Collects pages from the private sketchbooks of architects and studios from around the world, and includes comments from the artists as well as details on how they use sketching to evolve inspirations and concepts into more developed ideas.

Tony Hunt's Sketchbook illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. This new edition features 100 previously unpublished sketches. These sketches illustrate alternative structural concepts, ideas and details developed by Tony Hunt for over one hundred projects throughout his professional life. They relate directly to projects built and unbuilt in the field of structural engineering and were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record of ideas proposed at the particular time. They are a source of design inspiration and an insight into the work of this well respected engineer.

Zaha Hadid Ron Arad Ben Berkel Norman Foster Helmut Jahn With their power of visualization, architectural drawings and sketches are unmatched in their capacity to anticipate the esthetic appearance of a building after its completion. The hand-drawn vision highlights the main features and characteristics of a building, which is overshadowed by the seemingly perfectly realistic approach of a rendering. Despite the nearly unending possibilities of computer-based methods, drawings and sketches remain the most intuitive expression method of architects. The volume combines the most diverse drawing and painting methods, juxtaposing implemented sketches with selected photos of the final result, allowing readers to comprehend the connection between the intention and outcome themselves. After the success of the publication Architectural Visions, which focused on the German-speaking realm, this successor volume is dedicated on the individual handwriting of the most important and influential architects of our time.

This exhibition, which was held at Ivorypress Art+Books in September 2009, featured 200 drawings by Norman Foster. This catalogue includes the exhibited drawings as well as texts of a series of paneled discussions which were mediated by LuÃÂs Fernández Galiano, with contributions from Norman Foster, Richard Long, Deyan Sudjic, Not Vital, Ricky Burdett, Jordi Gual, Saskia Sassen, Stefan Behling and Herbert Girardet. This catalogue is the first in a series devoted to architecture relating to art, sustainability and economy.

"'Norman Foster Talking and Writing' brings together, for the very first time, a selection of Norman Fosters most seminal lectures and essays. Spanning four decades, the publication is a comprehensive compilation of Fosters thoughts on architecture, urbanism, design, and technology and also compiles detailed descriptions of the development of some of Foster + Partners most influential projects. The publication presents a selection of lectures and essays alongside the original slides used in each of their presentations, spanning from the 1960s to the early 2000s, in what will surely be a point of reference for students, practitioners, and lovers of architecture for years to come" -- Amazon.com.

Here is a once-in-a-lifetime glimpse into the past majesty of the pioneering days of the American Railroads as told by the graphics of the industry.

This new paperback combines traditional drawing techniques with those from CAD renderings to guide practitioners from their first impression of a site through concept, construction, and site drawings. Across design disciplines, drawing by hand has largely become a lost art. With digital tools at their disposal, the majority of designers create while sitting at their computer screens. Attitudes are changing, however. Eager to push the boundaries of their creative processes and spurred by a sense of being disconnected from their briefs, today’s designers seek a greater and more immediate connection with their projects. There is no better way to stimulate the imagination than by learning to draw what one sees, and in the fluid, living world of landscape architecture, it is particularly important. This essential publication reintroduces the importance of learning to “see by hand,” to visualize large-scale design schemes and explain them through drawing, before using the digital tools that are time- and cost-efficient building solutions. Combining traditional drawing techniques with those from CAD rendering, Drawing for Landscape Architecture guides practitioners from their very first impression. This expanded edition includes a new chapter on the relationship between landscape design and architecture, along with a selection of updated images.

Very small buildings have a special appeal. The constraints of space and cost can actually liberate the imagination. This book includes projects which consist of no more than a few key spaces, in many cases just a single space. It also features 53 case studies.

A beautifully packaged, idiosyncratic introduction to British building styles, by the acclaimed illustrator and architectural enthusiast Matthew Rice. The Language of Buildings covers the grammar and vocabulary of British buildings, explaining the evolution of styles from Norman castles to Norman Foster. Its aim is to enable the reader to recognize, understand and date any British building. As Matthew Rice says, "Once you can speak any language, conversation can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it." The Language of Buildings will explain the language of architecture. With it in your hand, buildings will break down beguilingly into their component parts, ready for inspection and discussion. There will be no more references to that curly bit on top of the thing with the square protrusions. Ungainly and inept descriptions will be a thing of the past and, fluent in the world of volutes, hood moulds, lobed architraves and bucrania, you will be able to leave a cathedral or country house with as much to talk about as a film or play. The Language of Buildings starts with an explanation of the basic "Grammar" of buildings: elevation, plan, roof, gable and eave. This will enable the reader to better make use of what is to follow. It will also cover the Orders of Architecture--Doric, Tuscan, Ionic, Corinthian and Composite--so that the vital basics of Classicism are covered. Following this is the "Vocabulary." This will be a chronological reference section covering, period by period, the windows, doors and doorcases, columns, chimneys, arches, balustrades and pediments that make up the built environment.