“Sepich offers his insight and detailed research to the less knowledgeable reader. He crafts a book that will delight the McCarthy specialists.” —Western American Literature Blood Meridian (1985), Cormac McCarthy’s epic tale of an otherwise nameless “kid” who in his teens joins a gang of licensed scalp hunters whose marauding adventures take place across Texas, Chihuahua, Sonora, Arizona, and California during 1849 and 1850, is widely considered to be one of the finest novels of the Old West, as well as McCarthy’s greatest work. The New York Times Book Review ranked it third in a 2006 survey of the “best work of American fiction published in the last twenty-five years,” and in 2005 Time chose it as one of the 100 best novels published since 1923. Yet Blood Meridian’s complexity, as well as its sheer bloodiness, makes it difficult for some readers. To guide all its readers and help them appreciate the novel’s wealth of historically verifiable characters, places, and events, John Sepich compiled what has become the classic reference work, Notes on Blood Meridian. Originally published in 1993, Notes remained in print for only a few years and has become highly sought-after in the rare book market, with used copies selling for hundreds of dollars. In bringing the book back into print to make it more widely available, Sepich has revised and expanded Notes with a new preface and two new essays that explore key themes and issues in the work. This amplified edition of Notes on Blood Meridian is the essential guide for all who seek a fuller understanding and appreciation of McCarthy’s finest work.

25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Not control his amorous and pugilistic inclinations and so left for the West. According to his "Confession," he seduced countless women in the U.S. and Mexico, never missed a fandango, fought gallantly against Mexican guerrillas, and rode with the 1st Dragoons into the Battle of Buena Vista. His remarkable story is pure melodrama; but Goetzmann has proven by his painstaking research that much of it is true. In extensive annotation, the editor has been able to separate.

Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.

This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.

A Reader's Guide to Blood Meridian is the essential companion to the classic novel by Cormac McCarthy. Every reader, whether a student of literature or a fan of the book, will find a wealth of information in these pages. Shane Schimpf has researched every aspect of the novel More...from terminology to foreign language translations to historical references to literary underpinnings. The content is presented as a page-by-page analysis facilitating a simultaneous reading of both. The result is a more complete understanding of the novel and McCarthy's dark vision contained therein. Unlike other written works about the novel, A Reader's Guide to Blood Meridian includes: 1) Chapter-by-chapter, page-by-page annotations to the novel. 2) A subject index which includes the initial appearance of major characters, references to historical figures, geographical locales, indigenous flora and fauna, biblical references and more. 3) A thematic overview of Blood Meridian exploring the relationship between the novel's two major figures, The Kid and The Judge.

Now back in print, Vereen M. Bell's The Achievement of Cormac McCarthy was the first critical book devoted to an author who would become one of the most celebrated American writers of the late twentieth and early twenty-first century. Published in 1988, before McCarthy won the Pulitzer Prize and the National Book Award and had his novels adapted into acclaimed films, Bell's study offered the first systematic review of the author's work. According to Bell, part of the difficulty of analyzing McCarthy's fiction is that the novelist by design works against all conventional ways of seeing and dealing with the world. Any formulaic readings, particularly those associated with the traditional schemes of southern literature, will be distorted. McCarthy's novels are provocatively mysterious yet specific and vivid as well. They are also freestanding and unclassifiable Bell shows how McCarthy transforms the world through language, how he reconstitutes both urban and rural settings so that otherwise barely articulate and unheroic people live vividly in a context that is both modernist and antimodernist. In this respect, Bell argues, McCarthy's work is about the tension between visions of the world and the intractable, opposing materiality of it, between the mysteriousness of an individual's private engagement with experience and social normality's tendency to flatten it out. At the same time, Bell shows McCarthy's infatuation with the reality of evil, how the evil in human form in his novels is as inexplicably gratuitous and violent as the inhuman form of random and destructive natural events. Such violence, for McCarthy, is built into existence and cannot be evaded or rationalized away. With detailed readings of McCarthy's first five novels—The Orchard Keeper, Child of God, Outer Dark, Suttree, and Blood Meridian—Bell demonstrates the novelist's faith in the protean capacity of language to disclose the layered possibilities and richness of being. Widely cited by scholars, Bell's book established many of the foundational critical frameworks for approaching McCarthy's work. It is now available in an affordable paperback edition.

In the continuing redefinition of the American West, few recent writers have left a mark as indelible as Cormac McCarthy. A favorite subject of critics and fans alike despite--or perhaps because of--his avoidance of public appearances, the man is known solely through his writing. Thanks to his early work, he is most often associated with a bleak vision of humanity grounded in a belief in man's primordial aggressiveness. McCarthy scholar Barcley Owens has written the first book to concentrate exclusively on McCarthy's acclaimed western novels: Blood Meridian, National Book Award winner All the Pretty Horses, The Crossing, and Cities of the Plain. In a thought-provoking analysis, he explores the differences between Blood Meridian and the Border Trilogy novels and shows how those differences reflect changing conditions in contemporary American culture. Owens captures both Blood Meridian's wanton violence and the Border Trilogy's fond remembrance of the Old West. He shows how this dramatic shift from atavistic brutality to nostalgic Americana suggests that McCarthy has finally given his readers what they most want--the stuff of their mythic dreams. Owens's study is both an incisive look at one of our most important and demanding authors and a penetrating analysis of violence and myth in American culture. Fans of McCarthy's work will find much to consider for ongoing discussions of this influential body of work.

Cormac McCarthy's first novel, The Orchard Keeper, won the William Faulkner Award. His other books - Outer Dark, Child of God, Suttree, and Blood Meridian - have drawn a cult readership and the praise of such writers as Annie Dillard and Shelby Foote. "There are so many people out there who seem to have a hunger to know more about McCarthy's work," says McCarthy scholar Vereen Bell. Helping to satisfy such a need, this collection of essays, one of the few critical studies of Cormac McCarthy, introduces his work and lays the groundwork for study of an important but underrecognized American novelist, winner in 1992 of the National Book Award and the National Book Critics Circle Award for All the Pretty Horses. The essays explore McCarthy's historical and philosophical sources, grapple with the difficult task of identifying the moral center in his works, and identify continuities in his fiction. Included too is a bibliography of works by and about him. As they reflect critical perspectives on the works of this eminent writer, these essays afford a pleasing introduction to all his novels and his screenplay, "The Gardener's Son."

Stephanie Reents explores the strange absence of perspective and morality at the heart of Blood Meridian Literary Nonfiction. After teaching Cormac McCarthy's bloodiest, most challenging novel to her students for years, Stephanie Reents feels no closer to the strange void at the heart of Blood Meridian than when she began. So she journeys west, following the trail of the historical Glanton Gang across the desert landscape that McCarthy loves. In his archives, she discovers an obscure note about the kid�the novel's enigmatic protagonist�that might explain why this infamous novel is so hard to shake. This is part of Fiction Advocate's Afterwords series.