The love of God is arguably the most central doctrine of the Christian faith, and yet, remarkably, the subject of God's love has not received the attention it deserves. This new work by an international team of theologians and biblical scholars fills this need, offering a clear, complete, and inspiring discussion on the nature of God's love and its meaning for the Christian life. After surveying the ways in which the love of God has been understood through the ages, the book constructs an understanding of God's love particularly relevant for today. Though exploring the subject from many angles 'biblical theology, historical theology, philosophical theology, and systematic theology' these chapters are united in seeing Jesus, who was at once human and divine, as the ultimate criterion for defining the love of God.

A new, philosophically grounded theory of the voice—the voice as the lever of thought, as one of the paramount embodiments of the psychoanalytic object. Plutarch tells the story of a man who plucked a nightingale and finding but little to eat exclaimed: "You are just a voice and nothing more." Plucking the feathers of meaning that cover the voice, dismantling the body from which the voice seems to emanate, resisting the Sirens' song of fascination with the voice, concentrating on "the voice and nothing more": this is the difficult task that philosopher Mladen Dolar relentlessly pursues in this seminal work. The voice did not figure as a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. In A Voice and Nothing More Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). Dolar proposes that, apart from the two commonly understood uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.

NEW YORK TIMES BESTSELLER • From the critically acclaimed author of One of Us Is Lying comes a page-turning mystery about a group of old friends and the secrets that they keep. Four years ago, Brynn left Saint Ambrose School following the shocking murder of her favorite teacher—a story that made headlines after the teacher’s body was found by three Saint Ambrose students in the woods behind their school. The case was never solved. Now that Brynn is moving home and starting her dream internship at a true-crime show, she’s determined to find out what really happened. The kids who found Mr. Larkin are her way in, and her ex–best friend, Tripp Talbot, was one of them. Without his account of events, the other two kids might have gone down for Mr. Larkin’s murder—but instead, thanks to Tripp, they're now at the top of the Saint Ambrose social pyramid. Tripp’s friends have never forgotten what Tripp did for them that day, and neither has he. Just like he hasn’t forgotten that everything he told the police was a lie. Digging into the past is bound to shake up the present, and when Brynn begins to investigate what happened in the woods that day, she uncovers secrets that might change everything—about Saint Ambrose, about Mr. Larkin, and about her ex-best friend, Tripp Talbot. Four years ago someone got away with murder. More terrifying is that they might be closer than anyone thinks.

Missouri native Allen Eskens' "stunning small-town mystery" (New York Times Book Review) is a necessary exploration of family, loyalty, and racial tension in America and "a coming-of-age book to rival some of the best, such as Ordinary Grace" (Library Journal, starred review). In a small Southern town where loyalty to family and to "your people" carries the weight of a sacred oath, defying those unspoken rules can be a deadly proposition. After fifteen years of growing up in the Ozark hills with his widowed mother, high-school freshman Boady Sanden is beyond ready to move on. He dreams of glass towers and cityscapes, driven by his desire to be anywhere other than Jessup, Missouri. The new kid at St. Ignatius High School, if he isn't being pushed around, he is being completely ignored. Even his beloved woods, his playground as a child and his sanctuary as he grew older, seem to be closing in on him, suffocating him. Then Thomas Elgin moves in across the road, and Boady's life begins to twist and turn. Coming to know the Elgins -- a black family settling into a community where notions of "us" and "them" carry the weight of history -- forces Boady to rethink his understanding of the world he's taken for granted. Secrets hidden in plain sight begin to unfold: the mother who wraps herself in the loss of her husband, the neighbor who carries the wounds of a mysterious past that he holds close, the quiet boss who is fighting his own hidden battle. But the biggest secret of all is the disappearance of Lida Poe, the African-American woman who keeps the books at the local plastics factory. Word has it that Ms. Poe left town, along with a hundred thousand dollars of company money. Although Boady has never met the missing woman, he discovers that the threads of her life are woven into the deepest fabric of his world. As the mystery of her fate plays out, Boady begins to see the stark lines of race and class that both bind and divide this small town -- and he will be forced to choose sides. Best Book of the Year: Florida Sun-Sentinel and Library Journal Finalist for the Minnesota Book Award

The film I, Daniel Blake - directed by Ken Loach and winner of Best British Film at the BAFTAs and Palme D'Or at Cannes - tells the story of two people's struggles with an oppressive and dehumanising benefits system, and represents themes of oppression, compassion and radical response that are at the heart of the Christian gospel. This five-week Lent study, suitable for groups or individuals, encourages readers to consider the stories of the film and how Christians may be called to respond. The chapters cover: Systems of oppression, Staying human, Compassion in the darkness, Fighting back or giving in?, and the suffering servant. Nothing more and Nothing less should be studied alongside the film of I, Daniel Blake - the book includes scene timings for key scenes, discussion points, meditations and suggested prayers.

It's so easy to forget what the Christian faith is all about. We struggle so much, work so hard, and fail so often that we frequently sense something in the equation of life must be missing.Tullian Tchividjian argues that what we are missing is the gospel-a fuller, more powerful understanding of what the finished work of Jesus means for everyday life.During a year of great turmoil, Pastor Tchividjian discovered the power of the gospel in his own life. Sharing his story of how Jesus became more real to him, Tchividjian delves deeply into the fundamentals of the faith, explaining the implications of Christ's sufficiency, a revelation that sets us free and keeps us anchored through life's storms.Ultimately, Tchividjian reminds us that Jesus is the whole of the equation as he boldly proclaims that Jesus plus nothing really is everything.

A short story collection compiled of sci-fi and plain old regular fiction . Some stories reflect the nature in universal beings, some are just plain silly. With each story lasting just a few pages they are laid out sweet and punchy, allowing you to skip through or reread at your own peril. If you can imagine biting the head off some poor lizard, scouring the oceans of some distant moon, robbing mannequins for sheer entertainment, shifting giant chess pieces, some deceptive multi-lingual interpreter, then you shall have no problem understanding the text you are about to read.

Book 1 of a new series featuring After worldwide fan-favorite Landon Gibson as he leaves Washington to navigate love and life in New York City. At the end of the After Ever Happy, Landon got married—but readers everywhere have been wondering who will get to call the nicest boy in the After series their forever love? Read it and find out! “I'm so excited for everyone to get to know Landon Gibson. Whether you're just hearing about him or already know him from the After series, I know that readers are going to love his story. He's kind and fiercely loyal, and when he falls in love, he loves hard.” (Anna Todd, New York Times and #1 international bestselling author of the After series)

Joe Wilmot can't stand his wife Elizabeth. But he sure loves her movie theater. It's a modest establishment in a beat-down town--but Joe has the run of the place, and inside its walls, he's king. Without the theater, he'd be sunk. Without his leadership, the theater would close in a heartbeat. If it isn't the life Joe imagined for himself, at the very least, it's livable. Everything changes when Joe falls for the housemaid Carol, and the two can't keep it a secret from Elizabeth. Elizabeth won't leave Joe the theater unless he provides for her...but he's put all his money into the show house. Carol and Joe's only hope is the life insurance policies they've taken out on each other. If one of them were to be presumed dead, they'd have more than enough money to solve all their problems... No one knows murder better than Jim Thompson and in this incisive foray into the dark dealings of the mid-20th century movie industry, he doesn't disappoint, in the riveting story of a love triangle gone horribly wrong, and just how far one man will go to hold on to a desperate dream.

Reveals that slavery has remained embedded in private law well after its ostensible demise.