There are no isolated incidences. Everything that happens in our lives is connected and becomes the ingredients of who we are. Sometimes we embrace the truth when it's convenient. Other times we run from it, hoping that it will change before it eventually catches up to us. When love is not enough, we must look deeper inside to mend the cracks that have weakened our foundation. Only then will we recognize our true selves. For Eva, that would be a challenge. Her life often churned out of control as she fought for happiness. It will take incredible strength and honesty to become the person she was meant to be. Follow Eva as she struggles to recognize her own worth and tries to figure out what it takes to truly be a woman.

JEFFANETICS : MUSINGS OF AN OLD PHILOSOPHY MAJOR.., is a book in 4 parts. 1.., Songs to the tune of other songs.., meant to be funny. 2 . Poetry.., mostly meant to ne serious. ..., 3 cartoon.., i would think of cartoon ideas, my friend Jennifer Woolf would draw them,.., meant to be funny.,,,...4. 3 short plays, meant to be fubby.,,., even what's meabt to be funny, is in my way, philosophical.

The adventures of Mary Brander and Cuthbert Hartington in recovering a lost estate are set against the episode of the Commune in Paris. After many adventures, all ends well with the hero and heroine married and living in London. (Illustrated)

This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic.

A startling and thought-provoking work from one of the most powerful philosophers in the Western canon Thus Spoke Zarathustra: A Philosophy Classic, is Friedrich Nietzsche’s classic masterpiece of philosophy and literature. Nietzsche writes from the perspective of Zarathustra who, after years of meditation, has come down from a mountain to provide his wisdom to an unsuspecting world. He offers enduring observations on God, the Übermensch, the will to power, and the nature of human beings. This deluxe hardback Capstone edition includes an insightful introduction from leading Nietzsche scholar Dirk R. Johnson Perfect for students and scholars of philosophy, literature and history, Thus Spoke Zarathustra: A Philosophy Classic belongs in the libraries of anyone interested in the philosophy of Nietzsche and in his powerful explorations of God, life, power, and humanity.

"This book explores the meaning and practice of health in the lives of southern African American women and their adolescent daughters"--

At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.