“A brilliant and bracing analysis of the Palestine question and settler colonialism . . . a vital lens into movement lawyering on the international plane.” —Vasuki Nesiah, New York University, founding member of Third World Approaches to International Law (TWAIL) Justice in the Question of Palestine is often framed as a question of law. Yet none of the Israel-Palestinian conflict’s most vexing challenges have been resolved by judicial intervention. Occupation law has failed to stem Israel’s settlement enterprise. Laws of war have permitted killing and destruction during Israel’s military offensives in the Gaza Strip. The Oslo Accord’s two-state solution is now dead letter. Justice for Some offers a new approach to understanding the Palestinian struggle for freedom, told through the power and control of international law. Focusing on key junctures—from the Balfour Declaration in 1917 to present-day wars in Gaza—Noura Erakat shows how the strategic deployment of law has shaped current conditions. Over the past century, the law has done more to advance Israel’s interests than the Palestinians’. But, Erakat argues, this outcome was never inevitable. Law is politics, and its meaning and application depend on the political intervention of states and people alike. Within the law, change is possible. International law can serve the cause of freedom when it is mobilized in support of a political movement. Presenting the promise and risk of international law, Justice for Some calls for renewed action and attention to the Question of Palestine. “Careful and captivating . . . This book asks that the Palestinian liberation struggle and Jewish-Israeli society each reckon with the impossibility of a two-state future, reimagining what their interests are—and what they could become.” —Amanda McCaffrey, Jewish Currents

As Noura and her husband Tariq prepare to celebrate a traditional Christmas, she looks forward to welcoming a special guest—Maryam, a young Iraqi refugee. But the girl’s arrival opens wounds the family has tried to leave behind, forcing them to confront where they are, where they’ve been and who they have become.

Venturing out after dusk with her family, a child is eager to watch for the new moon that signals the start of Eid ul-Fitr celebrations in this charming picture-book debut. Noura can't wait for the sun to go down! With Ramadan and her first month of fasting almost over, she and Mama and Papa are headed to the hills for a moonsighting picnic. It would be truly special if Noura could catch a glimpse of the faint silvery crescent, something even her mother has never managed to do. If the moon stays hidden, that means one more long day before Noura can wear her sparkly new dress and the joyful Eid celebrations begin--bringing with them visits with friends, eating sweets, and painting henna on her hands. In a lighthearted introduction to Ramadan and Eid, this family-centered tale of anticipation under the stars pairs an inviting text from Zainab Khan with Nabila Adani's vibrant illustrations, capturing everything from the bustle of a shared meal to the swirling magic of the night sky. Relevant terms, from food items to the Islamic lunar calendar, are explained in a glossary at the end.

This collection draws together twenty-five stories selected from two ground breaking anthologies published by MaThoko Books, an imprint of Gay and Lesbian Memory in Action (GALA) in South Africa. The first volume, Queer Africa: New and Collected Fiction won the 26th Lambda Literary Award. In 2017 Queer Africa 2: New fiction added fresh material to the LGBTIQA+ literary landscape. Stories from Kenya, Nigeria, Uganda, South Africa, Botswana, Sierra Leone and Zimbabwe celebrate the diversity and fluidity of queer and African identifications and expressions.

The Things That Can't Be Said: Three Plays About Iraq is a trilogy of plays by renowned Iraqi American playwright/performer Heather Raffo including 9 Parts of Desire, Fallujah: The First Opera about the Iraq War, and Noura. In these three works Raffo explores the indelible effects of war on Iraqis, Americans, and the refugees caught between the two cultures. When considered together, these three works give voice to nearly two decades of rarely examined traumas that have reshaped cultural and national identity for both Americans and Iraqis since the events of 9/11. Heather Raffo is a renowned playwright and performer whose work has been described by The New Yorker as an example of “how art can remake the world.” An American with Iraqi heritage, her work is seen as a rare bridge between western and eastern cultures. With ongoing debates about the legacy of America's foreign wars and future role in the Middle East, this volume offers a uniquely historical and deeply human perspective on the political issues of our time. Spanning a decade and a half, together these works form a mosaic of untold stories that were ground breaking in their time and continue to profoundly impact communities and classrooms internationally. 9 Parts of Desire (2003): "First Choice/The Best Shows in London" by The Times, and as one of the “Five Best Plays” in London by The Independent. Its award winning, Off-Broadway premiere ran for nine sold out months and was a critics pick of the The New York Times, Time Out, and Village Voice. The play then received productions in nearly every major regional theatre market in American before being translated for international productions in Brazil, Greece, Sweden, Hungary, India, Turkey, Malta, France, Iraq, Egypt, and Israel. It was the first commercial hit on a national and international stage by an Arab American playwright helping to birth a new genre of Middle Eastern American Theatre. Fallujah (2016) received its world premiere at Long Beach Opera before transferring to NYC Opera. The first ever opera about the Iraq War it tells a U.S. Marine's account of the battle of Fallujah it focuses on moral injury and veteran suicide. Noura (2018) won the L. Arnold Weissberger New Play Award and was hailed “The Most Ambitious Premiere” of the Women's Voices Theatre Festival by The Washington Post and “stirringly powerful” by The New York Times. Told from inside the marriage of an Iraqi family, the play explores the lingering cost of exile for both recent refugees and more established American immigrants. Drawing inspiration from Ibsen's A Doll's Hous and championed as a first of its kind feminist refugee narrative, it is already being included in university curriculum both in America and abroad.

