Novalis: Philosophical Writings is the first extensive scholarly translation in English from the philosophical work of the late eighteenth-century German Romantic writer Novalis (Friedrich von Hardenberg). His original and innovative thought explores many questions that are current today, such as truth and objectivity, reason and the imagination, language and mind, and revolution and the state. The translation includes two collections of fragments published by Novalis in 1798, Miscellaneous Observations and Faith and Love, and the controversial essay Christendom or Europe. In addition there are substantial selections from his unpublished notebooks, including Logological Fragments, the General Draft for an encyclopedia, the Monologue on language, and the essay on Goethe as scientist.

Novalis: Philosophical, Literary, and Poetic Writings assembles, for the first time in English, translations of Novalis's published philosophical works, a large share of his surviving philosophical notes and fragments, his two unfinished novels (The Disciples at Saïs and Heinrich von Ofterdingen), and the Hymns to the Night. Readers interested in Novalis's views on philosophy, art, morality, politics, and religion, and how positions in each of these areas might be unified in single, overarching vision of reality, will find the present translation an essential guide.

Novalis is best known in history as the poet of early German Romanticism. However, this translation of Das Allgemeine Brouillon, or "Universal Notebook," finally introduces him to the English-speaking world as an extraordinarily gifted philosopher in his own right and shatters the myth of him as a mere daydreaming and irrational poet. Composed of more than 1,100 notebook entries, this is easily Novalis's largest theoretical work and certainly one of the most remarkable and audacious undertakings of the "Golden Age" of German philosophy. In it, Novalis reflects on numerous aspects of human culture, including philosophy, poetry, the natural sciences, the fine arts, mathematics, mineralogy, history, and religion, and brings them all together into what he calls a "Romantic Encyclopaedia" or "Scientific Bible." Novalis's Romantic Encyclopaedia fully embodies the author's own personal brand of philosophy, "Magical Idealism." With meditations on mankind and nature, the possible future development of our faculties of reason, imagination, and the senses, and the unification of the different sciences, these notes contain a veritable treasure trove of richly poetic and philosophic thoughts.

This volume presents the first complete translation of Fichte Studies, a powerful, creative and sustained critique of Fichtean philosophy by the young philosopher-poet Friedrich von Hardenberg, who under the pen-name Novalis went on to become the most well-known and beloved of the early German Romantic writers. Anyone interested in the fate of German philosophy and literature immediately after Kant will find this collection of notes and aphorisms a treasure-trove of original contributions on the nature of self-consciousness, the relation of art to philosophy, and the nature of philosophical inquiry.

Friedrich von Hardenberg, who later became known as the poet Novalis, kept a journal between April and July 1797 that captured his moods, thoughts, and observations following the death of his fifteen-year-old fiancée Sophie von Kühn and his dearly loved younger brother Erasmus. The journal's short, day-to-day entries allow a frank and candid glimpse into the inner life of the maturing poet, and are complemented by selections from Hardenberg's letters. Taken together, and read in conjunction with the fragments written before, during, and shortly after this period of time, the journal and letters shed light on a process of self-discovery during which Hardenberg became convinced of his poetic vocation and acknowledged this conviction in an act of self-christening, as the poet Novalis.

"Despite his short life, Friedrich von Hardenberg (otherwise known as Novalis, 1772-1801) was one of the most original and polymathic figures of the early Romantic movement in Germany. Selected Philosophical, Literary, and Poetic Writings assembles, for the first time in English, translations of Novalis's published philosophical works, the bulk of his surviving philosophical notes and fragments, his two unfinished novels (The Disciples at Saïs and Heinrich von Ofterdingen), and the Hymns to the Night. Unlike some of his contemporaries, Novalis not only theorized about art and its place in both the world of everyday human life and the universe of philosophical discourse but was himself a consummate artist in his own right. This unique edition of Novalis's writings in English allows readers to track issues and themes throughout his short but productive career as a budding philosopher in the post-Kantian tradition, as a philosophical novelist, and as a poet of the first rank"--

Novalis is one of the great figures of German Romanticism. The Novices of Sais, translated into French in 1925, was received enthusiastically by artists and poets and is often quoted by the Surrealists. It was translated into English by Ralph Mannheim in 1949, with 60 original drawings by Klee. This is a new edition of this seminal Romantic text.

This innovative and ground-breaking study explores the complex relationship between linguistic theory and literature during the Romantic period, focusing particularly on William Hazlitt's writings about linguistic theory and also considering figures such as Leigh Hunt, Percy Shelley, Samuel Taylor Coleridge, and Thomas De Quincey.

Originally published in 1954, Hiebel's Novalis was the first critical evaluation in English of the life and works of Novalis (1772-1801), the German Romantic poet of the Blue Flower, since Thomas Carlyle's essay in 1829. This book presents not only a fully rounded picture of the man, the philosopher and scientist, the writer of beautiful fairy tales, the mystic poet of Christianity, but also a thoughtful commentary on one of the most influential and fruitful periods in German intellectual life. Hiebel combines the exactness required of the scholar with the creative writer's intuitive appreciation of a great poet's works.