Nothing Ventured heralds the start of a brand new series in the style of Jeffrey Archer’s #1 New York Times bestselling Clifton Chronicles: introducing Detective William Warwick. But this is not a detective story, this is a story about the making of a detective . . . William Warwick has always wanted to be a detective, and decides, much to his father’s dismay, that rather than become a lawyer like his father, Sir Julian Warwick QC, and his sister Grace, he will join London’s Metropolitan Police Force. After graduating from university, William begins a career that will define his life: from his early months on the beat under the watchful eye of his first mentor, Constable Fred Yates, to his first high-stakes case as a fledgling detective in Scotland Yard’s arts and antiquities squad. Investigating the theft of a priceless Rembrandt painting from the Fitzmolean Museum, he meets Beth Rainsford, a research assistant at the gallery who he falls hopelessly in love with, even as Beth guards a secret of her own that she’s terrified will come to light. While William follows the trail of the missing masterpiece, he comes up against suave art collector Miles Faulkner and his brilliant lawyer, Booth Watson QC, who are willing to bend the law to breaking point to stay one step ahead of William. Meanwhile, Miles Faulkner’s wife, Christina, befriends William, but whose side is she really on? This new series introduces William Warwick, a family man and a detective who will battle throughout his career against a powerful criminal nemesis. Through twists, triumph and tragedy, this series will show that William Warwick is destined to become one of Jeffrey Archer’s most enduring legacies.

Filled with Jeffrey Archer’s trademark twists and turns, Hidden in Plain Sight is the gripping second instalment in the life of William Warwick. Newly promoted, Detective Sergeant William Warwick has been reassigned to the drugs squad. His first case: to investigate a notorious south London drug lord known as the Viper. But as William and his team close the net around a criminal network unlike any they have ever encountered, he is also faced with an old enemy: Miles Faulkner. It will take all of William’s cunning to devise a means to bring both men to justice – a trap neither will expect. One that is hidden in plain sight . . . Though it can be read on its own, Hidden in Plain Sight is the second volume of Jeffrey Archer's William Warwick series, following Nothing Ventured. The story continues with Turn a Blind Eye.

The author provides insight into the venture capital process by examining seven companies in which he was a major investor, offering candid revelations on what went right, or wrong, in each case

Turn a Blind Eye is the third installment in the gripping story of Detective Inspector William Warwick, by the master storyteller and #1 New York Times bestselling author of the Clifton Chronicles. Newly promoted to Detective Inspector, William Warwick is tasked with a dangerous new line of work, to go undercover and expose crime of another kind: corruption at the heart of the Metropolitan Police Force. Along with detectives Rebecca Pankhurst and Nicky Bailey, his team is focused on following Detective Jerry Summers, a young officer whose lifestyle exceeds his income. But the investigation risks being compromised when Nicky falls for Summers. Meanwhile, notorious drug baron Assem Rashidi goes on trial, defended by Booth Watson QC, while William’s father Sir Julian and sister Grace lead the prosecution case. And William’s wife Beth, now a new mother to twins, makes a surprising new friend in Christina Faulkner—the ex-wife of William’s former rival, criminal financier Miles - who has not only turned over a new leaf, but also has a new-found source of income when Faulkner dies suddenly of a heart attack and she stands to be sole inheritor of his estate. As the undercover officers start to draw the threads together, William realizes that the corruption may go deeper still, and more of his colleagues than he first thought might be willing to turn a blind eye.

Five men. Five unique personalities. Five different reasons. In "The Celluloid Closet Series," "Nothing Ventured, Nothing Gained," five men embark in an epic journey, full of several twists and turns. This action packed, suspense, thriller, will have you entertained. A group of men who feel ostracized from society, take on a world of organized crime, each for their own personal agenda. These men who all come from several backgrounds, form a special brotherhood, to obtain the success they seek. Throughout the adventure, many trials and tribulations will form. These events will test these men to their ultimate potential and self worth. How far will these men go to achieve what they truly want? What risks will they be willing to take along the journey? Will they learn any important lessons along the way? Keeping in mind, "Nothing Ventured, Nothing Gained." This story contains strong vulgar language, drug use, strong violence, LGBTQ topics, and other sensitive content.

Long awaited after No Future, and making queer theory controversial again, Lee Edelman’s Bad Education proposes a queerness without positive identity—a queerness understood as a figural name for the void, itself unnamable, around which the social order takes shape. Like Blackness, woman, incest, and sex, queerness, as Edelman explains it, designates the antagonism, the structuring negativity, preventing that order from achieving coherence. But when certain types of persons get read as literalizing queerness, the negation of their negativity can seem to resolve the social antagonism and totalize community. By translating the nothing of queerness into the something of “the queer,” the order of meaning defends against the senselessness that undoes it, thus mirroring, Edelman argues, education’s response to queerness: its sublimation of irony into the meaningfulness of a world. Putting queerness in relation to Lacan’s “ab-sens” and in dialogue with feminist and Afropessimist thought, Edelman reads works by Shakespeare, Jacobs, Almodóvar, Lemmons, and Haneke, among others, to show why queer theory’s engagement with queerness necessarily results in a bad education that is destined to teach us nothing.