"Explores the fatal intersection in the lives of Noura Jackson, her circle of dissolute Memphis friends, and the death of Noura's mother, Jennifer, on the eve of a popular outdoor festival"--page 2 of cover.

"Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories."-Publisher website.

NEW YORK TIMES BESTSELLER • A renowned journalist and legal commentator exposes the unchecked power of the prosecutor as a driving force in America’s mass incarceration crisis—and charts a way out. “An important, thoughtful, and thorough examination of criminal justice in America that speaks directly to how we reduce mass incarceration.”—Bryan Stevenson, author of Just Mercy “This harrowing, often enraging book is a hopeful one, as well, profiling innovative new approaches and the frontline advocates who champion them.”—Matthew Desmond, author of Evicted FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE • SHORTLISTED FOR THE J. ANTHONY LUKAS BOOK PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • Library Journal • Publishers Weekly • Kirkus Reviews The American criminal justice system is supposed to be a contest between two equal adversaries, the prosecution and the defense, with judges ensuring a fair fight. That image of the law does not match the reality in the courtroom, however. Much of the time, it is prosecutors more than judges who control the outcome of a case, from choosing the charge to setting bail to determining the plea bargain. They often decide who goes free and who goes to prison, even who lives and who dies. In Charged, Emily Bazelon reveals how this kind of unchecked power is the underreported cause of enormous injustice—and the missing piece in the mass incarceration puzzle. Charged follows the story of two young people caught up in the criminal justice system: Kevin, a twenty-year-old in Brooklyn who picked up his friend’s gun as the cops burst in and was charged with a serious violent felony, and Noura, a teenage girl in Memphis indicted for the murder of her mother. Bazelon tracks both cases—from arrest and charging to trial and sentencing—and, with her trademark blend of deeply reported narrative, legal analysis, and investigative journalism, illustrates just how criminal prosecutions can go wrong and, more important, why they don’t have to. Bazelon also details the second chances they prosecutors can extend, if they choose, to Kevin and Noura and so many others. She follows a wave of reform-minded D.A.s who have been elected in some of our biggest cities, as well as in rural areas in every region of the country, put in office to do nothing less than reinvent how their job is done. If they succeed, they can point the country toward a different and profoundly better future.

In the evolutionary process of Saudi Arabia, the period beginning with the seventies marked by the 'oil revolution' can be described as the turning point. With this began a phase of consolidation and institutionalisation of the royal government. One important development having bearing on its nation building project has been the participation of the Royal Family members in economic activities of the country. Since the seventies, over the last three decades, it is clearly visible that the engagement of the Saudi Royal Family in economy and business has grown not only in volume but in form also. This study has attemped to look at the sprawling business activities of the Royal Family members, not merely as a profile but relate it to the evolutionary context. The first major study that examines the gradual process of emerging entrepreneurship in the Saudi Royal Family. It highlights the role of the royal entrepreneurs in the development of the Saudi private sector. The study shows that their investments have created a positive climate for the growth of entrepreneurship, especially productive entrepreneurship, on the Saudi business scene. An indispensable store-house of detailed account of the investments made by more that 600 royal members, including princesses in 1050 Saudi companies. Supported with 28 pages of index and 14 tables, this data-packed book is a bonanza for businessmen, diplomats, laymen, and all those interested in Saudi Arabia and its Royal Family. A must-have book that contains biographical and kinship details of the Aal Saud. The book is one of its kind and is fully based on firsthand local sources. Apart from numerous published sources in Arabic, the official gazette of the government of Saudi Arabis, Umm Al-Qura, has been extensively consulted.