This carefully crafted ebook: "Notre Coeur - A Woman's Pastime" is formatted for your eReader with a functional and detailed table of contents. The novel tells the story of a woman without a heart, frigid and probably a lesbian. The hero, facing this fascinating and awesome being, takes another mistress, who can hardly satisfy him. He is devastated by this passionate love, violent, melancholic and cruel. This is a painful novel, written by an already sick writer, in which he says farewell to all women in his life, the ones who presented the desire, the torment, and the victims... Guy de Maupassant (1850-1893) was a popular French writer, considered one of the fathers of the modern short story and one of the form's finest exponents. Maupassant was a protégé of Flaubert and his stories are characterized by economy of style and efficient, effortless dénouements (outcomes).

The novel tells the story of a woman without a heart, frigid and probably a lesbian. The hero, facing this fascinating and awesome being, takes another mistress, who can hardly satisfy him. He is devastated by this passionate love, violent, melancholic and cruel. This is a painful novel, written by an already sick writer, in which he says farewell to all women in his life, the ones who presented the desire, the torment, and the victims.

ÊOf the French writers of romance of the latter part of the nineteenth century no one made a reputation as quickly as did Guy de Maupassant. Not one has preserved that reputation with more ease, not only during life, but in death. None so completely hides his personality in his glory. In an epoch of the utmost publicity, in which the most insignificant deeds of a celebrated man are spied, recorded, and commented on, the author of "Boule de Suif," of "Pierre et Jean," of "Notre CÏur," found a way of effacing his personality in his work. Of De Maupassant we know that he was born in Normandy about 1850; that he was the favorite pupil, if one may so express it, the literary protŽgŽ, of Gustave Flaubert; that he made his dŽbut late in 1880, with a novel inserted in a small collection, published by Emile Zola and his young friends, under the title: "The SoirŽes of Medan"; that subsequently he did not fail to publish stories and romances every year up to 1891, when a disease of the brain struck him down in the fullness of production; and that he died, finally, in 1893, without having recovered his reason. We know, too, that he passionately loved a strenuous physical life and long journeys, particularly long journeys upon the sea. He owned a little sailing yacht, named after one of his books, "Bel-Ami," in which he used to sojourn for weeks and months. These meager details are almost the only ones that have been gathered as food for the curiosity of the public. I leave the legendary side, which is always in evidence in the case of a celebrated man,Ñthat gossip, for example, which avers that Maupassant was a high liver and a worldling. The very number of his volumes is a protest to the contrary. One could not write so large a number of pages in so small a number of years without the virtue of industry, a virtue incompatible with habits of dissipation. This does not mean that the writer of these great romances had no love for pleasure and had not tasted the world, but that for him these were secondary things. The psychology of his work ought, then, to find an interpretation other than that afforded by wholly false or exaggerated anecdotes. I wish to indicate here how this work, illumined by the three or four positive data which I have given, appears to me to demand it. And first, what does that anxiety to conceal his personality prove, carried as it was to such an extreme degree? The answer rises spontaneously in the minds of those who have studied closely the history of literature. The absolute silence about himself, preserved by one whose position among us was that of a Tourgenief, or of a MŽrimŽe, and of a Moli�re or a Shakespeare among the classic great, reveals, to a person of instinct, a nervous sensibility of extreme depth. There are many chances for an artist of his kind, however timid, or for one who has some grief, to show the depth of his emotion. To take up again only two of the names just cited, this was the case with the author of "Terres Vierges," and with the writer of "Colomba." A somewhat minute analysis of the novels and romances of Maupassant would suffice to demonstrate, even if we did not know the nature of the incidents which prompted them, that he also suffered from an excess of nervous emotionalism. Nine times out of ten, what is the subject of these stories to which freedom of style gives the appearance of health? A tragic episode. I cite, at random, "Mademoiselle Fifi," "La Petite Roque," "Inutile BeautŽ," "Le Masque," "Le Horla," "L'ƒpreuve," "Le Champ d'Oliviers," among the novels, and among the romances, "Une Vie," "Pierre et Jean," "Fort comme la Mort," "Notre CÏur." His imagination aims to represent the human being as imprisoned in a situation at once insupportable and inevitable. The spell of this grief and trouble exerts such a power upon the writer that he ends stories commenced in pleasantry with some sinister drama. Let me instance "Saint-Antonin," "A Midnight Revel," "The Little Cask," and "Old Amable." You close the book at the end of these vigorous sketches, and feel how surely they point to constant suffering on the part of him who executed them.

