This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Notices Of The Historic Persons Buried In The Chapel Of St. Peter Ad Vincula: In The Tower Of London. With An Account Of The Discovery Of The Supposed Remains Of Queen Anne Boleyn Doyne Courtenay Bell J. Murray, 1877 History; Europe; Great Britain; Cemeteries; History / Europe / Great Britain; Reference / Genealogy; Treason

This Is A New Release Of The Original 1877 Edition.

Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English culture and its language. In particular, the subject of disinterment (exhumation) attracted the attention of antiquaries. They constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. These 'texts' accompanied and enhanced the traditional texts of chronicle, literature, and epitaph. This study explores the cooperation of ideology and aesthetic, the paradox of allure and revulsion, and the uncanny attraction to death. In each case there is a desire for the dead to speak in a contemporary voice; each historical personage becomes symbolic of larger aspects of the contemporary culture. The discourse of the noble body in death is reconfigured to validate English nationalist ideals and to establish the past as a Golden Era of unimpeachable superiority. It was not enough simply to study the lives and deaths of historical figures. Itwas necessary to disinter the corpses, engage physically with the dead, and experience the discourse of validation. THEA TOMAINI is Associate Professor of English (Teaching) at the University of Southern California.

The Sunday Times paperback bestseller and Waterstones Non-Fiction Book of the Month *Featuring a brand new chapter!* 'Never have the joys of exploring the churches and cathedrals of this country been so vividly conveyed as they are in this engaging and elegiac book.' - New Statesman **BOOK OF THE YEAR pick 2023** 'A delicious treat' - Financial Times **TRAVEL BOOK OF THE YEAR pick 2023** 'A charming odyssey' - The Times 'A wonderful book; thoughtful and challenging' - Daily Telegraph ***** 'A beautiful book' - Gabriel Byrne 'Beautiful and brilliant. I loved it' - Fergus Butler-Gallie From the author of A Tomb With a View - Scottish Non-Fiction book of the Year Churches are all around us. Their steeples remain landmarks in our towns, villages and cities, even as their influence and authority has waned. They contain art and architectural wonders - one huge gallery scattered, like a handful of jewels, across these isles. Award-winning writer Peter Ross sets out to tell their stories, and through them a story of Britain. Join him as he visits the unassuming Norfolk church which contains a disturbing secret, and London's mighty cathedrals with their histories of fire and love. Meet cats and bats, monks and druids, angels of oak and steel. Steeple Chasing, though it sometimes strikes an elegiac note, is a song of praise. It celebrates churches for their beauty and meaning, and for the tales they tell. It is about people as much as place, flesh and bone not just flint and stone. From the painted hells of Surrey to the holy wells of Wales, consider this a travel book . . . with bells on. Praise for Peter Ross 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'The author's humanity has acted as a beacon of light in the darkness.' - The Sunday Times