Studie over - met afbeeldingen van - het werk van drie vooraanstaande Britse architecten, resp. geb. 1935, 1933 en 1926

Makers of 20th-Century Modern Architecture is an indispensable reference book for the scholar, student, architect or layman interested in the architects who initiated, developed, or advanced modern architecture. The book is amply illustrated and features the most prominent and influential people in 20th-century modernist architecture including Wright, Eisenman, Mies van der Rohe and Kahn. It describes the milieu in which they practiced their art and directs readers to information on the life and creative activities of these founding architects and their disciples. The profiles of individual architects include critical analysis of their major buildings and projects. Each profile is completed by a comprehensive bibliography.

A re-evaluation of three 'red buildings', designed by Jim Stirling: the University of Leicester Engineering Building (and James Gowan), the History Faculty and Library at Cambridge and the residential Florey Building at Queen's College, Oxford. These are buildings much praised by architects, yet hated by the members of the universities that use them. Alan Berman has drawn together essays which put the buildings in their historical context, and which explore both their radical features and their technical failings. In addition, twenty-four of today's most famous architects - including Will Alsop, Norman Foster, Richard MacCormac and Richard Rogers - explain and partly seek to defend, the importance of these radical and controversial buildings. With top contributors and newly commissioned photography, as well as stunning drawings taken from the Jim Stirling archives, this book attempts a serious re-engagement with the continuing debate between modern architects and the public.

Richard Rogers was born in Florence in 1933. He was educated in the UK and then at the Yale School of Architecture, where he met Norman Foster. Alongside his partners, he has been responsible for some of the most radical designs of the twentieth century, including the Pompidou Centre, the Millennium Dome, the Bordeaux Law Courts, Leadenhall Tower and Lloyd's of London. He chaired the Urban Task Force, which pioneered the return to urban living in the UK, was chief architectural advisor to the Mayor of London, and has also advised the mayors of Barcelona and Paris. He is married to Ruth Rogers, chef and owner of the River Café in London. He was knighted in 1991 by Queen Elizabeth II, and made a life peer in 1996. He has been awarded the Légion d'Honneur, the Royal Institute of British Architects' Royal Gold Medal, and the Pritzker Prize, architecture's highest honour. Richard Brown is Research Director at Centre for London, the independent think tank for London. He was previously Strategy Director at London Legacy Development Corporation, Manager of the Mayor of London's Architecture and Urbanism Unit, and an urban regeneration researcher at the Audit Commission.

Featuring 75 of the world's most influential architects, this book presents the story of 20th-century architecture through the fascinating personal stories and significant works that have shaped the field. Arranged in a broadly chronological order, the book gives the reader a sense of the impact that inventive individuals have had on the development of architecture and our built environment. Key dates in the architects' careers are listed in timeline features, thereby allowing the author freedom to move beyond well-known biographies to analyze the buildings and map out the exciting visions behind them. With insightful text describing carefully selected examples, this is a dynamic and unique guide to the architects whose visions have created the buildings around us.

'Exquisite Corpse' was a game played by the surrealists in which someone drew on a piece of paper, folded it and passed it to the next person to draw on until, finally, the sheet was opened to reveal a calculated yet random composition. In this entertaining and provocative book, Michael Sorkin suggests that cities are similarly assembled by many players acting with varying autonomy in a complicit framework. An unfolding terrain of invention, the city is also a means of accommodating disparity, of contextualizing sometimes startling juxtapositions. Sorkin's aim is to widen the debate about the creation of buildings beyond the immediate issues of technology and design. He discusses the politics and culture of architecture with daring, often devastating, observations about the institutions and personalities who have dominated the profession over the past decade. Their preoccupation with the empty style of 'beach houses and Disneyland' has consistently trivialized the full constructive scope of contemporary architecture's possibilities. Sorkin's interventions range from the development scandals of New York where 'skyscrapers stand at the intersection between grid and greed', through the deconstructivist architectural culture of Los Angeles, to the work and ideas of architects, developers and critics such as Alvar Aalto, Norman Foster, Paul Goldberger, Michael Graves, Coop Himmelblau, Philip Johnson, Leon Krier, Frank Lloyd Wright, Richard Rogers, Carlo Scarpa, James Stirling, Donald Trump, Tom Wolfe and Lebbeus Woods. Throughout Sorkin combines stinging polemic with a powerful call for a rebirth of architecture that is visionary and experimental--a recuperated 'dreamy science'

'Provocative, elegant, intriguing - Jenkins is a bold, imaginative writer, brilliant at challenging old assumptions and encouraging you to look at British architecture in a new light' Rory Stewart The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. A Short History of British Architecture is the gripping and untold story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today. Bestselling historian Simon Jenkins traces the relentless battles over the European traditions of classicism and gothic. He guides us from the gothic cathedrals of Lincoln, Ely and Wells to the ‘prodigy’ houses of the Tudor renaissance, and visits the great estates of Georgian London, the docks of Liverpool, the mills of Yorkshire and the chapels of south Wales. The arrival of modernism in the twentieth century politicised public taste, upheaved communities and sought to reconstruct entire cities. It produced Coventry Cathedral and Lloyd’s of London, but also the brutalist monoliths of Sheffield’s Park Hill, Glasgow’s Cumbernauld and London’s South Bank. Only in the 1970s did the public at last give voice to what became the conservation revolution – a movement in which Jenkins played a leading role, both as deputy chairman of English Heritage and chairman of the National Trust, and in the saving of iconic buildings such as St Pancras International and Covent Garden. Jenkins shows that everyone is a consumer of architecture and makes the case for the importance of everyone learning to speak its language. A Short History of British Architecture is a celebration of our national treasures, a lament of our failures – and a call to arms.

High and popular culture; family, race, gender and class relations; sexual attitudes and material conditions; science and technology - the diversity of social developments in Britain from 1945 to 2002 are thoroughly explored in this new edition of aclassic text. 'Something of a tour de force... Without serious distortion or omission he moves dexterously through a wide variety of sources, ranging from poetry through film and novels to opinion polls.. it is astonishing how much he gets in' Times Educational Supplement 'An enjoyable, readable, usable achievement which leads the field' John Vincent, Sunday Times