Everyone knows that in socialism private companies are replaced by state enterprises which employ wage-workers in order to produce profits which accrue to the state. 'Not so!' say the authors of this book. In the nineteenth century, socialists as different as Marx and Kropotkin were agreed that socialism means a marketless, moneyless, wageless, classless, stateless world society. Subsequently this vision of non-market socialism has been developed by currents such as the Anarcho-Communists, Impossibilists, Council Communists, Bordigists and Situationists. By tracing this development, this book challenges the assumptions of both supporters and opponents of what is conventionally regarded as socialism.

Recent years have witnessed a burgeoning interest in the study of everyday life within the social sciences and humanities. In Critiques of Everyday Life Michael Gardiner proposes that there exists a counter-tradition within everyday life theorising. This counter-tradition has sought not merely to describe lived experience, but to transform it by elevating our understanding of the everyday to the status of a critical knowledge. In his analysis Gardiner engages with the work of a number of significant theorists and approaches that have been marginalized by mainstream academe, including: *The French tradition of everyday life theorising, from the surrealists to Henri Lefebvre, and from the Situationist International to Michel de Certeau *Agnes Heller and the relationship between the everyday, rationality and ethics *Carnival, prosaics and intersubjectivity in the work of Mikhail Bakhtin *Dorothy E. Smith's feminist perspective on everyday life. Critiques of Everyday Life demonstrates the importance of an alternative, multidisciplinary everyday life paradigm and offers a myriad of new possibilities for critical social and cultural theorising and empirical research.

" 'Workers' councils' does not designate a fixed form of organization, elaborated once and for all and for which all that remains is to perfect its details; it concerns a principle, that of workers' self management of the enterprise and of production. The realization of this principle can never occur through a theoretical discussion concerning the best means of execution. It is a question of the practical struggle against the apparatus of capitalist domination." - Anton Pannekoek The Council Communist Reader is a collection of selected writings from a few council communists. Council Communism emerged in Holland and Germany in the 1920's as an alternative to Bolshevik and Marxist-Leninist thought up to the Third International. Council Communist theory was derived from workers' experiences in the German Revolution of 1918, the early years of the Weimar Republic, and the study of the early council movements in Russia in 1905 and 1917. They sought not to impose a kind of organization upon the workers' movement, but instead to uplift the form of "councils" as spontaneous and self-emancipatory for the working class. This was a throughline for the council communists to connect back to Marx's understanding of proletarian revolution in maintaining "the emancipation of the working class is the task of the workers themselves." Council communism was not to be a new ideology for the working class, but to take a critique of state socialism back to the roots of self-emancipation towards theoretical coherence which can combat all forms that hinder emancipation and move this theoretical coherence into practice. From this, and their understanding revolutionary consciousness develops as a result of crisis, revolution is not a choice but a necessity. The works included in this book have been chosen to reflect the developments of Council Communism over decades; this is not an exhaustive, encyclopedic collection of all councilist texts, but a collection of key texts. This book in the Radical Reprint series from Pattern Books is made to be accessible and as close to manufacturing cost as possible.

The original French edition of this encyclopedia, the Encyclopédie politique et historique des femmes, Second Edition has been lauded by French reviewers, and now Routledge is pleased to publish this acclaimed resource in an English language edition. From the Salic Law in medieval France to the American Revolution to today's women's representation in American and European politics, this valuable resource discusses women's participation in Western political and historical transformation. The 40 authoritative in-depth articles, written by an international team of scholars, examine women's activism in areas such as voting, emancipation, equality, and democracy, providing students and general readers with an indispensable resource.

This book centers on a relatively neglected theme in the scholarly literature on Hannah Arendt's political thought: her support for a new form of government in which citizen councils would replace contemporary representative democracy and allow citizens to participate directly in decision-making in the public sphere. The main argument of the book is that the council system, or more broadly the vision of participatory democracy was far more important to Arendt than is commonly understood. Seeking to demonstrate the close links between the council system Arendt advocated and other major themes in her work, the book focuses particularly on her critique of the nation-state and her call for a new international order in which human dignity and “the right to have rights” will be guaranteed; her conception of “the political” and the conditions that can make this experience possible; the relationship between philosophy and politics; and the challenge of political judgement in the modern world.

Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the Situationist International left behind. From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure Situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city. According to the Situationists, the benign professionalism of architecture and design had led to a sterilization of the world that threatened to wipe out any sense of spontaneity or playfulness. The Situationists hankered after the "pioneer spirit" of the modernist period, when new ideas, such as those of Marx, Freud, and Nietzsche, still felt fresh and vital. By the late fifties, movements such as British and American Pop Art and French Nouveau Ralisme had become intensely interested in everyday life, space, and mass culture. The SI aimed to convert this interest into a revolution—at the level of the city itself. Their principle for the reorganization of cities was simple and seductive: let the citizens themselves decide what spaces and architecture they want to live in and how they wish to live in them. This would instantly undermine the powers of state, bureaucracy, capital, and imperialism, thereby revolutionizing people's everyday lives. Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City.

This book explores a variety of interconnected themes central to contemporary Marxist theory and its further development as a critical social theory. Championing the critique of political economy as a critical theory of society and rejecting Marxian economics as a contradiction in terms, it argues instead that economic categories are perverted social categories, before identifying the sheer unrest of life - the struggle to make ends meet - as the negative content of the reified system of economic objectivity. With class struggle recognised as the negative category of the cold society of capitalist wealth, which sees in humanity a living resource for economic progress, the author contends that the critique of class society finds its rational solution in the society of human purposes, that is, the classless society of communist individuals. A theoretically sophisticated engagement with Marxist thought, A Critical Theory of Economic Compulsion will appeal to scholars of social and political theory with interests in critical theory and post-capitalist imaginaries.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Critical texts, translations, documents, and photographs on the work of the Situationist International. This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith. Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book The Society of the Spectacle.

This is a pioneering study of Japanese 'pure anarchism' between the wars focused on its principal theoretician, Hatta Shuzo.