This book mainly discusses the representation theory of the special linear group 8L(2, 1R), and some applications of this theory. In fact the emphasis is on the applications; the working title of the book while it was being writ ten was "Some Things You Can Do with 8L(2). " Some of the applications are outside representation theory, and some are to representation theory it self. The topics outside representation theory are mostly ones of substantial classical importance (Fourier analysis, Laplace equation, Huyghens' prin ciple, Ergodic theory), while the ones inside representation theory mostly concern themes that have been central to Harish-Chandra's development of harmonic analysis on semisimple groups (his restriction theorem, regularity theorem, character formulas, and asymptotic decay of matrix coefficients and temperedness). We hope this mix of topics appeals to nonspecialists in representation theory by illustrating (without an interminable prolegom ena) how representation theory can offer new perspectives on familiar topics and by offering some insight into some important themes in representation theory itself. Especially, we hope this book popularizes Harish-Chandra's restriction formula, which, besides being basic to his work, is simply a beautiful example of Fourier analysis on Euclidean space. We also hope representation theorists will enjoy seeing examples of how their subject can be used and will be stimulated by some of the viewpoints offered on representation-theoretic issues.

This book offers a complete and streamlined treatment of the central principles of abelian harmonic analysis: Pontryagin duality, the Plancherel theorem and the Poisson summation formula, as well as their respective generalizations to non-abelian groups, including the Selberg trace formula. The principles are then applied to spectral analysis of Heisenberg manifolds and Riemann surfaces. This new edition contains a new chapter on p-adic and adelic groups, as well as a complementary section on direct and projective limits. Many of the supporting proofs have been revised and refined. The book is an excellent resource for graduate students who wish to learn and understand harmonic analysis and for researchers seeking to apply it.

This book introduces harmonic analysis at an undergraduate level. In doing so it covers Fourier analysis and paves the way for Poisson Summation Formula. Another central feature is that is makes the reader aware of the fact that both principal incarnations of Fourier theory, the Fourier series and the Fourier transform, are special cases of a more general theory arising in the context of locally compact abelian groups. The final goal of this book is to introduce the reader to the techniques used in harmonic analysis of noncommutative groups. These techniques are explained in the context of matrix groups as a principal example.

The Heisenberg group plays an important role in several branches of mathematics, such as representation theory, partial differential equations, number theory, several complex variables and quantum mechanics. This monograph deals with various aspects of harmonic analysis on the Heisenberg group, which is the most commutative among the non-commutative Lie groups, and hence gives the greatest opportunity for generalizing the remarkable results of Euclidean harmonic analysis. The aim of this text is to demonstrate how the standard results of abelian harmonic analysis take shape in the non-abelian setup of the Heisenberg group. Thangavelu’s exposition is clear and well developed, and leads to several problems worthy of further consideration. Any reader who is interested in pursuing research on the Heisenberg group will find this unique and self-contained text invaluable.

Explores some basic roles of Lie groups in linear analysis, with particular emphasis on the generalizations of the Fourier transform and the study of partial differential equations.

A Course in Abstract Harmonic Analysis is an introduction to that part of analysis on locally compact groups that can be done with minimal assumptions on the nature of the group. As a generalization of classical Fourier analysis, this abstract theory creates a foundation for a great deal of modern analysis, and it contains a number of elegant resul

'This is a book to be read and worked with. For a beginning graduate student, this can be a valuable experience which at some points in fact leads up to recent research. For such a reader there is also historical information included and many comments aiming at an overview. It is inspiring and original how old material is combined and mixed with new material. There is always something unexpected included in each chapter, which one is thankful to see explained in this context and not only in research papers which are more difficult to access.'Mathematical Reviews ClippingsThe book features new directions in analysis, with an emphasis on Hilbert space, mathematical physics, and stochastic processes. We interpret 'non-commutative analysis' broadly to include representations of non-Abelian groups, and non-Abelian algebras; emphasis on Lie groups and operator algebras (C* algebras and von Neumann algebras.)A second theme is commutative and non-commutative harmonic analysis, spectral theory, operator theory and their applications. The list of topics includes shift invariant spaces, group action in differential geometry, and frame theory (over-complete bases) and their applications to engineering (signal processing and multiplexing), projective multi-resolutions, and free probability algebras.The book serves as an accessible introduction, offering a timeless presentation, attractive and accessible to students, both in mathematics and in neighboring fields.

Acoustics and the Performance of Music connects scientific understandings of acoustics with practical applications to musical performance. Of central importance are the tonal characteristics of musical instruments and the singing voice including detailed representations of directional characteristics. Furthermore, room acoustical concerns related to concert halls and opera houses are considered. Based on this, suggestions are made for musical performance. Included are seating arrangements within the orchestra and adaptations of performance techniques to the performance environment. In the presentation we dispense with complicated mathematical connections and deliberately aim for conceptual explanations accessible to musicians, particularly for conductors. The graphical representations of the directional dependence of sound radiation by musical instruments and the singing voice are unique. Since the first edition was published in 1978, this book has been completely revised and rewritten to include current research. This translation corresponds to the latest (fifth) German edition (2004), which has become a standard reference work for audio engineers and scientists. Acoustics and the Performance of Music addresses issues that are of interest to acousticians, orchestra performers and conductors, audio engineers, architects. Researchers and students of musical acoustics will also find this text valuable.

It examines the theory of finite groups in a manner that is both accessible to the beginner and suitable for graduate research.