Reduced size reprint of the 1927 edition.

The cross pervaded the whole of Anglo-Saxon culture, in art, in sculpture, in religion, in medicine. These new essays explore its importance and significance.

Significant Anglo-Saxon papers, with postscripts, illustrate advances in knowledge of life and culture of pre-Conquest England. Thomas Northcote Toller, of the Bosworth-Toller Anglo-Saxon Dictionary, is one of the most influential but least known Anglo-Saxon scholars of the early twentieth century. The Centre for Anglo-Saxon Studies at Manchester, where Toller was the first professor of English Language, has an annual Toller lecture, delivered by an expert in the field of Anglo-Saxon Studies; this volume offers a selection from these lectures, brought together for the firsttime, and with supplementary material added by the authors to bring them up to date. They are complemented by the 2002 Toller Lecture, Peter Baker's study of Toller, commissioned specially for this book; and by new examinations ofToller's life and work, and his influence on the development of Old English lexicography. The volume is therefore both an epitome of the best scholarship in Anglo-Saxon studies of the last decade and a half, and a guide for the modern reader through the major advances in our knowledge of the life and culture of pre-Conquest England. , Contributors: RICHARD BAILEY, PETER BAKER, DABNEY ANDERSON BANKERT, JANET BATELY, GEORGE BROWN, ROBERTA FRANK, HELMUT GNEUSS, JOYCE HILL, DAVID A. HINTON, MICHAEL LAPIDGE, AUDREY MEANEY, KATHERINE O'BRIEN O'KEEFFE, JOANA PROUD, ALEXANDER RUMBLE.

Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.

The Reader's Guide to British History is the essential source to secondary material on British history. This resource contains over 1,000 A-Z entries on the history of Britain, from ancient and Roman Britain to the present day. Each entry lists 6-12 of the best-known books on the subject, then discusses those works in an essay of 800 to 1,000 words prepared by an expert in the field. The essays provide advice on the range and depth of coverage as well as the emphasis and point of view espoused in each publication.

The Dream of the Rood is a poem that has entranced generations of scholars. It is one of the greatest religious poems in English literature, the work of a nameless poet of superb genius. Immediately attractive, its poetic content is readily accessible to the modern reader, being in the mainstream of Western religious thought. Representative of the Golden Age of Anglo-Saxon culture, drawing on both visual and doctrinal motifs, it provides a ready introduction to its own intellectual and artistic milieu. This is underlined by intimate links with the Ruthwell Cross, the documentary context of the earlier version, and itself often regarded as one of the finest monuments of the Anglo-Saxon Age. This edition presents a conservative text with variant readings described in the notes. In his introduction Professor Swanton describes the Vercelli Book, in which the full text of The Dream of the Rood is found, and gives an account of the Ruthwell Cross, the sources for which are scattered and not normally familiar to students of Old English. The relationship between the two texts, the doctrine behind the poem and its style and structure are also discussed. The edition includes extensive notes and a glossary.

A comprehensive history of the Christianity in Great Britain from the Roman Empire, through the Reformation and the 20th century. This authoritative account of the Church in England covers its history from earliest times to the late twentieth century. Includes chapters on the Roman, Celtic, Anglo-Saxon, Norman, and Medieval periods before a description of the Reformation and its effects, the Stuart period, and the Industrial Age, with a final chapter on the modern church through 1972. “[JRH Moorman’s]]] work has all the qualities of that rare achievement, a good textbook. It is written in a plain but eminently readable expository prose . . . a piece of authentic historical writing, in which the author communicates his interest to the reader without misleading him.”―The Times Educational Supplement

Investigating the changing nature of lorship and peasant statuses, the transformation of estate structures, the emergence of villages, and the development of the parish system, D. M. Hadley also explains the peculiarities of the northern Danelaw and reassesses the impact of the Scandinavian settlements on its society and culture.A detailed local study is combined with a consideration of wider issues concerning Anglo-Saxon England and lond, and short-term changes unrelated to successive conquests.

First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.