Humans make sense of the world through language and the words that compose our stories. Engaging with writers like Dante, Gerard Manley Hopkins, Flannery O'Connor, and Marilynne Robinson, this volume encourages us not only to understand how stories nourish our faith, but to discover how our stories are part of God's great story.

In recent years, the world has seen unprecedented attention and political commitment to addressing malnutrition. Milestones such as the Scaling Up Nutrition (SUN) Movement, the Lancet Maternal and Child Nutrition Series, and the Second International Conference on Nutrition (ICN2) have marked the rapid rise of nutrition on the global policy and research agenda. These developments reverse years of relative neglect for nutrition. Undernutrition is a global challenge with huge social and economic costs. It kills millions of young children annually, stunts growth, erodes child development, reduces the amount of schooling children attain, and increases the likelihood of their being poor as adults, if they survive. Stunting persists through a lifetime and beyond—underweight mothers are more likely to give birth to underweight children, perpetuating undernutrition across generations. Undernutrition reduces global gross domestic product by US$1.4–$2.1 trillion a year—the size of the total economy of Africa south of the Sahara.

This captivating book presents innovative answers to the question: why storytelling? Each chapter represents leading edge narrative research designs from Arthur V. Mauro Institute for Peace and Justice in central Canada, one of the world’s leading academic programs for Peace and Conflict Studies (PACS), and a major contributor to PACS scholarship. The authors are candid and offer inspiration for other scholars seeking groundbreaking ideas for their own research design while offering profound expansions to the current PACS literature. The scholarship reflects a diversity of ideas, passions, approaches, disciplinary roots, and topic areas. Each chapter explores different and critical issues in the field of PACS through various forms of storytelling, while providing recent original research designs for the future development of the field and the education of its practitioners and academics. This volume, co-edited by three of the early graduates of the program, presents and explores a number of these issues across the broad spectrum of Peace and Conflict Studies. Contributors to the book are recognized scholars and practitioners in their respective fields. The book has a wide audience, targeting those particularly interested in tackling and understanding old conflicts in new ways, and for those seeking to learn at the growing edges of PACS, at the undergraduate, graduate, and post-graduate levels.

This anthology collects the twelve winners of the 2013 Best American Newspaper Narrative Writing Contest, run by the Mayborn Literary Nonfiction Conference. The event is hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas. The contest honors exemplary narrative work and encourages narrative nonfiction storytelling at newspapers across the United States. First place winner: Eli Saslow, "Into the Lonely Quiet" (Washington Post), follows the family of a 7-year-old victim of the December 2012 mass shooting at Sandy Hook Elementary in Newtown, Connecticut, six months after the shooting. Second place: Eric Moskowitz, "Marathon Carjacking" (Boston Globe), is the story of "Danny," who was carjacked by the suspects of the Boston Marathon bombing three days after the bombing. Third place: Mark Johnson, "The Course of Their Lives" (Milwaukee Journal Sentinel), an account of first-year medical students as they take a human dissection course. Runners-up include Christopher Goffard, "The Manhunt" (Los Angeles Times); Stephanie McCrummen, "Wait--You Described It as a Cloudy Feeling?" (Washington Post); Michael M. Phillips, "The Lobotomy Files" (Wall Street Journal); Aaron Applegate, "Taken Under" (Virginian-Pilot); Meg Kissinger, "A Mother, at Her Wits' End" (Milwaukee Journal Sentinel); Michael Kruse, "The Last Voyage of the Bounty" (Tampa Bay Times); Shaun McKinnon, "Alone on the Hill" (Arizona Republic); Mike Newall, "Almost Justice" (Philadelphia Inquirer); and Sarah Schweitzer, "Together, Despite All" (Boston Globe).

This book explores the field of Comics Studies in South Asia, illuminating an art form in which there has been a much-documented explosion of recent interest. A diverse group of scholars from Asia, Europe, and North America examine aesthetics, politics, and ideology in sequential art about South Asia and South Asian America. The book features contributions which address gender violence; authoritarian politics; caste discrimination; environmentalism; racism; and urban street art, amongst others. The unique interdisciplinary span of the volume considers mass popular comic books as well as the graphic novel. This edited volume would be of interest to those studying the influence of graphic novels, graphic narratives, and comic books in South Asia, as well as researchers interested in what these forms might have to say about important issues in society. This book was originally published as a special issue of the South Asian Review journal.