"Notre Coeur; or, A Woman's Pastime" by Guy de Maupassant is a psychological novel about a frigid heartless woman. In this French story, the hero is devastated by the violent, melancholic, cruel, and passionate love. He takes another mistress, but she can hardly satisfy him. Excerpt: "One day Massival, the celebrated composer of "Rebecca," who for fifteen years, now, had been known as "the young and illustrious master," said to his friend André Mariolle: "Why is it that you have never secured a presentation to Mme. Michèle de Burne? Take my word for it, she is one of the most interesting women in new Paris." "Because I do not feel myself at all adapted to her surroundings." "You are wrong, my dear fellow. It is a house where there is a great deal of novelty and originality; it is wide-awake and very artistic. There is excellent music, and the conversation is as good as in the best salons of the last century. You would be highly appreciated—in the first place because you play so well on the violin, then because you have been very favorably spoken of in the house, and finally because you have the reputation of being select in your choice of friends."

The novel tells the story of a woman without a heart, frigid and probably a lesbian. The hero, facing this fascinating and awesome being, takes another mistress, who can hardly satisfy him. He is devastated by this passionate love, violent, melancholic and cruel. This is a painful novel, written by an already sick writer, in which he says farewell to all women in his life, the ones who presented the desire, the torment, and the victims... Guy de Maupassant (1850–1893) was a popular French writer, considered one of the fathers of the modern short story and one of the form's finest exponents. Maupassant was a protégé of Flaubert and his stories are characterized by economy of style and efficient, effortless dénouements (outcomes).

Good Press presents to you this carefully created collection of "THE COMPLETE WORKS OF F. SCOTT FITZGERALD". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Francis Scott Fitzgerald (1896-1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. Contents: Novels: The Great Gatsby The Side of Paradise Tender Is the Night The Beautiful and Damned The Love of the Last Tycoon Collections of Short Stories: Tales from the Jazz Age All the Sad Young Men The Pat Hobby Stories Taps at Reveille Flappers and Philosophers Plays and Screenplays: The Vegetable The Girl from Lazy J The Captured Shadow Coward Shadow Laurels Assorted Spirits Porcelain and Pink Three Comrades Mr. Icky "Send me in, Coach" Infidelity Poetry: First Love Clay Feet Football For a Long Illness Fragment Marching Streets (1919 version) Marching Streets (1945 version) Lamp in the Window Oh, Sister, Can you spare you heart Oh Misseldine's Princeton - The Last Day The Staying up all night The Rope at Confession Thousand-and-First Ship Our April Letter One Southern Girl To Boath Rain Before Dawn Articles: The Claims of the Lit Contemporary Writers and Their Work Who's Who — and Why "What I Was Advised to Do — and Didn't" Some Stories They Like to Tell Again 10 Best Books I Have Read The Pampered Men How to Live on $36,000 a Year How to Live on Practically Nothing a Year How to Waste Material Princeton Ten Years in the Advertising Business Echoes of the Jazz Age My Lost City One Hundred False Starts Ring Sleeping and Waking My Ten Favorite Plays The Crack-up Pasting It Together Handle with Care Author's House Afternoon of an Author Early Success Preface My Generation Letters To Zelda Fitzgerald To Ernest Hemingway To Frances Scott Fitzgerald To Maxwell Perkins To John Peale Bishop...