Early medieval manuscripts were commonly annotated not only by glosses but also by annotation symbols. These graphic signs inserted in manuscript margins provided manuscript text with layers of additional meaning and functionality. From the most common signs marking biblical quotations and passages of interest to the sophisticated systems of signs used by some of the early medieval scholars, annotation symbols represent perhaps the most common form of marginalia encountered in early medieval books. Yet, their non-verbal character proved a serious obstacle to their understanding and appreciation. This book represents the first systematic study of annotation symbols used in the Latin West between c. 400 and c. 900. Combining paleographic evidence with the evidence of written sources such as late antique and early medieval lists of signs, this book identifies the most important communities of sign users and conventions in use in the early Middle Ages. It explores some of the notable differences between regions, periods, linguistic communities and classes of users and reconstructs a fascinating history of the practice of using signs, rather than words, to annotate text. Those who work with early medieval manuscripts will, furthermore, find this book to be a practical handbook of the most common annotation symbols attested in early medieval Western manuscripts or discussed in ancient and medieval sources.

This volume is the first one in a collection connected to the PRIN project on Ruling in hard times. Patterns of Power and practices of government in the making of Carolingian Italy. Its focus lays on bishops and their networks of relationships in late-8th and 9th-century Italy. The episcopal contribution to the inclusion of the Lombard kingdom in the Carolingian social and political landscape is especially analyzed from the perspective of the cultural exchanges (of ideas, texts, and manuscripts) that bishops created or used to carry out their public and pastoral duties. Each paper focuses on a specific episcopal figure or area, reconstructing the scope and extent of the relationships of which they were the pivot. The aim is to provide as comprehensive a picture as possible of the cultural networks that crossed Carolingian Italy and the ways in which bishops shaped and made use of them.

The Codex Vercellensis is one of the great treasures of the Vercelli library, containing the four Gospels. Written during the fourth century, it is the oldest remaining Latin manuscript of the Greek New Testament and one of the most important witnesses to the early understanding of the Gospels. In this edition, Weissenrieder and Visinoni provide the Latin text of the work parallel to spectral images, indicating abbreviations, lineation, foliation and staurograms as well as a (reconstructed) critical edition with references to the most important texts of the Old Latin tradition as well as Greek and Syriac manuscripts and a commentary to this unique Latin translation. The analyses involved will be: (1) digital methods, (2) philological and theological, (3) translation theories in antiquity as well as (4) genealogical. The authors call into question assumptions about the text preserved in the manuscript, arguing that it represents an early stage of the Latin Gospels. The manuscript will be examined in light of its wide-ranging cultural and historical context. As such, the project aligns itself methodologically with the field of manuscript studies and attempts to integrate the specialized expertise of various disciplines in the study of a single object.

Threatened Knowledge discusses the practices of knowing, not-knowing, and not wanting to know from the Middle Ages to the twentieth century. In times of "fake news", processes of forgetting and practices of non-knowledge have sparked the interest of historical and sociological research. The common ground between all the contributions in this volume is the assumption that knowledge does not simply increase over time and thus supplant phases of not-knowing. Moreover, the contributions show that knowing and not-knowing function in very similar ways, which means they can be analysed along similar methodological lines. Given the implied juxtaposition between emotions and rational thinking, the role of emotions in the process of knowledge production has often been trivialized in more traditional approaches to the subject. Through a broad geographical and chronological approach, spanning from prognostic texts in the Carolingian period to stock market speculation in early-twentieth-century United States, this volume demonstrates the important role of emotions in the history of science. By bringing together cultural historians of knowledge, emotions, finance, and global intellectual history, Threatened Knowledge is a useful tool for all students and scholars of the history of knowledge and science on a global scale.

Radical Traditionalism: The Influence of Walter Kaegi in Late Antique, Byzantine, and Medieval Studies brings together scholars from fields and disciplines as diverse as medieval history, Byzantine history, Roman art history, and early Islamic studies. These scholars were students of Walter Kaegi, whose work influenced them greatly. This collection offers thoughtful essays examining political culture, source criticism and institutional continuity and discontinuity in a variety of areas, as well as illustrates how one scholar’s influence can reach across disciplinary boundaries to shape the argumentative structures and methods of both students and scholars. Any reader interested in the formation of disciplinary “schools” and how the broad application of a coherent approach to sources both literary and material will find this book an innovative approach to the Festschrift genre.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 46 is a special issue presenting the results of an international conference on the Latin Josephus, which was held at the University of Bochum, Germany, in September 2019. It comprises six articles on a wide variety of aspects of the Latin Josephus tradition and a review of a recently published edition of Josephus’s De Bello Iudaico, book 1.

The proposal of a semantics for quotations using explanatory notions drawn from philosophical theories of pictures. In Quotations as Pictures, Josef Stern develops a semantics for quotations using explanatory notions drawn from philosophical theories of pictures. He offers the first sustained analysis of the practice of quotation proper, as opposed to mentioning. Unlike other accounts that treat quotation as mentioning, Quotations as Pictures argues that the two practices have independent histories, that they behave differently semantically, that the inverted commas employed in both mentioning and quotation are homonymous, that so-called mixed quotation is nothing but subsentential quotation, and that the major problem of quotation is to explain its dual reference or meaning—its ordinary meaning and its metalinguistic reference to the quoted phrase attributed to the quoted subject. Stern argues that the key to understanding quotation is the idea that quotations are pictures or have a pictorial character. As a phenomenon where linguistic competence meets a nonlinguistic symbolic ability, the pictorial, quotation is a combination of features drawn from the two different symbol systems of language and pictures, which explains the exceptional and sometimes idiosyncratic data about quotation. In light of this analysis of verbal quotation, in the last chapters Stern analyzes scare quotation as a nonliteral expressive use of the inverted commas and explores the possibility of quotation in pictures themselves.

The Carolingian period (c. 750-900) has traditionally been described as one of ‘reform’ or ‘renaissance’, where cultural and intellectual changes were imposed from above in a programme of correctio. This view leans heavily on prescriptive texts issued by kings and their entourages, foregrounding royal initiative and the cultural products of a small intellectual elite. However, attention to understudied texts and manuscripts of the period reveals a vibrant striving for moral improvement and positive change at all levels of society. This expressed itself in a variety of ways for different individuals and communities, whose personal relationships could be just as influential as top-down prescription. The often anonymous creators and copyists in a huge range of centres emerge as active participants in shaping and re-shaping the ideals of their world. A much more dynamic picture of Carolingian culture emerges when we widen our perspective to include sources from beyond royal circles and intellectual elites. This book reveals that the Carolingian age did not witness a coherent programme of reform, nor one distinct to this period and dependent exclusively on the strength of royal power. Rather, it formed a particularly intense, well-funded and creative chapter in the much longer history of moral improvement for the sake of collective salvation.