An examination of how the films we see and the books we read affect our faith and our view of the world. With the Apostles' Creed as his foundation, author May interprets popular works such as The Grapes of Wrath, Cool Hand Luke, Slaughterhouse-Five, and Saving Private Ryan through the lens of religious faith.

This book argues that the understanding and explanation of religion is always historically contingent. Grounded in the work of Bakhtin and Ricoeur, Flood positions the academic study of religion within contemporary debates in the social sciences and humanities concerning modernity and postmodernity, particularly contested issues regarding truth and knowledge. It challenges the view that religions are privileged, epistemic objects, argues for the importance of metatheory, and presents an argument for the dialogical nature of inquiry. The study of religion should begin with language and culture, and this shift in emphasis to the philosophy of the sign in hermeneutics and away from the philosophy of consciousness in phenomenology has far-reaching implications. It means a new ethic of practice which is sensitive to the power relationship in any epistemology; it opens the door to feminist and postcolonial critique, and it provides a methodology which allows for the interface between religious studies, theology, and the social sciences.

Embark on a transformative journey with "Nourish Without Fear," a groundbreaking guide that challenges the norms of diet culture and offers a revolutionary approach to healing your relationship with food and body. Author Christy Harrison delves deep into the pervasive influence of diet culture, unraveling its myths and fallacies while empowering individuals to break free from its toxic grip. Through a compassionate exploration of intuitive eating and body positivity, the book guides readers to reconnect with their body's signals and cultivate a positive relationship with food. The mind-body connection takes center stage as emotional and psychological factors influencing eating habits are addressed, offering strategies for mindfulness and stress reduction. "Cultural Perspectives on Food" celebrates the richness of culinary traditions, encouraging a flexible and inclusive approach to nourishment. Practical advice in "Sustainable and Joyful Eating" fosters a balanced lifestyle, from mindful meal planning to savoring the sensory experience of food. Each chapter lays the foundation for a new era of self-care and nourishment, emphasizing the importance of balance, joy, and self-compassion. This manifesto for change challenges conventional norms and inspires individuals to reclaim their well-being. "Nourish Without Fear" is your guide to a healthier, happier life, empowering you to flourish in the gentle embrace of a life nourished without fear.

What makes a museum, a museum in the 21st century? This is a transformative moment in the history of museums. Traditionally, the museums have been defined by the functions of collecting, preserving, documenting, researching, exhibiting and in other ways, communicating and interpreting evidence of human culture and history for the benefit of everyone. But what is the future of museums in a fast-changing world of economic uncertainty, social disruption, health challenges and climate change? Can museums reflect the accountability and transparency under which they are expected to acquire and use their material, financial, social, and intellectual resources? What Is a Museum? Perspectives from National and International Museum Leaders shares perspectives from dedicated professionals investigating how museums can meet their ethical, political, social, cultural, and environmental responsibilities in the years to come. In a series of essays, well-known leaders in the museum sector and related fields contribute to our understanding of the current and future challenges facing museums around the world. ICOM-US Co-Chair and Secretary of the Smithsonian, Lonnie G. Bunch III, summarizes the issues and provides guidance for the future of museums. Questions explored include: What lessons have we learned from the needs of the communities we claim to serve and how can we better adapt to shift our priorities in a faster and more efficient way? How can museums not only chronicle the past, but depict the present and become touchstones for the future of their communities? In a world aimed towards political correctness, how do we address collections resulting from power and colonization? This book is a valuable resource for anyone interested in why museums matter today, what their future holds, and how to change them

Beards and Masculinity in American Literature is a pioneering study of the symbolic power of the beard in the history of American writing. This book covers the entire breadth of American writing – from 18th century American newspapers and periodicals through the 19th and 20th centuries to recent contemporary engagements with the beard and masculinity. With chapters focused on the barber and the barbershop in American writing, the "need for a shave" in Ernest Hemingway’s fiction, Whitman’s beard as a sanctuary for poets reaching out to the bearded bard, and the contemporary re-engagement with the beard as a symbol of Otherness in post-9/11 fiction, Beards and Masculinity in American Literature underlines the symbolic power of facial hair in key works of American writing.