Rosemary Candwell's past has exploded into her present. Down-and-out and deteriorating, she drifts from anonymous beds and bars in Providence, to a homeless shelter hidden among the hedge-rowed avenues of Newport, and through the revolving door of service jobs and quick-fix psychiatric care, always grasping for hope, for a solution. She's desperate to readjust back into a family and a world that has deemed her a crazy bitch living a choice they believe she could simply un-choose at any time. She endures flashbacks and panic attacks, migraines and nightmares. She can't sleep or she sleeps for days; she lashes out at anyone and everyone, especially herself. She abuses over-the-counter cold medicine and guzzles down anything caffeinated just to feel less alone. What if her family is right? What if she is truly broken beyond repair?Drawn from the author's experience of homelessness and trauma recovery, It's Not Nothing is a collage of small moments, biting jokes, intrusive memories, and quiet epiphanies meant to reveal a greater truth: Resilience never looks the way we expect it to look.

** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.

"The book we all need at the time we all need it.” —Katherine Applegate, Newbery Award–winning author of The One and Only Ivan In this multigenerational middle grade novel of hope, compassion, and forgiveness from #1 New York Times bestselling author Gayle Forman that is as timely as it is timeles, a boy who has been assigned to spend his summer volunteering at a senior living facility learns unexpected lessons that change the trajectory of his life. Alex is twelve, and he did something very, very bad. A judge sentences him to spend his summer volunteering at a retirement home where he’s bossed around by an annoying and self-important do-gooder named Maya-Jade. He hasn’t seen his mom in a year, his aunt and uncle don’t want him, and Shady Glen’s geriatric residents seem like zombies to him. Josey is 107 and ready for his life to be over. He has evaded death many times, having survived ghettos, dragnets, and a concentration camp—all thanks to the heroism of a woman named Olka and his own ability to sew. But now he spends his days in room 206 at Shady Glen, refusing to speak and waiting (and waiting and waiting) to die. Until Alex knocks on Josey’s door…and Josey begins to tell Alex his story. As Alex comes back again and again to hear more, an unlikely bond grows between them. Soon a new possibility opens up for Alex: Can he rise to the occasion of his life, even if it means confronting the worst thing that he’s ever done?

"Ray Johnson, considered the progenitor of Correspondence art, blurred the boundaries between life and art, authorship and intimacy. The defining nature of his work were his letters (often both visual and textual in character), intended to be received, replied to (altered and embellished) and read, again and again. This lovingly curated collection of more than 200 mostly previously unpublished writings - including selected letters, minutes for "New York Correspondence School" meetings, hand-written notes and other writings - opens a new view into the whirling flux of Johnson's art, highlighting his keen sense of play as well as his attuned sensitivity to both language and the shifting nature of meaning. Cumulatively, the writings reveal not only how he created relationships, glyphs and puzzles by connecting words, phrases, people and ideas, but also something about the elusive Johnson himself"--From the publisher.

Discusses the importance of zero in the decimal system and its many uses.

“A welcome antidote to our toxic hustle culture of burnout.”—Arianna Huffington “This book is so important and could truly save lives.”—Elizabeth Gilbert “A clarion call to work smarter [and] accomplish more by doing less.”—Adam Grant We work feverishly to make ourselves happy. So why are we so miserable? Despite our constant search for new ways to optimize our bodies and minds for peak performance, human beings are working more instead of less, living harder not smarter, and becoming more lonely and anxious. We strive for the absolute best in every aspect of our lives, ignoring what we do well naturally and reaching for a bar that keeps rising higher and higher. Why do we measure our time in terms of efficiency instead of meaning? Why can’t we just take a break? In Do Nothing, award-winning journalist Celeste Headlee illuminates a new path ahead, seeking to institute a global shift in our thinking so we can stop sabotaging our well-being, put work aside, and start living instead of doing. As it turns out, we’re searching for external solutions to an internal problem. We won’t find what we’re searching for in punishing diets, productivity apps, or the latest self-improvement schemes. Yet all is not lost—we just need to learn how to take time for ourselves, without agenda or profit, and redefine what is truly worthwhile. Pulling together threads from history, neuroscience, social science, and even paleontology, Headlee examines long-held assumptions about time use, idleness, hard work, and even our ultimate goals. Her research reveals that the habits we cling to are doing us harm; they developed recently in human history, which means they are habits that can, and must, be broken. It’s time to reverse the trend that’s making us all sadder, sicker, and less productive, and return to a way of life that allows us to thrive.

Captain Robert Cowley walked a deserted Pacific beach; it was pre-dawn, dark, and chilly. Suddenly, he heard a voice: "Robert, look up." He looked up and observed the faint glow of Mars and billions of stars. The voice spoke again: "Why anything. Why not nothing." Cowley, an archetypal on-and-off believer, wrote Why Anything-Why Not Nothing for atheists, theists, scientists, evolutionists, and more. He asks: are humans the remnants of a natural big bang that coalesced into a universe, or might we be the creation of a supernatural God? Asking difficult questions and challenging the bounds of human reason, logic and intelligence, he reviews Biblical science against modern science and the limitations inherent in matter; he seeks to understand how and why we are here. Cowley searches for answers in the cosmos and in the supernatural philosophy of two monotheistic religions, Judaism and Christianity. He ponders with amazing intelligible lucidity: is evolution or God responsible for life.

A woefully overmatched PI must confront his past and solve a murder in rural Texas.

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.

When Brisnay discovers that she is a part of a fantasy world and meets Nickolaus, her miserable life takes a turn for the better. A world where anything is possible becomes her refuge and sparks fly between her and Nickolaus. Just when she thinks she knows everything about the realm she was thrust into, she uncovers shocking truths that rattle her to the core. Betrayal. Hate. Envy. Deceit. Vengeance. Retribution. These are some of the things that Brisnay must face to fight a powerful, unknown enemy who is out to destroy her and strip her of the powers she's rightfully inherited. Brisnay realizes that she has no choice but to take a stand and must get revenge by fighting for the right to love.