A unique collection of traditional Northumbrian music arranged for fingerstyle guitar. Selections include Salmon Tails Up the Water; Johnny Armstrong; Jimmy Allen; Felton Lonnen; Sir John Fenwick; Bonny Gallowgate Lad; Buy Broom Besoms; Elsie Marley; Sweet Hesleyside; Chevy Chase; Lea Riggs; Noble Squire Dacre; Dolia; Are You My Hinny Burd; and more. Each piece is written in standard notation and tablature and includes brief technical and performance notes.

A unique collection of traditional Northumbrian music arranged for fingerstyle guitar. Selections include Salmon Tails Up the Water; Johnny Armstrong; Jimmy Allen; Felton Lonnen; Sir John Fenwick; Bonny Gallowgate Lad; Buy Broom Besoms; Elsie Marley; Sweet Hesleyside; Chevy Chase; Lea Riggs; Noble Squire Dacre; Dolia; Are You My Hinny Burd; and more. Each piece is written in standard notation and tablature and includes brief technical and performance notes

This new, thoroughly updated second edition of Bradt's best-selling, comprehensive guide to Northumberland including Newcastle, Hadrian's Wall & the Coast remains the reliable source of information for discovering the far northeast of England, an area which is home to Europe's largest area of protected night sky - and England's first Dark Sky Park, a 572-square-mile expanse in Northumberland National Park. Now including over 40 walks along beaches, over hills and through valleys, as well as dedicated chapters on Northumberland National Park, Hadrian's Wall, the coast and Newcastle, among others, Bradt's Northumberland including Newcastle, Hadrian's Wall & the Coast is the ideal companion for a successful visit. Northumberland is well-known for its beaches, castles, wildlife, islands and desolate upland scenery, but despite all the attention and accolades ('most tranquil county', 'darkest night skies in England', 'Best UK County/Region [Silver Award']), Northumberland remains for the most part wonderfully crowd-free. It is the ultimate place in England to get away from it all, where you can walk all afternoon over moorland and not meet anyone, skinny-dip in lakes, or picnic on pristine sands with no one else around. Northumberland is also home to Hadrian's Wall, 'the most important Roman monument in Britain' (English Heritage), while heritage enthusiasts will find a number of world firsts and unique museums such as Tanfield Railway, where you can marvel at 19th-century steam engines in the oldest engine shed in the world. Bradt's Northumberland encourages visitors to slow down and explore the green lanes, footpaths, rivers and cycle trails that link Northumberland's 'Castle Coast' with the heather-topped hills, Roman fortresses and villages of the interior. A guide to Newcastle is found in the chapter on Tyne & Wear. Local knowledge of historic towns, heritage sites, wildlife-watching spots and countryside walks, and words and tips from local heritage experts make this an authoritative guide - and as much an entertaining armchair read as a practical guide, perfect for walkers, birdwatchers, cyclists, families, and those interested in Roman archaeology, industrial heritage and medieval castles.

Originally published in 1969. Until the latter half of the nineteenth century, it was thought that England, alone among the European countries, and unlike Scotland and Ireland where collections of ballads and songs had already been published as early as the eighteenth century, had no important native tradition of music. The founding of the (English) Folk-Song Society in 1898, however, and the pioneering work of such collectors as Lucy Broadwood, the Reverend S. Baring-Gould and, later, Cecil Sharp uncovered a still flourishing folk culture. Since then interest in this subject has grown steadily, and the bibliography of publications of actual folk-songs and ballads is now huge. Frank Howes sets out a general and scholarly introduction, first examining in detail the history and origins of folk music and going on to show the nature and vast amount of the material, enforcing his arguments with a wealth of examples from around the world. His discussion of the differences of national idiom leads on to a comparison of British folk music with that of other European countries and America, in which he pays due attention to the Celtic and Norse traditions. Separate sections on balladry, carols, street cries, broadsides, sea shanties, nursery rhymes and instruments illustrate both the variety of folk music and the extent to which it permeates our national heritage.

Northumbria is home to the loneliest stretches of moorland and coast in the country. The region has much to offer the nature lover, walking enthusiast, history buff, gastronome and gardener: rare wildlife, Georgian architecture, the Pennine hills, Hadrian's Wall, Alnwick Gardens and Alnwick Castle, featured in the Harry Potter films. Gemma Hall shares her love of Northumberland, Durham and Tyneside, guiding visitors through historic towns, cities and villages; across the Cheviot Hills and along Northumberland's Heritage Coast; to outdoor swimming spots, high altitude flower meadows and the wooded gorges of the Durham coast.

Focus: Irish Traditional Music, Second Edition introduces the instrumental and vocal musics of Ireland, its diaspora in North America, and its Celtic neighbors while exploring the essential values underlying these rich musical cultures and placing them in broader historical and social context. With both the undergraduate and graduate student in mind, the text weaves together past and present, bringing together important ideas about Irish music from a variety of sources and presenting them, in three parts, within interdisciplinary lenses of history, film, politics, poetry, and art: I. Irish Music in Place and Time provides an overview of the island’s musical history and its relationship to current performance practice. II. Music Traditions Abroad and at Home contrasts the instrumental and vocal musics of the "Celtic Nations" (Scotland, Wales, Brittany, etc.) and the United States with those of Ireland. III. Focusing In: Vocal Music in Irish-Gaelic and English identifies the great songs of Ireland’s two main languages and explores the globalization of Irish music. New to this edition are discussions of those contemporary issues reflective of Ireland’s dramatic political and cultural shifts in the decade since first publication, issues concerning equity and inclusion, white nationalism, the Irish Traveller community, hip hop and punk, and more. Pedagogical features—such as discussion questions, a glossary, a timeline of key dates, and expanded references, as well as an online soundtrack—ensure that readers of Focus: Irish Traditional Music, Second Edition will be able to grasp Ireland's important social and cultural contexts and apply that understanding to traditional and contemporary vocal and instrumental music today.