery Of The Art Of Modern Narration.This Is An Analytical Study Of Ernest Hemingway S Pre-War And Post-War Short Stories And Non-Fiction. The Book Is The Product Of The Author S Research In Modern American Fiction.

This Book Studies Hemingway S A Farewell To Arms In The Light Of His Aesthetic Principles And Major Themes. It Scrutinizes Its Symbolistic Dimensions And Stylistic Excellence While Keeping An Undeviating Focus On The Poignant Classic Of Love In The Time Of War.This Study Further Demonstrates How The Novel Appeals At Different Levels Like The Other Works Of Hemingway As A Story Of War, A Story Of Love, A Story Of The Growth Of The Hero S Soul, A Story Of Memorable Characters And A Work Of Artistic Excellence.The Present Book Will Definitely Prove Useful To Students, Researchers As Well As Teachers Of English Literature Interested In The Study Of Hemingway And His Works.

A critical analysis of Hemingway's short fiction plus biographical information.

The Present Book Is An In-Depth Critical Study Of The Modern American Classic, Ernest Hemingway S The Old Man And The Sea, Which Won The Pulitzer Prize In 1952 And The Nobel Prize In 1954.This Study, While Keeping The Novel Under The Critical Lens, Examines It Against The Backdrop Of Hemingway S Aesthetic Convictions And Overall Literary Achievement. It Throws Light On The Various Dimensions Of Not Only The Novel But Hemingway S Craftsmanship Like His Use Of Suggestion And Symbolism, His Inimitable Style, His Manipulation Of Narrative Perspective, And The Way He Projects His Philosophical Theme Of The Ephemeral Versus The Everlasting, Which Is Dramatized In The Old Man And The Sea.The Present Book Will Definitely Prove Useful To Students, Researchers As Well As Teachers Of English Literature Interested In The Study Of Hemingway And His Works.